Prints catalogue Tompson - 2

Catalogue of prints published by Richard Tompson

From the collection of the National Portrait Gallery unless otherwise stated. Impressions illustrated from other collections are distinguished by an asterisk*.


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12.
Laura dei Dianti
Published by Richard Tompson, after Titian
Mezzotint
340 mm x 252 mm plate size
1678-1679
Lettered with dedication to Lucas van Ussele Admodum Illustri Lucae Van Ussele
Below left Titian Pinxit
Below right R Tompson excud
London* (BM, 1902-10-11-5314, trimmed, and 1874-8-8-1307, dark impression, margins, and 1877-10-13-1035, trimmed, and 1902-10-11-5315, counterproof, small margins).

References: CS 47 (Ussele).
Location of original painting and related material: Heinz Kisters Collection, Kreuzlingen, Thurgau, Switzerland (Wethey 24, pl. 41)


  
John Dolben, published by Richard Tompson, after  Jacob Huysmans, 1678-1679 - NPG  - © National Portrait Gallery, London

John Dolben
published by Richard Tompson, after Jacob Huysmans
1678-1679
NPG D1651

13.
D1651
John Dolben
Published by Richard Tompson, after Jacob Huysmans
Mezzotint
13 5/8 in. x 10 in. (346 mm x 254 mm) plate size
1678-1679
Lettered The Right Reverend John Dolben L.d B.p of Rochester
Below left I. Haijsmans Pinxit
Below right R. Tompson excudit.

I Before the lettering. The lower edge of the design unresolved.
Oxford (Sutherland collection, Clarendon vol. II, pt. VI, p. 389, margins, fine).
II As described. With faint hints of writing on the sheet of paper in drypoint. Lower edge with further rocker work, especially at right corner below tassle.
Cambridge (Magdalene, Pepys Library, vol. III, fol. 93, 2980/93), London (BM, 1902-10-11-5252, small margins), London (NPG, D1651-2 and Wheatley's London, vol. II, pt I, p. 178), Oxford (Sutherland collection, Clarendon vol. II, pt. VI, p. 389, margins, good and counterproof cut to design).

References: CS 14; BM 1; Ingamells 1981, p. 173, B.
Location of original painting and related material: Unknown. A reduced version in collection of Westminster School, London.


 
Catherine Sedley, Countess of Dorchester, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Catherine Sedley, Countess of Dorchester
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D18790

14.
D18790
Catherine (née Sedley), Countess of Dorchester
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/2 in. x 9 7/8 in. (342 mm x 252 mm) plate size
1678-1679
Lettered Madame Katherine Sidley
Below left P Lilly pinxit
Below centre right R Tompson excudit

As described.
London (BM, 1902-10-11-5308, small margins), London (NPG, D13831), Oxford (Sutherland collection, Burnet vol. I, pt. X, p. 624), Windsor (RCIN 661335-6).

References: CS 43; BM 2; Beckett 1951, 164.
Location of original painting and related material: Prime version unknown; Lely studio version at National Portrait Gallery, London (NPG 36; Piper 1963, pp. 109-10).


John Cecil, 5th Earl of Exeter, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

John Cecil, 5th Earl of Exeter
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D1887

15.
D1887
John Cecil, 5th Earl of Exeter
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 3/4 in. x 10 in. (350 mm x 255 mm) plate size
1678-1679
Lettered The Right Honoble the LORD Burleigh Earl of Exeter
Below centre left P. Lelij Pinxit
Below centre right R. Tompson excudit.

I Before the lettering.
London (BM, 1874-8-8-1298, inscribed in pen and brown ink: The Earle of Exeter, margins).
II As described.
London (BM, 1902-10-11-5256 and 1902-10-11-5257, counterproof), London (NPG, D1887-8), Oxford (Sutherland collection, Clarendon vol. IV, pt. VIII, p. 431), Windsor (RCIN 652323).

References: CS 16; BM 2; Beckett 1951, 181.
Location of original painting and related material: Collection of the Marquess of Exeter, Burghley House, Northamptonshire. See pendant portrait of Countess of Exeter published by Richard Tompson (CS 15; BM 1).


