Prints catalogue Smith - 8

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Mary of Modena, published by John Smith, after  Sir Godfrey Kneller, Bt, 1715-1724 - NPG  - © National Portrait Gallery, London

Mary of Modena
published by John Smith, after Sir Godfrey Kneller, Bt
1715-1724
NPG D11919

190.
D11919
Mary of Modena
Published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
8 in. x 5 3/4 in. (203 mm x 145 mm) plate size
1715-1724

I Before the lettering.
London (BM, 1902-10-11-4691, good margins), London (NPG, D11919).
II Lettered: S. Maria D.G. Ang. Sco. Fran. et Hib. Regina
Below left: G.Kneller pinx.
Below right: Sold by J Smith at ye Lyon & Crown in Russell Street Covent Garden
Amsterdam (RM, RP-P-OB-32-791), Glasgow (HAG, GLAHA 16309), London (BM, 1902-10-11-4692, good margins, 1902-10-11-4693, cut removing address, and 1902-10-11-4694, trimmed), London (D12026, D7857-61), New York (NYPL, vol. 2, fol. 131), Oxford (AM, Sutherland collection, Burnet vol. I, pt. XII, p. 752, two impressions, one possibly modern), Paris (BN, Ec. 86, fol.72, cut), Plymouth (CAG, COP16, f. 97, trimmed), Windsor (RL, RCIN 602941).
III Posthumously published.

References: CS 170 (undescribed unlettered proof state); Wessely 167; BM 3.
Location of original painting and related material: Three quarter length portrait by Sir Godfrey Kneller in the collection of the National Trust, Chirk Castle, Wrexham, Denbighshire (Stewart 483). CS 170 is the reduced, reversed version of CS 169 (BM 2).


 
Thomas Maxwell, by and published by John Smith, after  John Closterman, 1692 - NPG  - © National Portrait Gallery, London

Thomas Maxwell
by and published by John Smith, after John Closterman
1692
NPG D11695

191.
D11695
Thomas Maxwell
By and published by John Smith, after John Closterman
Mezzotint
13 3/8 in. x 9 3/4 in. (341 mm x 248 mm) plate size
1692
Lettered in two lines Thomas Maxwell Esq.r Major General of the / Army, and Commander of the Dragoons in Ireland. &c
Below left I. Closterman [#] pinx:
Below right I Smith fec: et excud:

I Before the lettering.
London (BM, large Smith vol. II, p. 20, touched in pen and black ink on and around the face, especially eyebrows), Windsor (RL, RCIN 658702).
II As described.
Amsterdam (RM, RP-P-OB-32-800), Cambridge (Magdalene, Pepys collection, vol. II, 2979/270a), Chatsworth (Smith vol. I, fol. 92), Eton (CL, Storer Granger, Period VI, classes LX, opp. fol. 92), Glasgow (HAG, GLAHA 16265), London (BM, 1902-10-11-4717 ... 4718, latter the better impression and P.7-80, Portraits), London (NPG, D11695), New York (NYPL, vol. 1, fol. 90, dated 1692), Oxford (Christ Church, Smith vol. I, fol. 80), Paris (BN, Ec. 86, fol. 21, fine, cut, and Cd. 10, fol. 79, cut), Plymouth (CAG, COP16, f. 144, 10 mm margins).

References: CS 180 II; Wessely 184; BM 1; Rogers 1981, 6; Rogers 1983, 68.
Location of original painting and related material: Unknown.


 

192.
D11552
Ann Scott, Duchess of Monmouth and Buccleuch and her sons James Scott, Earl of Dalkeith, and Henry Scott, Earl of Deloraine
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
16 3/8 in. x 9 7/8 in. (416 mm x 252 mm) plate size
1688
Lettered Her Grace the Dutchess of Monmouth ye Earle of Doncaster & ye Lord Henry
Below left G. Kneller pinx:
Below centre I. Smith fec:
Below right Sold by I. Smith at the Lyon & Crown in Russell Street Covent Garden

I Before the lettering. Unfinished proof. Hair of Anne Scott unfinished, also her arms and bodice. Tunic of boy on left unfinished and without the parrot. The hands missing to the figure to the right.
Oxford (AM, Sutherland collection, Burnet vol. I, pt. X, p. 644).
II Lettered, with the address: Sold by G Beckett at the golden head in the old baily
London (BM, 1888-5-15-58, Portraits), Oxford (AM, Sutherland collection, vol. I, pt. X, p. 644), Paris (BN, Cd. 10, fol. 57).
III As described.
Amsterdam (RM, RP-P-OB-32-802), Eton (CL, Storer Granger, vol. IV, part IV, fol. 47), Glasgow (HAG, GLAHA 16218), London (BM, 1902-10-11-4720 ...4723 and P.7-98, Portraits), London (NPG, D11552), New Haven (B1974.12.591), New York (NYPL, vol. 1, fol. 48, dated 1688), Oxford (Christ Church, Smith vol. II, fol. 33), Paris (BN, Ec. 86, fol. 98 and Cd. 12cb. fol. 39), Windsor (RL, RCIN 661261).
IV Posthumously published. Oxidisation, plate worn.
London (BM, 1902-10-11-4722, and 1902-10-11-4724, falsified with lettering cut out and added to a cut impression to appear as a new plate, 260 mm x 195 mm).
V ? Plate cut:
Lettered: The Fond Mother / Kneller Pinxt. / Williams fecit

References: CS 182 III; Wessely 186; BM 3; Stewart 503.
Location of original painting and related material: Group portrait by Sir Godfrey Kneller in the collection of the Duke of Buccleuch, Drumlanrig Castle, Dumfriesshire (Stewart 503).