Anne Cecil (née Cavendish), Countess of Exeter, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Anne Cecil (née Cavendish), Countess of Exeter
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D1891

16.
D1891
Anne Cecil (née Cavendish), Countess of Exeter
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/4 in. x 9 5/8 in. (337 mm x 244 mm) plate size
1678-1679
Lettered The Right honoble the Countess of Exeter
Below centre left P.Lely pinxit.
Below centre right R Tompson excudit.

I Before the lettering.
London (BM, 1902-10-11-5253, margins).
II As described.
London (BM, 1902-10-11-5254, margins), London (NPG, D1891-2 and D13149), New Haven (B1974.12.470).
III Reworked. Curls at right side of head erased. Curtains behind head apparently reworked for greater contrast of light and dark.
London (BM, 1902-10-11-5255, curls drawn in pen and brown ink).

References: CS 15; BM 1; Beckett 1951, 180.
Location of original painting and related material: Collection of the Marquess of Exeter, Burghley House, Northamptonshire. A version in the collection of the Duke of Devonshire, Chatsworth House, Derbyshire (inv. 325). See mezzotint pendant portrait of Earl of Exeter published by Richard Tompson (CS 16; BM 2).


Beau Feilding, by Jan van der Vaart, published by  Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Beau Feilding
by Jan van der Vaart, published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D1907

17.
D1907
Robert ('Beau') Feilding
By Jan Van der Vaart, published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/4 in. x 10 1/8 in. (336 mm x 257 mm) plate size
1678-1679
Lettered Robertus Feilding Aul' Feildingensis in Com: Warwici Armig:
Below left P. Lelij Eques pinxit
Below centre I. V. Vaart fecit:
Below right R Tompson excudit.

I Before the lettering.
Cambridge, London (BM, 1863-1-10-171, in pen and brown ink similar lettering to the lettered state).
II As described.
London (BM, 1902-10-11-6011, margins and 1902-10-11-6012 counterproof), London (NPG, D 1907 and D1905-6), Windsor (RCIN 654468).

References: CS 2; BM 2; Beckett 1951, 193; H. XXXI, 2.
Location of original painting and related material: Unknown.


King George I when Prince of Hanover, published by Richard Tompson, after  Sir Godfrey Kneller, Bt, 1680 - NPG  - © National Portrait Gallery, London

King George I when Prince of Hanover
published by Richard Tompson, after Sir Godfrey Kneller, Bt
1680
NPG D13174

18.
D13174
King George I when Prince of Hanover
Published by Richard Tompson, after Sir Godfrey Kneller, Bt
Mezzotint
13 1/8 in. x 10 in. (332 mm x 253 mm) plate size
1680
Lettered Prince de Hanover.
Below left G. Kneller pin.
Below right R. Tompson excud.

I Before the lettering.
Eton, London (BM, 1870-7-9-712, in pen and brown ink: The prince of Hanouer / afterwards King George 1st / G Kneller pin), London (NPG, D5358, with inscription in pen and ink: Son ALTESSE DVC Hanouer / Johan VanSomer fecit 1680 / fe Londini).
II Retouched. With title of sitter only.
Oxford (Sutherland collection, Burnet vol. II, pt. XIII, p. 696).
III As described.
London (BM, 1902-10-11-5258, cut removing lettering), London (NPG, D13174), Oxford (Sutherland collection, Burnet vol. II, pt. XIII, facing p. 697), Windsor (RCIN 603665).

References: CS 17; BM 1; Stewart 1971, 61; Stewart 290.
Location of original painting and related material: Prince of Hanover, Calenberg, Schulenberg an der Leine, Germany (Stewart 290).


Madam Graham, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Madam Graham
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D13163

19.
D13163
Madam Graham
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/4 in. x 10 in. (337 mm x 255 mm) plate size
1678-1679
Lettered Madame Graham
Lower left Lilly pinxit
Lower right R Tompson excudit

As described.
Glasgow (GLAHA 3995), London (BM, 1902-10-11-5259, margins and 1848-9-11-446, Portraits, good), London (NPG, D13163 and D2474), New Haven (B1974.12.494), Windsor (RCIN 655356, cut removing lettering).

References: CS 18; BM 1; Beckett 1951, 219.
Location of original painting and related material: Unknown. See Lely studio version sold Christie's, 1/12/1944, lot 84, called Lucy Walter. Variations found on Tompson print compared to painting: see left hand altered, no pearls on shift.


20.
Nell Gwyn
Published by Richard Tompson, after Peter Cross
Mezzotint
200 mm x 145 mm plate size
1678-1679

Lettered in six lines Had Paris seen her, hee had chang'd his suit /
... Venus else can shew.
Below left P. Cross / R.Tompson / excudit.
London (BM, Burney collection, vol. IV, p. 46, no. 86, cut removing lettering), Windsor* (RCIN 655579).

References: CS 19; BM 23.
Location of original painting and related material: Unknown. Possibly after a miniature by Peter Cross. The composition derives from the figure of Venus in Correggio's 'Education of Cupid' engraved by Arnold de Jode for Richard Tompson. See the short note by Gibson, p. 29 fig. and p. 31.


21.
Nell Gwyn with her two sons
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
380 mm x 300 mm plate size
1678-80
Lettered Madame Ellen Gwinn
Lower right R Tompson excudit

I Before the lettering.
London (BM1863-1-10-176, Portraits), Oxford (Sutherland collection, Burnet vol. I, pt. X, p. 608).
II As described.
Oxford* (Sutherland collection, Burnet vol. I, pt. X, p. 608).

References: CS 20; BM 13.
Location of original painting and related material: Unknown. Very similar to slightly smaller print of Nell Gwyn published by Richard Tompson (CS 21; BM 14). See mezzotint copy published by Carel Allard (BM 15; H. I, 11).


22.
Nell Gwyn with her two sons
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
360 mm x 292 mm plate size
Circa 1679
Lettered Madame Ellen Gwinn and her two sons, Charles / Earl of Beaufort and James LORD Beauclaire
Below left P. Lelij pinxit
Below right R Tompson excudit
London* (BM, 1902-10-11-5260, trimmed and Burney collection, vol. IV, p. 51, no. 92, cut removing lettering), Oxford (Sutherland collection, Burnet vol. I, pt. X, p. 608 and counterproof), Windsor (RCIN 655606).

References: Wessely 19 (Blooteling); CS 21; BM 14; H. II, 163 (Blooteling); Beckett 1951, 235; Griffiths 1998, 159; Macleod and Marciari Alexander 68.
Location of original painting and related material: Unknown. Very similar to slightly larger print of Nell Gwyn published by Richard Tompson (CS 20; BM 13).


John Hervey, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

John Hervey
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D13166

23.
D13166
John Hervey
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 3/8 in. x 9 3/4 in. (340 mm x 248 mm) plate size
1678-1679
Lettered John Heruey Esq:r Trer and Receau gener:l to her Mat:y
Below left P Lely Pinxit.
Below right R. Tompson excudit.

As described.
Cambridge (Magdalene, Pepys Library, 2979/104), London (BM, 1902-10-11-5261, margins and 1853-1-12-1699, blue paper counterproof), London (NPG, D13166 and D2991), Oxford (Sutherland collection, Burnet vol. I, pt. VI, facing p. 383).

References: CS 22; BM 1; Beckett 1951, 252.
Location of original painting and related material: Unknown. For related painting see whole length portrait by Lely of John Hervey of similar date, Ickworth House (National Trust), Suffolk (Beckett 1951, 252).


24.
King James II when Duke of York
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
340 mm x 250 mm plate size
1678-1679

I Before the lettering.
Oxford (Sutherland collection, Clarendon vol. IV, pt. V, p. 248, dark impression).
II With further burnishing adding highlights.
London (BM, 1852-10-9-222, margins), Oxford (Sutherland collection, Clarendon vol. IV, pt. V, p. 248), Windsor (RCIN 602804).
III Faint line of studs added to leg armour on right side.
Lettered: His Royall Highness James Duke of York
Below left: P. Lelij Pinxit
Below right towards centre: R Tompson excudit
London (BM, 1902-10-11-5319, small margins), Oxford* (Sutherland collection, Clarendon vol. IV, pt. V, p. 248), Windsor? (RCIN 602805).
IV ? Face altered and plate reworked. Inscription erased.