193.
James Scott, Duke of Monmouth and Buccleuch
By John Smith, after William Wissing
Mezzotint
7 1/2 in. x 5 1/2 in. (190 mm x 140 mm ) plate size
1686 (1683)

I Before the lettering.
London (BM, 1902-10-11-4725, trimmed), Oxford (AM, Sutherland collection, Burnet vol. I, pt. IX, p. 546, in pen and ink: The Duke of Monmouth / W Wissing pinx / I. Smith fecit /1686).
II As described.
Without the name of the sitter.
Below left: W Wissing pinx:
Below centre : I Smith fec:
Below right: E Cooper ex:
Eton (CL, Storer Grammont [1772 edition], opp. p. 264), New York (NYPL, vol. 1, fol. 24, in pen and ink: James Duke of Monmouth and dated 1686), Oxford (AM, Sutherland collection, Burnet vol. I, pt. IX, p. 546), Paris (BN, Ec. 85, fol. 94, with inscription in brown ink below plate line: James Duke of Monmouth), Windsor (RL, RCIN 661250).
III Address added: Printed & Sold by Tim: Iordan & Tho: Bakewell at ye Golden Lion in / Fleet street
Eton (CL, Storer Granger, vol. III, part III, opp. fol. 33).
IV Address after 'Sold by' erased and replaced: W. Herbert at the Golden Globe under the Piazza on London Bridge
Eton (CL, Storer Granger, vol. III, part III, opp. fol. 33).

References: CS 183 I; Wessely 187.
Location of original painting and related material: Three quarter length portrait attributed to William Wissing in the collection of Lord Montagu of Beaulieu, Palace House, Beaulieu, Hampshire. See a related half length portrait in feigned oval, signed Wissing, with Christie's 2/2/1973, lot 80. A copy of the half length version in the collection of the National Portrait Gallery, London (NPG 151; Piper 1963, p. 239, pl. 17g). See also the similar (larger) mezzotint by Robert Williams (CS 38).


Lady Essex Mostyn (née Finch), by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1705 (1705) - NPG  - © National Portrait Gallery, London

Lady Essex Mostyn (née Finch)
by and published by John Smith, after Sir Godfrey Kneller, Bt
1705 (1705)
NPG D11602

194.
D11602
Lady Essex Mostyn (née Finch)
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 7/8 in. (345 mm x 250 mm) plate size
1705 (1705)
Lettered The Hon.ble Lady Essex Mostyn.
Below left G. Kneller S.R. Imp. & Angl. Eques Aur. pinx. 1705.
Below centre I. Smith fec.
Below right Sold by I.Smith at the Lyon & Crown in Russel Street Covent Garden

I Before the lettering.
Windsor (RL, RCIN 659179).
II As described.
Amsterdam (RM, RP-P-OB-32-803), Eton (CL, Storer Granger, period VII, classes VIII to IX, fol. 70), Glasgow (HAG, GLAHA 16283), London (BM, 1838-4-20-156 and 1902-10-11-4726 and 1870-7-9-299, Portraits), London (NPG, D11602), London (UCL, Strang G2065, sheet), New Haven (B1974.12.594 and B1978.43.270), New York (NYPL, vol. 2, fol. 45, dated 1705), Oxford (Christ Church, Smith vol. II, fol. 59), Paris (BN, Ec. 86, fol. 115, cut, and Cd. 12 cb, fol. 44, cut), Plymouth (CAG, COP17, f. 38, trimmed), Windsor (RL, RCIN 659178).
III Posthumously published.

References: CS 184 I; Wessely 188; BM 1; Stewart 516.
Location of original painting and related material: Unknown. A drawing by Edward Byng after the portrait of Lady Mostyn, with Sotheby's, 8/6/1978, lot 58.


Thomas Murray, by and published by John Smith, after  Thomas Murray, 1696 - NPG  - © National Portrait Gallery, London

Thomas Murray
by and published by John Smith, after Thomas Murray
1696
NPG D11498

195.
D11498
Thomas Murray
By and published by John Smith, after Thomas Murray
Mezzotint
12 1/2 in. x 9 1/4 in. (318 mm x 236 mm) plate size
1696
Lettered Tho: Murrey Pictor
Below left Ipse pinxit
Below right J. Smith fec & exc:

As described.
Amsterdam (RM, RP-P-OB-32-806), Eton (CL, Storer Granger, period VII, classes VIII to IX, fol. 25), Glasgow (HAG, GLAHA 16245), London (BM, 1902-10-11-4735 ...4736, former with margins, and 1950-5-29-143 and 1852-2-14-340, Portraits), London (NPG, D11498), New York (NYPL, vol. 1, fol. 124, dated 1696), Oxford (Christ Church, Smith vol. I, fol. 61), Paris (BN, Ec. 86, fol. 46, cut), Plymouth (CAG, COP16, f. 85, trimmed), Windsor (RL, RCIN 659265).

References: CS 188; Wessely 192; BM 1.
Location of original painting and related material: Unknown.


Sir Charles Napier, 2nd Bt, by and published by John Smith, after  J. Sommer, 1700 - NPG  - © National Portrait Gallery, London

Sir Charles Napier, 2nd Bt
by and published by John Smith, after J. Sommer
1700
NPG D11694

196.
D11694
Sir Charles Napier, 2nd Bt
By and published by John Smith, after J. Sommer
Mezzotint
13 1/2 in. x 9 7/8 in. (343 mm x 250 mm) plate size
1700
Lettered Charles Napier Esq.r
Below left I. Sommer Pinx:
Below right I. Smith fec: et ex:

I Before the lettering.
London (BM, 1902-10-11-4737, in pen and brown ink: Mr Nappir, trimmed to platemark).
II As described.
Amsterdam (RM, RP-P-OB-32-807), Cambridge (Magdalene, Pepys collection, vol. II, 2979/169), Eton (CL, Storer Granger, Period VI, classes LX, fol. 92), Glasgow (HAG, GLAHA 16267), London (BM, 1902-10-11-4738, trimmed), London (NPG, D11694), London (UCL, Strang G2066, margins), New Haven (B1977.14.10128), New York (NYPL, vol. 1, fol. 157, dated 1700), Oxford (Christ Church, Smith vol. I, fol. 75), Paris (BN, Ec. 86, fol. 19, cut), Plymouth (CAG, COP17, f. 4,15 mm margins), Windsor (RL, RCIN 659305).

References: CS 189 II; Wessely 193; BM 1.
Location of original painting and related material: Unknown.


Sir Isaac Newton, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1712 (1702) - NPG  - © National Portrait Gallery, London

Sir Isaac Newton
by and published by John Smith, after Sir Godfrey Kneller, Bt
1712 (1702)
NPG D11505

197.
D11505
Sir Isaac Newton
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 10 in. (345 mm x 255 mm) plate size
1712 (1702)
Lettered Isaacus Newton Eq: Aur.
Below left G. Kneller Eques pinx.
Below right J. Smith Fecit et ex. 1712

I Before the lettering.
II As described.
Amsterdam (RM, RP-P-OB-32-808), Eton (CL, Storer Granger, Period VII, classes IV to VII, opp. fol. 96), Glasgow (HAG, GLAHA 16420), London (BM, 1902-10-11-7439, 1950-5-20-116 and large Smith vol. II, p. 24 and 1874-8-8-2318, Portraits), London (NPG, D11505), London (UCL, Strang G2067, small margins), New York (NYPL, vol. 2, fol. 107), Paris (BN, Ec. 86, fol. 33, cut, and Cd. 12 c, fol. 37, cut), Plymouth (CAG, COP16, f. 72, trimmed), Windsor (RL, RCIN 659414).
III Posthumously published.

References: CS 190 II; Wessely 194; BM 2; Stewart 529.
Location of original painting and related material: Half length portrait by Sir Godfrey Kneller, 1702, in the collection of the National Portrait Gallery, London (NPG 2881; Piper 1963, p. 248, pl. 20c; Stewart 529, pl. 48a).


André Le Nôtre (Le Nostre), by John Smith, after  Carlo Maratta, 1699 - NPG  - © National Portrait Gallery, London

André Le Nôtre (Le Nostre)
by John Smith, after Carlo Maratta
1699
NPG D11663

198.
D11663
André Le Nôtre [Le Nostre]
By John Smith, after Carlo Maratta
Mezzotint
13 3/4 in. x 9 5/8 in. (350 mm x 246 mm) plate size
1699
Lettered in three lines Andr é le Nostre, Che.er de L'Ordre S.t Michel ... Arts & Manufactures de France.
Below left Carle Marat pinx:
Below right I. Smith fecit.

As described.
Amsterdam (RM, RP-P-OB-32-809), Cambridge (Magdalene, Pepys collection, vol. II, 2979/158a), Chatsworth (Smith vol. I, fol. 93), Eton (CL, Storer Granger, vol. IV, part II, opp. fol. 162), Glasgow (HAG, GLAHA 16248), London (BM, 1902-10-11-4740, margins, good, and 1950-5-20-376, trimmed), London (NPG, D11663), London (UCL, Strang G2068, trimmed), New York (NYPL, vol. 1, fol. 142, dated 1699), Oxford (Christ Church, Smith vol. I, fol. 44), Paris (BN, Ec. 86, fol. 40, cut, and Cd. 7, fol. 31, trimmed), Plymouth (CAG, COP16, f. 42, trimmed).

References: CS 191; Wessely 195.
Location of original painting and related material: Three quarter length portrait by Carlo Maratta in the collection of the musée national du château de Versailles (MV 3545).


199.
James Butler, 2nd Duke of Ormonde
By John Smith, published by David Loggan, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/4 in. x 9 3/4 in. (340 mm x 250 mm) plate size
Circa 1688 -1690

I Before the lettering and coat of arms. Before white lettering on Garter badge.
London (BM, 1902-10-11-4741, trimmed to platemark).
II With the lettering on the Garter.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. XII, p. 609, in graphite: The Duke of Ormond).
III
Lettered in five lines: Illustrissimus Princeps Jacobus apud Anglos [#] Ormondiæ Dux, apud Hibernos Ormondiæ /... Ordinis Eques.
Below oval towards left: G. Kneller pinx:
Below oval towards right : I.Smith fec:
Below right : D. Loggan excudit
Cambridge (Magdalene, Pepys collection, vol. II, 2979/15, cut to oval), London (BM, 1902-10-11-4742), Oxford* (Sutherland collection, Burnet vol. II, pt. XII, p. 610), Paris (BN, Cd. 12 cb fol. 53, inscribed in brown ink: J acques Bulter Duc d'Ormond., dark impression, cut).