References: CS 50; BM 12; Beckett 1951, 264.
Location of original painting and related material: Two good extant versions in collections of Earl Bathurst, Cirencester Park, Gloucestershire, and the Suffolk Collection, Ranger's House, Blackheath, London.


Johan Frederick, Margrave of Brandenburg-Ansbach, published by Richard Tompson, after  Unknown artist, 1678-1679 - NPG  - © National Portrait Gallery, London

Johan Frederick, Margrave of Brandenburg-Ansbach
published by Richard Tompson, after Unknown artist
1678-1679
NPG D20409

25.
D20409
Johan Frederick, Margrave of Brandenburg-Ansbach
Published by Richard Tompson, after unknown artist
Mezzotint
335 mm x 255 mm plate size
1678-1679

I Before the lettering.
London (BM, 1874-8-8-1348, margins and 1902-10-11-5240), London (NPG, D13844, Wheatley's London, vol. III, pt. III, p. 526).
II Lettered: Le Margraue de Brandebourg Anspac
Below right: R. Tompson ex:
London (BM, 1877-10-13-1036 counterproof, 1902-10-11-5239 and 1902-10-11-5241 counterproof).

References: CS 6 (as Frederick, Margrave of Brandenburg).
Location of original painting and related material: A version in Residenz Ansbach, Ansbach, Bavaria. Possible attribution to William Wissing.


Sir Thomas Jones, printed and sold by Joseph Smith, after  William Wolfgang Claret, 1678-1679 - NPG  - © National Portrait Gallery, London

Sir Thomas Jones
printed and sold by Joseph Smith, after William Wolfgang Claret
1678-1679
NPG D29881

26.
D29881
Sir Thomas Jones
Published by Joseph Smith, after William Wolfgang Claret
Mezzotint
13 1/4 in. x 9 5/8 in. (335 mm x 243 mm) plate size
1678-1679
Lettered S:r Thomas Jones, one of ye Judges of ye Kings Bench
Below left W Claret pinxit. / Printed & Sold by J. Smith near Exeter Change in ye Strand

I Lettered with the address, below right: R Tompson excudit
London (BM, 1902-10-11-5268, margins), Oxford (Sutherland collection, Burnet vol. I, pt. VII, p. 396).
II As described.
London (NPG, D13167).

References: CS 24; BM 1.
Location of original painting and related material: Lincoln's Inn, London. Variation on Tompson print compared to painting: no collar of SS.


Sir Joseph Jordan, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Sir Joseph Jordan
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D19994

27.
D19994
Sir Joseph Jordan
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 3/8 in. x 9 7/8 in. (340 mm x 250 mm) plate size
1678-1679
Lettered S:r Joseph Jordan Admirall
Below left P. Lelij Pinxit.
Below right R. Tompson excudit.

I Before the lettering.
London (BM, P.6-12, trimmed to platemark).
II As described.
Cambridge (Magdalene, Pepys Library, 2979/233), London (BM, 1902-10-11-5269, margins and 1874-8-8-1301, Portraits, fine), Oxford (Sutherland collection, Clarendon vol. III, pt. II, p. 109 and counterproof), Windsor (RCIN 657151).

References: CS 25; BM 1; Beckett 1951, 269.
Location of original painting and related material: National Maritime Museum, Greenwich (BHC 2812; Beckett 1951, 269, pl. 93).


28.
Elizabeth Fitzgerald (née Jones), Countess of Kildare
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
340 mm x 250 mm plate size
1678-1679

I Before the lettering.
London (BM, 1902-10-11-5262).
II Lettered: The Lady Elizabeth Jones
Below left: P. Lelij Pinxit
Below right: R.Tompson excudit
London (BM, 1902-10-11-5263, margins and 1853-1-12-1675 counterproof and 1864-8-13-114, Portraits), London (NPG, D3417, cut removing lettering).
III Sr added before Lely's name.
London (BM, 1874-8-8-1300, margins and 1902-10-11-5264 plate worn, grey impression), Windsor* (RCIN 654539, cut below).
IV Plate reworked and forms sharpened.
London (BM, 1902-10-11-5265, margins and 1902-10-11-5266).