References: CS 192; Wessely 197; BM 9.
Location of original painting and related material: Unknown. The loose print was subsequently inserted as a prefix to a number of copies of David Loggan's Oxonia Illustrata, 1675.


James Butler, 2nd Duke of Ormonde, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1701 (circa 1700) - NPG  - © National Portrait Gallery, London

James Butler, 2nd Duke of Ormonde
by and published by John Smith, after Sir Godfrey Kneller, Bt
1701 (circa 1700)
NPG D11566

200.
D11566
James Butler, 2nd Duke of Ormonde
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 3/4 in. x 10 in. (350 mm x 255 mm) plate size
1701 (circa 1700)
Lettered in three lines The most Noble Prince James, Duke, Marquis, and Earle of Ormond, Earle of Brecknock and /... Order of the Garter &c.
Below left G. Kneller S.R. Imp: & Angl: Eques Aur: pinx:
Below centre I: Smith fec:
Below right Sold by I. Smith at ye Lyon & Crown in Russel Street Covent Garden

I Before the lettering.
London (BM, large Smith vol. II, p. 25), Windsor (RL, RCIN 651745).
II ? Lettered, apparently before the address. This is possibly a falsified state.
London (BM, large Smith vol. II, p. 25), Oxford (AM, Sutherland collection, Burnet vol. II, p. 313), Windsor (RL, RCIN 651743).
III As described.
Amsterdam (RM, RP-P-OB-32-811), Cambridge (Magdalene, Pepys collection, vol. II, 2979/307), Glasgow (HAG, GLAHA 16378), London (BM, 1902-10-11-4743 ...4745), London (NPG, D11566), New York (NYPL, vol. 1, fol. 164, dated 1701, address apparently rubbed off), Oxford (Christ Church, Smith vol. I, fol. 70), Oxford (AM, Sutherland collection, Burnet vol. II, p. 313), Paris (BN, Ec. 85, fol. 101, trimmed, and Cd. 12 cb, fol. 55, cut), Plymouth (CAG, COP16, f. 134, trimmed), Windsor (RL, RCIN 651744).

References: CS 193 III; Wessely 198; BM 7; Stewart 548.
Location of original painting and related material: Unknown. See a related portrait of the Duke of Ormonde, with differences including angle of head and right arm, diagonal sash instead of Garter collar; undated photograph in the Heinz Archive and Library, NPG, London.


James Butler, 2nd Duke of Ormonde, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1702 - NPG  - © National Portrait Gallery, London

James Butler, 2nd Duke of Ormonde
by and published by John Smith, after Sir Godfrey Kneller, Bt
1702
NPG D11565

201.
D11565
James Butler, 2nd Duke of Ormonde
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 3/4 in. (347 mm x 248 mm) plate size
1702
Lettered in four lines Illustrissimus Princeps Jacobus Dux Ormondiae, / ... XIIo. die Octobris 1702.
Below left G. Kneller S.R. Emp. et Angl. Eques Aur. pinx.
Below centre I. Smith fec.
Below right Sold by I Smith at ye Lyon & Crown in Russel street Covent Garden

As described.
Amsterdam (RM, RP-P-OB-32-810), Glasgow (HAG, GLAHA 16379), London (BM, 1902-10-11-4746 ...4747, and 1950-5-20-117, trimmed), London (NPG, D11565), New York (NYPL, vol. 2, fol. 19, dated 1702), Oxford (Christ Church, Smith vol. I, fol. 35), Oxford (AM, Sutherland coll., Burnet vol. II, p. 303, two impressions, one worn rather than retouched), Paris (BN, Ec. 85, fol. 100, trimmed, and Cd. 12 cb, fol. 52, cut), Plymouth (CAG, COP16, f. 45, trimmed).

References: CS 194; Wessely 197; BM 8; Stewart 547.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller in the collection of the Examination Schools, University of Oxford (Lane Poole I, 344; Stewart 547).


Mary (Somerset), Duchess of Ormonde, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1702 - NPG  - © National Portrait Gallery, London

Mary (Somerset), Duchess of Ormonde
by and published by John Smith, after Sir Godfrey Kneller, Bt
1702
NPG D11551

202.
D11551
Mary (Somerset), Duchess of Ormonde
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
16 3/4 in. x 10 5/8 in. (424 mm x 270 mm) plate size
1702
Lettered Her Grace the Dutchess of Ormond &c.
Below left G. Kneller S.R. Imp: et Angl: Eques Aur: pinx:
Below centre I. Smith fec
Below right Sold by I Smith at ye Lyon & Crown in Russel street Covent Garden

I Before the lettering.
Sykes sale, 1824.
II As described.
Amsterdam (RM, RP-P-OB-32-812), Glasgow (HAG, GLAHA 16220), London (BM, Q.1-145 and 1902-10-11-4748 ... 4750, latter pale and 1871-12-9-2648, Portraits), London (NPG, D11551), London (UCL, Strang G2069, margins), New York (NYPL, vol. 2, fol. 16, dated 1702), Oxford (Christ Church, Smith vol. II, fol. 44), Paris (BN, Ec. 86, fol. 96, cut, and Cd. 12 cb, fol. 57, cut), Plymouth (CAG, COP17, f. 48, cut), Windsor (RL, RCIN 651764).

References: CS 195 II; Wessely 199; BM 1; Stewart 554.
Location of original painting and related material: Unknown.


Mary (Somerset), Duchess of Ormonde and her son Thomas, Earl of Ossory, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1693 - NPG  - © National Portrait Gallery, London

Mary (Somerset), Duchess of Ormonde and her son Thomas, Earl of Ossory
by and published by John Smith, after Sir Godfrey Kneller, Bt
1693
NPG D11593

203.
D11593
Mary (Somerset), Duchess of Ormonde and her son Thomas, Earl of Ossory
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 7/8 in. (345 mm x 250 mm) plate size
1693
Lettered Her Grace Mary Dutchess of Ormonde & Thomas Earl of Ossory her Son
Below left G: Kneller Eques pinx:
Below right I: Smith fec & exc:

I Before the lettering.
New York (NYPL, vol. 1, fol. 95, lettered in pen and ink, signed and dated 1693).
II As described.
Amsterdam (RM, RP-P-OB-32-813), Glasgow (HAG, GLAHA 16271), London (BM, 1902-10-11-4751 ...4752 and 1855-5-12-59, Portraits, fine), London (NPG, D11593), New Haven (B1974.12.607), Oxford (Christ Church, Smith vol. I, fol. 71), Paris (BN, Ec. 86, fol. 97, cut, and Cd. 12 cb, fol. 58, 10 mm margins), Plymouth (CAG, COP17, f. 30, trimmed), Windsor (RL, RCIN 651765).
III Posthumously published.

References: CS 196 I; Wessely 200; BM 2; Stewart 553.
Location of original painting and related material: Double portrait by Sir Godfrey Kneller in the collection of the Duke of Beaufort, Badminton House, Gloucestershire (Stewart 553).


Robert Harley, 1st Earl of Oxford, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1714 (1714) - NPG  - © National Portrait Gallery, London

Robert Harley, 1st Earl of Oxford
by and published by John Smith, after Sir Godfrey Kneller, Bt
1714 (1714)
NPG D11700

204.
D11700
Robert Harley, 1st Earl of Oxford
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 5/8 in. x 9 7/8 in. (345 mm x 250 mm) plate size
1714 (1714)
Lettered in four lines The Right Hono.ble Robert Earl of Oxford & Earl Mortimer, Baron /... & Lord High Treasurer of Great Britain.
Below left G.Kneller S.R. et Angl. Eques Aur. Pinx.
Below centre I.Smith fec. 1714
Below right Sold by I.Smith at the Lyon & Crown in Russel Street Covent Garden.

I Before the lettering. Unfinished. Before lettering on Garter. Before lace patterning on necktie. Before burnished details added to chain.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. XI, p. 578).
II Still before any lettering on Garter.
London (BM, P. 8-110, touched in grey paint on necktie).
III As described. Lettered on Garter: HONI SOIT QVI MAL Y PENSE
Amsterdam (RM, RP-P-OB-32-814), Chatsworth (Smith vol. I, fol. 74, trimmed), Glasgow (HAG, GLAHA 16391), London (BM, 1902-10-11-4754 and 1950-5-20-118), London (NPG, D11700), New York (NYPL, vol. 2, fol. 116), Oxford (AM, Sutherland collection, Burnet vol. II, pt. XI, p. 578), Paris (BN, Ec. 85, fol. 112, trimmed, and Cd. 12 cb, fol. 59, cut), Plymouth (CAG, COP16, f. 50, trimmed), Windsor (RL, RCIN 655933).
IV Posthumously published.

References: CS 197 II; Wessely 201; BM 1; Stewart 557.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller, 1714, in the collection of the National Portrait Gallery, London (NPG 4011). See a three quarter length copy after Kneller, also in NPG collection (NPG 16; Piper 1963, pp. 63-264, pl. 16a; Stewart 557). See the similar mezzotint by John Simon after Kneller (CS 116).


Thomas Herbert, 8th Earl of Pembroke, by John Smith, after  William Wissing, 1708 - NPG  - © National Portrait Gallery, London

Thomas Herbert, 8th Earl of Pembroke
by John Smith, after William Wissing
1708
NPG D11664

205.
D11664
Thomas Herbert, 8th Earl of Pembroke
By John Smith, after William Wissing
Mezzotint
13 5/8 in. x 9 7/8 in. (345 mm x 250 mm) plate size
1708
Lettered in two lines Honoratissimus Thomas Dominus Herbert Comes de Pembroke et Montgomery. &c. &c. / Classis Britanni æ et Hibernic æ summus
Pr
æ fectus. &c. &c.
Below left W. Wissing pinx.
Below right I.Smith fec.

I Before the lettering. Before view of ship in the background. Margin uncleared.
London (BM, 1972-U-967, small margins, strong impression).
II As described.
Amsterdam (RM, RP-P-OB-32-815), Chatsworth (Smith vol. I, fol. 94, dark impression), Eton (CL, Storer Granger, Period VIII, Class I-II, fol. 105), Glasgow (HAG, GLAHA 16402), London (BM, 1902-10-11-4755 ... 4756, ?possibly modern), London (NPG, D11664 and D3859), London (UCL, Strang G2070, small margins), New York (NYPL, vol. 2, fol. 90, dated 1708), Oxford (AM, Sutherland collection, Burnet vol. II, pt. IV, p. 198), Oxford (Christ Church, Smith vol. II, fol. 89, sheet), Paris (BN, Ec. 85, fol. 109, dark impresssion, trimmed), Plymouth (CAG, COP16, f. 137, trimmed), Windsor (RL, RCIN 656231).
III Posthumously published.