References: CS 23; BM 1; Beckett 1951, 272.
Location of original painting and related material: Tate Collection, London (T70).


John Maitland, Duke of Lauderdale; Elizabeth Murray, Duchess of Lauderdale and Countess of Dysart, by Robert Williams, published by  Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

John Maitland, Duke of Lauderdale; Elizabeth Murray, Duchess of Lauderdale and Countess of Dysart
by Robert Williams, published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D13147

29.
D13147
John Maitland, Duke of Lauderdale; Elizabeth Maitland (née Murray), Countess of Dysart and Duchess of Lauderdale
By Robert Williams, published by Richard Tompson, after Sir Peter Lely
Mezzotint
330 mm x 395 mm plate size
1678-1679
Lettered The Duke and Dutchess of Lauderdale
Below left P. Lellij Eques pinxit
Below centre I. Williams fecit
Below right R. Tompson excudit

I As described.
Glasgow (GLAHA 16386), London (BM, P.5-122, trimmed, good and 1902-10-11-6710), London (NPG, D11673, John Smith vol. II, fol. 91 and D13146-7, former cut removing lettering), Oxford (Sutherland collection, Burnet vol. I, pt. V, p. 306 and counterproof), Windsor (RCIN 658480).
II Plate injured, and slightly retouched.
Initial of engraver appears as I.
Glasgow (GLAHA 23924), London (BM, 1871-12-9-2460).
III Published in Boydell's Heads of Illustrious ... Persons, 1811, opp. p 53.
London (BM, 1902-10-11-6711), London (NPG, Fleming collection), New Haven (Dept. of Rare Books), Windsor.

References: CS 32; BM 2; Beckett 1951, 283.
Location of original painting and related material: Ham House (National Trust), Surrey (Beckett 1951, 283, pl. 115).


Jane Long, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Jane Long
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D13165

30.
D13165
Jane Long
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/4 in. x 10 in. (335 mm x 255 mm) plate size
1678-1679
Lettered Madame Jane Long
Below left P Lely pinxit
Below right R Tompson excudit

I As described.
London (BM, 1902-10-11-5270, margins), London (NPG, D13165 and D3610), New Haven (B1974.12.560), Windsor (RCIN 658204).
II Reworked, face and hair entirely altered. Publisher's name partially erased.
Glasgow (GLAHA 3996), London (BM, 1902-10-11-5271, trimmed and 1864-8-13-126, Portraits), London (NPG, D3611), Windsor (RCIN 658205).

References: CS 26; BM 1; Beckett 1951, 306.
Location of original painting and related material: Unknown. Compare the pose with the painting of Mary of Modena as Duchess of York, in the collection of Earl Spencer, Althorp, Northamptonshire (MacLeod and Marciari Alexander 61). See also the mezzotint copy by Hermann Hendrik Quiter (H. German XXXIII, 15), an impression at Windsor (RCIN 658206).


Mary of Modena as Duchess of York, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Mary of Modena as Duchess of York
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D8439

31.
D8439
Mary of Modena as Duchess of York
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/2 in. x 10 in. (343 mm x 254 mm) plate size
1678-1679
Lettered Her Royall Highness the Dutchess of York
Below left P Lilly pinxit
Below right R Tompson excudit

I Before the lettering.
London (BM, 1902-10-11-5320, margins).
II As described.
Edinburgh (SNPG, SP III 55-10, cut to design and SP III 55-11 cut to design, counterproof), London (BM, 1868-8-8-2149, cut and 1902-10-11-5321, 1902-10-11-8341), London (NPG, D8439), Windsor (RCIN 602921).

References: CS 51; BM 16.
Location of original painting and related material: Several versions including at Clumber House sale, 4/6/1937, lot 57, and with Historical Portraits, London 2001, 2 (de-accessioned from Richmond Art Museum, Virginia). Preparatory drawing in Ashmolean Museum, Oxford (Sutherland Collection, Clarendon IV, part II, p. 132; Blayney Brown, 223). Copy by Herman Hendrik Quitter (BM 17; not in H. German, XXXIII).