References: CS 198 II; Wessely 202; BM 1.
Location of original painting and related material: Three length portrait by William Wissing in the collection of the Earl of Pembroke, Wilton House, Salisbury, Wiltshire (Pembroke, 134, illustrated). Further versions in the collection of Earl Howe, Penn, Buckinghamshire, and at the National Maritime Museum, Greenwich (BHC 2945).


Peter I (Peter the Great), by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1698 (1697) - NPG  - © National Portrait Gallery, London

Peter I (Peter the Great)
by and published by John Smith, after Sir Godfrey Kneller, Bt
1698 (1697)
NPG D11575

206.
D11575
Peter I (Peter the Great)
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
16 in. x 11 in. (406 mm x 279 mm) plate size; 16 3/8 in. x 11 3/8 in. (415 mm x 290 mm) paper size
1698 (1697)
Lettered in two lines in design PETRUS ALEXEEWITZ MAGNUS DOMINUS / TZAR ET MAGNUS DUX MOSCOVI Æ.
Below left Iufsu Britannic æ Majestatis Godefridus Kneller Eques ad vivum Pinxit. 1697
Below right I. Smith Fecit & excudit.

I Before the lettering.
Oxford (AM, Sutherland collection, Burnet vol. II, pt. V, p. 221, margins, fine).
II ? Before nail in cuirass over neck. According to Nagler.
III Lettered as described. Before 1697.
Cambridge (Magdalene, Pepys Collection, vol. I, fol. 273 / 95), London (BM, large Smith vol. II, p. 35, margins, good), New York (NYPL, vol. 1, fol. 137, dated 1698), Oxford (Christ Church, Smith vol. I, fol. 31), Paris (BN, Cd. 12 cc, fol. 1, 1698 inscribed in brown ink after excudit., cut).
IV As described [with date 1697 after Pinxit ].
Amsterdam (RM, RP-P-OB-32-818), Glasgow (HAG, GLAHA 16374), London (BM, 1902-10-11-4788, and ?1950-5-20-119, cut below removing a line of lettering), London (NPG, D11575), Oxford (AM, Sutherland collection, Burnet vol. II, pt. V, p. 221), Paris (BN, Ec. 85, fol. 84, dark impression, cut), Plymouth (CAG, Cottonian Gallery display).

References: CS 217 III; Wessely 206; Stewart 570.
Location of original painting and related material: Whole length portrait by Sir Godfrey Kneller, 1697, in the Royal Collection, Kensington Palace (Millar 1963, 347; Stewart 1971, 97; Stewart 570).


Sir William Petty, by and published by John Smith, after  John Closterman, 1696 - NPG  - © National Portrait Gallery, London

Sir William Petty
by and published by John Smith, after John Closterman
1696
NPG D11978

207.
D11978
Sir William Petty
By and published by John Smith, after John Closterman
Mezzotint
13 3/4 in. x 10 1/4 in. (350 mm x 260 mm) plate size
1696
Lettered in three lines Sr William Petty Kn.t /Fellow of the Royall Society / Obijt 16. Dec.r 1687. Anno Æ tat: 63.
Below left I. Closterman pinx:
Below right I .Smith fec: et ex:

I Before the lettering.
Eton (CL, Storer Granger, vol. IV, part IV, fol. 27), London (BM, P.6-115 and 1902-10-11-4761).
II Lettered but without Fellow of the Royall Society.
Amsterdam (RM, RP-P-OB-32-820), Eton (CL, Storer Granger, vol. IV, part IV, fol. 28).
III As described.
Amsterdam (RM, RP-P-OB-32-819), ?Cambridge (Magdalene, Pepys collection, vol. II, 2979/125d, cut to oval), Glasgow (HAG, GLAHA 16431), London (BM, 1902-10-11-4762, margins, and 1950-5-20-34, trimmed and P.6-116, Portraits, good), London (NPG, D11978), New York (NYPL, vol. 1, fol. 123, dated 1696), Oxford (Christ Church, Smith vol. I, fol. 46), Oxford (AM, Sutherland collection, Burnet vol. I, pt. IV, p. 230), Paris (BN, Ec. 86, fol. 32, dark impression, cut, and Cd. 11, fol. 21, cut), Plymouth (CAG, COP16, f. 67, cut), Windsor (RL, RCIN 660094).

References: CS 201; Wessely 207; BM 1; Rogers 1981, 2; Rogers 1983, 76.
Location of original painting and related material: Three quarter length portrait by John Closterman in the collection of the Earl of Shelburne, Bowood House, Calne, Wiltshire.


William Pinkethman, by and published by John Smith, after  Johann Rudolph Schmutz, 1709 - NPG  - © National Portrait Gallery, London

William Pinkethman
by and published by John Smith, after Johann Rudolph Schmutz
1709
NPG D11508

208.
D11508
William Pinkethman
By and published by John Smith, after Johann Rudolph Schmutz
Mezzotint
13 5/8 in. x 9 7/8 in. (345 mm x 250 mm) plate size
1709
Lettered M.r William Penkethman Sworn Comedian to ye Queen of Great Britain.
Below left R. Schmutz pinx.
Below right J. Smith fecit et ex.