Queen Mary II when Princess of Orange, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Queen Mary II when Princess of Orange
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D20351

32.
D20351
Queen Mary II when Princess of Orange
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/8 in. x 10 in. (334 mm x 252 mm) plate size
1678-1679
Lettered Her Highness the Princess of Orange
Below left P Lilly Pinxit
Below right R Tompson excudit

I Before the lettering.
London (BM, 1902-10-11-5290, with margins), Windsor (RCIN 603209, in pen and ink: Mary Princess of Orange).
II As described.
London (BM, 1872-5-11-515, small margins, and 1902-10-11-5293, margins), London (NPG, D13140), Oxford (Sutherland collection, vol. I, pt. XIII, p. 816), Windsor (RCIN 603210-11, latter worn).
III Retouched: Fringe on curtain strengthened and curtain redefined.
London (BM, 1902-10-11-5291 ... 5292).

References: CS 33; BM 9; Beckett 1951, 327.
Location of original painting and related material: Unknown.


33.
Queen Mary II as Princess of Orange
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
350 mm x 250 mm plate size
1678-1679

I Before the lettering.
London (BM, 1874-8-8-1310, ex-collection Earl of Wicklow, margins, inscription in pen and ink).
II Lettered: Her Highness the Princess of Orange
Below left: P. Lellij Pinxit.
Below centre: R Tompson excudit
London (BM, 1902-10-11-5294, margins), Oxford* (Sutherland collection, Burnet vol. I, pt. XII, p. 724), Windsor (RCIN 603220).
III With Sr added before Lely's name.
London (BM, 1902-10-11-5295, sheet), London (Strang, G4110, small margins).

References: CS 34; BM 11; Beckett 1951, 326.
Location of original painting and related material: Various related versions including collection National Portrait Gallery, London, in orange dress, 1677 (NPG 6214; MacLeod and Marciari Alexander 82), the version in Royal Collection (Millar 1963, 250), and the version in a grey dress, Sotheby's 9/4/1997, lot 23. See the copy in miniature by Richard Gibson of the version in an orange dress, Sotheby's 20/7/1981, lot 5. See also the mezzotint by Paul Van Somer (CS 10; H. XXVII, 233).


34.
Queen Mary II as Princess of Orange
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
245 mm x 203 mm plate size
1678-1679
Lettered Her Highness the Princess of Orange.
Below left Lilly./ pinxit.
Below right R Tompson /excudit
London (BM, 1902-10-11-5296 ... 5298, three impressions), Oxford* (Sutherland collection, Burnet vol. I, pt. VIII, p. 479), Windsor (RCIN 603227, margins).

References: CS 35; BM 8.
Location of original painting and related material: Unknown. Compare with the full length portrait of Queen Mary as a child in a landscape background, collection Berkeley Castle, Gloucestershire.


Ortensia Mancini, Duchess of Mazarin, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Ortensia Mancini, Duchess of Mazarin
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D5671

35.
D5671
Ortensia Mancini, Duchess of Mazarin
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/4 in. x 10 in. (338 mm x 253 mm) plate size
1678-1679
Lettered The Dutchess of Massarine
Below left P Lelij pinxit
Below right R Tompson excudit.

I Before the lettering.
London (BM, 1902-10-11-5272 ...5273, former with margins).
II As described.
Glasgow (GLAHA 3997), London (BM 1902-10-5274, trimmed), London (NPG, D5671).

References: CS 27; BM 4; Beckett 1951, 337.
Location of original painting and related material: Unknown. Mezzotint copy published in Amsterdam by Carel Allard (Russell, vol. II, p. 326; not in H. I).


36.
Jane 'Jenny' (Needham) Myddelton
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
350 mm x 250 mm plate size
1678-1679

I Before the lettering.
London (BM, 1902-10-11-5275, trimmed and 1857-2-28-216, Portraits).
II Lettered: Madame Middleton
Below left: P.Lelij Pinxit.
Below right: R Tompson excudit
London* (BM, 1902-10-11-5276, margins and 1902-10-11-5277 counterproof), Windsor (RCIN 659281-2, latter a counterproof).
III With Sr added before Lely's name.
Described by Russell, vol. II, p. 326.
London (BM, 1902-10-11-5278, cut).