I Before the lettering. Before lettering on the sheet of paper in the design.
London (BM, 1902-10-11-4757, the lettering on the sheet of paper written in graphite, and large Smith vol. II, p. 28, small margins, fine), London (NPG, D19771, Wheatley's London, vol. II, pt. III, p. 516).
II As described.
Amsterdam (RM, RP-P-OB-32-816), Eton (CL, Storer Granger, period VII, classes VIII to IX, fol. 27), Glasgow (HAG, GLAHA 16438), London (BM, 1902-10-11-4758), London (NPG, D11508), New York (NYPL, vol. 2, fol. 93, dated 1709), Oxford (Christ Church, Smith vol. II, fol. 87, sheet), Paris (BN, Ec. 86, fol. 70, cut), Plymouth (CAG, COP17, f. 5, 15 mm margins), Windsor (RL, RCIN 660161).

References: CS 199 II; Wessely 204; BM 1.
Location of original painting and related material: Unknown.


Charles FitzCharles, Earl of Plymouth, published by John Smith, circa 1689 - NPG  - © National Portrait Gallery, London

Charles FitzCharles, Earl of Plymouth
published by John Smith
circa 1689
NPG D11661

209.
D11661
Charles FitzCharles, Earl of Plymouth
Published by John Smith
Mezzotint
13 1/4 in. x 9 7/8 in. (337 mm x 250 mm) plate size
circa 1689
Lettered DON. CARLO. Earl of Plymouth.
Below right I. Smith ex:

I Before the lettering.
II Lettered, with the address at lower right: I Savage ex.
With blemishes and black spots.
London (BM, 1902-10-11-4763, small margins, and 1950-5-20-252, large Smith vol. II, p. 31).
III As described.
With at lower right: I. Smith ex:
Amsterdam (RM, RP-P-OB-32-821), Cambridge (Magdalene, Pepys collection, vol. II, 2979/42a), Eton (CL, Storer Granger, vol. III, part III, fol. 62), Glasgow (HAG, GLAHA 16403), London (BM, 1902-10-11-4764), London (NPG, D11661), New Haven (YCBA, B1977.14.10167), Oxford (AM, Sutherland collection, Burnet vol. I, pt. X, p. 608), Windsor (RL, RCIN 654577).
IV ? Plate further reworked.
V Published in Boydell's Heads of Illustrious ... Persons, 1811, opp. p 49.
London (BM, 1902-10-11-4765 ... 4766, the latter a sheet), London (NPG, Heinz Archive and Library, Fleming collection), New Haven (YCBA, Dept. of Rare Books), Windsor (RL).
References: CS 202 II; Wessely 208; BM 1.
Location of original painting and related material: Unknown.


Alexander Pope, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1717 (1716) - NPG  - © National Portrait Gallery, London

Alexander Pope
by and published by John Smith, after Sir Godfrey Kneller, Bt
1717 (1716)
NPG D11502

210.
D11502
Alexander Pope
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/2 in. x 9 3/4 in. (344 mm x 247 mm) plate size
1717 (1716)
Lettered M.r Alexander Pope AEt.s 28.
Below left G. Kneller S.R. Imp. et Mag. Brit. Baronet.s Pinx. 1716.
Below right J. Smith fec. et ex. 1717.

I Before the lettering.
London (BM, large Smith vol. II, p. 31, touched in white chalk on the inside of the arm, and around sleeve and hand. Also some brown ink in the face around the eyes and a line delimiting contour of cheek).
II As described.
Amsterdam (RM, RP-P-OB-32-822), Eton (CL, Storer Granger, period VIII, classes VI to VIII, fol. 84), Glasgow (HAG, GLAHA 16433), London (BM, 1902-10-11-4767, 1950-5-20-120, foxed and discoloured and Q1-115, Portraits), London (NPG, D11502), New York (NYPL, vol. 2, fol. 126), Paris (BN, Ec. 86, fol. 34, cut, and Cd. 12 cc, fol. 3, cut), Plymouth (CAG, COP16, f. 126, trimmed and COP17, f. 60, 10 mm margins), Windsor (RL, RCIN 660304).
III Posthumously published.

References: CS 203 II; Wessely 209; BM 9; Stewart 577.
Location of original painting and related material: Half length portrait by Sir Godfrey Kneller in the collection of Lord Barnard, Raby Castle, Staindrop, Co. Durham (Stewart 577).


Sarah Pridden (Sally Salisbury), by John Smith, possibly after  Sir Godfrey Kneller, Bt,  - NPG  - © National Portrait Gallery, London

Sarah Pridden (Sally Salisbury)
by John Smith, possibly after Sir Godfrey Kneller, Bt
NPG D3968

211.
D3968
Sarah Pridden (Sally Salisbury)
By John Smith, possibly after Sir Godfrey Kneller, Bt
Mezzotint
13 3/8 in. x 9 5/8 in. (340 mm x 245 mm) cut to plate mark
Lettered The Celebrated M.rs Sally Salisbury.

As described.
Eton (CL, Storer Granger, period VII, classes VIII to IX, fol. 95 [350 mm x 250 mm, trimmed]), London (BM, 1902-10-11-4799 ... 4781, the latter two trimmed and greyer), London (NPG, D3968).

References: CS 223; Wessely 224; BM 1.
Location of original painting and related material: Unknown. Chaloner Smith attributes this portrait to Sir Godfrey Kneller.


Sarah Pridden (Sally Salisbury), by John Smith, after  Sir Godfrey Kneller, Bt,  - NPG  - © National Portrait Gallery, London

Sarah Pridden (Sally Salisbury)
by John Smith, after Sir Godfrey Kneller, Bt
NPG D4180

212.
D4180
Sarah Pridden (Sally Salisbury)
By John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
8 1/8 in. x 5 7/8 in. (207 mm x 150 mm) plate size
Lettered M.rs Sally Salisbury

As described.
London (BM, 1902-10-11-4802, margins), London, (NPG, D4180 and D5558).

References: CS 224; Wessely 225; BM 2.
Location of original painting and related material: Unknown. The print is based on CS 223, half length and in reverse. Chaloner Smith attributes the portrait to Sir Godfrey Kneller.


Margaret Jones (née Cecil), Countess of Ranelagh, by and published by John Smith, after  Sir Godfrey Kneller, Bt, 1700 - NPG  - © National Portrait Gallery, London

Margaret Jones (née Cecil), Countess of Ranelagh
by and published by John Smith, after Sir Godfrey Kneller, Bt
1700
NPG D11598

213.
D11598
Margaret (Cecil), Countess of Ranelagh
By and published by John Smith, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/4 in. x 9 5/8 in. (336 mm x 245 mm) plate size
1699/1700
Lettered The Countess of Ranelagh
Below left G. Kneller Eques pinx [#] I. Smith fec:
Below centre Sold by I.Smith [#] at [#] the Lyon & Crown in Russell Street Covent Garden

I ? Lettered. Before some leaves at top right.
London (BM, 1900-4-11-42 and 1902-10-11-4776 ... 4777, the latter cut removing lettering, poor condition).
II As described.
Amsterdam (RM, RP-P-OB-32-823), Cambridge (Magdalene, Pepys collection, vol. II, 2979/221), Eton (CL, Storer Granger, Period VI, classes LX, fol. 125), Glasgow (HAG, GLAHA 16275), London (BM, 1838-4-20-155 and P8-33, Portraits), London (NPG, D11598), London (UCL, Strang G2072, margins), New Haven (B1974.12.625), New York (NYPL, vol. 1, fol. 154, dated 1700), Oxford (Christ Church, Smith vol. I, fol. 94), Oxford (AM, Sutherland collection, Burnet vol. II, pt. XIII, facing p. 705), Paris (BN, Ec. 86, fol. 113 and Cd. 12 cc, fol. 10, dated in ink 1699), Plymouth (CAG, COP17, f. 31, cut).
III Posthumously published.
Edinburgh (SNPG, UP R 121, wide margins).

References: CS 209 I; Wessely 210; BM 2; Stewart 604.
Location of original painting and related material: Unknown.


Christopher Rawlinson, by John Smith, after  A. Grace, 1701 - NPG  - © National Portrait Gallery, London

Christopher Rawlinson
by John Smith, after A. Grace
1701
NPG D11684

214.
D11684
Christopher Rawlinson
By John Smith, after A. Grace
Mezzotint
12 3/4 in. x 9 1/8 in. (323 mm x 232 mm) plate size
1701
Lettered in two lines Christopher Rawlinson / of Cark hall in Lancashire Esq. / Anno Christi 1701. Ætatis Suæ 24.
Below left A Grace pinx:
Below right J. Smith fec:

I Before the lettering [monograms in corners, scrolls and palms lightly drawn in].
Eton (CL, Storer Granger, period VIII, classes II to V, fol. 46), Windsor (RL, RCIN 660640).
II As described.
London (BM, 1902-10-11-4778), London (NPG, D11684), New York (NYPL, vol. 1, fol. 165, dated 1701).
III Posthumously published.

References: CS 210 I; Wessely 212; BM 1.
Location of original painting and related material: Unknown.


William Richards, by John Smith, published by  G. Beckett, after  Sir Godfrey Kneller, Bt, 1688 - NPG  - © National Portrait Gallery, London

William Richards
by John Smith, published by G. Beckett, after Sir Godfrey Kneller, Bt
1688
NPG D4009

215.
D4009
William Richards
By John Smith, published by G. Beckett, after Sir Godfrey Kneller, Bt
Mezzotint
9 1/4 in. x 7 1/2 in. (235 mm x 189 mm) plate size
1688
Lettered Mr Will: Richards
Below left G: Kneller Pinx
Below centre I: Smith Fec:
Below right G: Beckett ex:

I Before the lettering.
Amsterdam (RM, RP-P-OB-32-825), London (BM, large Smith vol. II, p. 33, margins, fine).
II As described.
Cambridge (Magdalene, Pepys Collection, vol. III, fol. 23 or 319), London (BM, 1902-10-11-4779, trimmed, and large Smith vol. II, p. 33, margins, good), London (NPG, D4009), New York (NYPL, vol. 1, fol. 46, dated 1688), Paris (BN, Cd. 12 cc, fol. 12, cut).
III Beckett's name erased and replaced with Smith's and et ex added.
Amsterdam (RM, RP-P-OB-32-826), Eton (CL, Storer Granger, vol. IV, part IV, fol. 22), London (BM, 1902-10-11-4780), London (NPG, D4010), Oxford (Christ Church, Smith vol. I, fol. 28), Paris (BN, Ec. 86, fol. 60, cut), Plymouth (CAG, COP16, f. 121, trimmed), Windsor (RL, RCIN 660750).
IV Posthumously published.

References: CS 211 I; Wessely 213; BM 1; Stewart 607.
Location of original painting and related material: Unknown.