References: CS 28; BM 7; Beckett 1951, 342.
Location of original painting and related material: Unknown. Compare to mezzotint of Lady Seymour published by Alexander Browne (CS 34; BM 1).


37 .
Ann Scott, Duchess of Monmouth and Buccleuch
By Jan Van der Vaart, published by Richard Tompson, after Sir Godfrey Kneller, Bt
Mezzotint
335 mm x 225 mm plate size
1678-1679
Lettered The Dutchess of Monmouth
Below left G.Kneller Pinxit
Below centre I. Vander Vaart fecit.
Below right R. Tompson excudit
London* (BM, 1902-10-11-6018, and 1902-10-11-6019, counterproof and 1874-8-8-1311, Portraits), London (NPG, D10988, lettering cut), Oxford (Sutherland collection, Burnet vol. I, pt. IV, p. 244), Windsor (RCIN 661259).

References: CS 5; BM 1; Stewart 502; H. XXXI, 5; MacLeod and Marciari Alexander 85.
Location of original painting and related material: Unknown. See mezzotint copy by Pieter Schenck (H. XXV, 809).


Anne (née Fielding), Lady Morland, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

Anne (née Fielding), Lady Morland
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D13160

38.
D13160
Anne (née Fielding), Lady Morland
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 3/8 in. x 10 in. (340 mm x 255 mm) plate size
1678-1679
Lettered The Lady Mooreland
Below left P Lelij Pinxit
Below right R. Tompson excudit.

I Before the lettering.
London (BM, 1902-10-11-5283, margins, in pen and brown ink: The Lady of S:r Samll Moreland, and hairstyle adjusted with additional black ink).
II As described.
Cambridge (Magdalene, Pepys Library, 2979/203b, counterproof), Glasgow (GLAHA 3999), London (NPG, D13160), London (BM, 1902-10-11-5284 ...5285, former with margins and 1864-8-13-153, Portraits, on pale brown paper), Windsor (RCIN 659145).

References: CS 30; BM 1; Beckett 1951, 364.
Location of original painting and related material: Unknown.


George Morley, published by Richard Tompson, after  Sir Peter Lely, 1678-1679 - NPG  - © National Portrait Gallery, London

George Morley
published by Richard Tompson, after Sir Peter Lely
1678-1679
NPG D13169

39.
D13169
George Morley
Published by Richard Tompson, after Sir Peter Lely
Mezzotint
13 1/8 in. x 10 in. (332 mm x 252 mm) plate size
1678-1679
Lettered The Right Reuerend George Lord B:pp of Winchester
Below left towards centre P Lelij pinxit.
Below right towards centre R. Tompson excudit.

I Before the lettering. Before plate was darkened.
Oxford (Sutherland collection, vol. IV, pt. VIII, p. 454).
II Before the lettering.
London (BM, 1902-10-11-5286, trimmed 1874-8-8-1304, in pen and brown ink: Geo: Ld Bpp of Winchester, margins, and P.5-142, trimmed), London (NPG, Wheatley's London, vol. I, pt II, p. 374, in pen and ink: Bishop Morley).
III With name and title of sitter only.
Oxford (Sutherland collection, Clarendon vol. IV, pt VIII, facing p. 455, margins, fine).
IV As described. Plate with further rockerwork giving a darker tonality.
Cambridge (Magdalene, Pepys Library, vol. III, fol. 99, 2980/99c), London (BM, 1902-10-11-5287, small margins), London (NPG, D13169), Oxford (Sutherland collection, vol. IV, pt. VIII, p. 456).

References: CS 31; BM 1; Beckett 1951, 366.
Location of original painting and related material: Christ Church, Oxford (Beckett 1951, 366; Ingamells 1981, p. 302, A.1) and further versions (Ingamells 1981). Similar to mezzotints published by David Loggan. Compare also the mezzotints of Humphrey Henchman (CS p. 1659, 55) and Gilbert Sheldon by unknown mezzotinters (CS p. 1671, 109).


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