Resources and bibliography

The following resources relate to four online directories, British artists' suppliers, 1650-1950 (2nd edition, May 2008), British picture framemakers, 1630-1950 (3rd edition, September 2011), British picture restorers, 1630-1950 (1st edition, March 2009) and British bronze sculpture founders and plaster figure makers, 1800-1980 (1st edition, February 2011). Last updated September 2011.

Business records
Official records
Periodicals and newspapers
Trade cards and catalogues
Websites and digital resources
Bibliography

Business records
Company records Records for company registrations and relating to companies trading on the stock exchange have not been studied.
Roberson account holders Roberson Archive, Hamilton Kerr Institute, Cambridge. The publication by Sally Woodcock (Woodcock 1997) of an index of account holders, 1820-1939, with Charles Roberson, subsequently Roberson & Miller, Charles Roberson & Co, and C. Roberson & Co Ltd, makes this valuable resource available. See index to the Roberson Archive. The actual Roberson ledgers have not been consulted.
Salerooms References to labelled frames, canvases and panels in salerooms occasionally derive from information in published sale catalogues but otherwise through personal observation. References to sellers and purchasers at sales in the 18th and 19th century come from various sources, including the Getty provenance index, an online resource maintained by the J. Paul Getty Trust, including indexed transcriptions from numerous British auction catalogues, mostly from the period 1750-1840.
Sun insurance records Sun Insurance Office policy registers, 1710-1928, Guildhall Library, London (MS 11936). A microfiche index to the registers is available for 1775-87, and an online index for 1800-39 through A2A (Access to Archives, see below) at www.nationalarchives.gov.uk/a2a (select Guildhall Library and include the word ‘insured’ in the search term). See also Fire Insurance Records www.history.ac.uk/gh/fire.htm. 

Official records
BMD Original records of births, marriages and deaths, potentially useful sources of information, have not been studied. However, there are three very helpful websites. FreeBMD is an ongoing project to transcribe the Civil Registration index of births, marriages and deaths for England and Wales, and to provide free Internet access to the transcribed records; it contains partial index information for the period 1837-1983 at www.freebmd.org.uk/ . This site has been used extensively in identifying birth and death dates. References to ‘registration district’ or to ‘district’ refer to the civil registration districts. Non-conformist BMD provides information on a fee basis from the registers of various non-conformist churches, 1534-1865, at www.bmdregisters.co.uk/ .
London Parish Records provides information on a fee basis, covering certain London Baptisms, Marriages and Burials 1538-1812, Births and Baptisms 1813-1906, Marriages and Banns 1754-1921, and Deaths and Burials 1813-1980, at Ancestry.co.uk , provided with the London Metropolitan Archives.
Boyd Percival Boyd’s index, The Apprentices of Great Britain, covering many apprenticeships, 1710-74, abstracted from records in the National Archives, series IR 1, of tax paid on premiums for apprenticeships. This index is available at the Society of Genealogists, the Guildhall Library and elsewhere. Another series, ‘London Apprenticeship Abstracts, 1442-1850’, with over 300,000 names from City Company records, is available on a fee basis through a cooperation between the Society of Genealogists and the Origins Network web site at www.originsnetwork.com/.
Censuses Reference is made to the records of successive censuses, taken on 6 June 1841 and during the period 30 March to 7 April in the censuses for 1851, 1861, 1871, 1881, 1891,1901 and 1911. These are available on a fee basis online for England and Wales at www.nationalarchives.gov.uk/census/ and elsewhere. In the 1841 census, ages were rounded down to the nearest five years. Another resource, FreeCEN, at www.freecen.org.uk/ aims to provide a free-to-view online searchable database of 19th-century UK census returns, with the useful facility to search by occupation; of the partially completed database, the coverage for Edinburgh in 1841 and for St Pancras in London in 1891 are particularly useful. The 1881 census can be searched by occupation at Ancestry.co.uk. For Scotland, see Scotlands People below.
National Probate Calendar This index of Wills and Administrations on www.ancesry.co.uk , contains summaries of the vast majority of probate cases in England and Wales, 1861-1941. In quoting from these summaries, the value of effects have been rounded down to the nearest whole pound.
PCC wills Unless otherwise stated, references to wills are to the series of Prerogative Court of Canterbury Wills, 1384-1858, held by the National Archives. These cover wills proved (i.e., formally approved) by this court, covering the relatively wealthy individuals living mainly in the south of England and most of Wales (what was originally the ecclesiastical province of Canterbury), available on a fee basis at www.nationalarchives.gov.uk/documentsonline/wills.asp , and free at the National Archives. Wills dating to after 1858 have not been studied.
Proceedings of the Old Bailey A fully searchable online edition of the largest body of texts detailing the lives of non-elite people ever published, containing accounts of over 100,000 criminal trials held at London's central criminal court, 1674-1913, see www.oldbaileyonline.org/.
Rate books With few exceptions, rate books have not been studied; they have the potential to provide significant further information for early makers.
Returns of alien passengers Returns listing alien passengers on ships arriving at British ports, as required by the Aliens Act, cover most of the period 1826-69 (National Archives, HO 3). They can be searched digitally at Ancestry.co.uk.
Scotlands People Birth, marriage, death and census records for Scotland are available on a fee basis at the official source for genealogical data for Scotland at www.scotlandspeople.gov.uk . The site also provides access to a fully searchable index of over 600,000 entries for Scottish wills and testaments, 1513-1901, created by the Scottish Archive Network, see www.scottishdocuments.com.

Periodicals and newspapers
17th and 18th Century Burney Newspapers (collected by the Rev. Charles Burney) and 19th Century British Library Newspapers Full-text searchable digital archive of numerous newspapers in England, Wales, Scotland and Ireland. Available free in British Library Reading Rooms, with online access on subscription. This website is the source for almost all newspaper quotations except for the Bath Chronicle, the Edinburgh Gazette, the London Gazette, the Manchester Guardian, The Scotsman and The Times, for which see below.
19th Century UK Periodicals Full-text searchable digital archive of nearly 600 periodicals covering all aspects of British life in the 19th century. Available on subscription at http://gale.cengage.co.uk/ukperiodicals/, and free at certain reference libraries.
The Art-Union Periodical published monthly 1839-48. Initially R. Ackermann was the only colourman to advertise but he was soon followed by Reeves, Roberson and Winsor & Newton in 1840 and thereafter by a changing selection of companies, including framemakers.
The Artist Periodical published monthly from 1927, examined selectively.
The Artists’ Directory Periodical apparently published annually 1870-75. 1870 is available in the British Museum Dept of Prints & Drawings, 1874 at the British Library, PP.2495.bcn, and elsewhere, 1875 with Jacob Simon.
The Bath Chronicle Extracts for the years 1770-1800, available at www.bathnes.gov.uk/leisureandculture/recordsarchives/georgian/Pages/SearchGuided.aspx .
The Guardian and The Observer Available on subscription at www.guardian.co.uk as the Guardian and Observer Digital Archive, covering the Guardian (since 1821) and the Observer (since 1791), full text searchable.
The London Gazette and The Edinburgh Gazette A government journal, published in London since 1665, and in Edinburgh since 1699, and more consistently since 1793. This is a useful source for changes in business partnerships and individual bankruptcies. There are certain gaps in the online coverage at http://www.london-gazette.co.uk/, e.g. for 1796, where some details have been extracted from Maxted.
The Scotsman Available on subscription at http://archive.scotsman.com/ as The Scotsman Digital Archive 1817-1950, full text searchable.
The Times Available on subscription at www.gale.cengage.co.uk as The Times Digital Archive 1785-1985, and free at many reference libraries. There are inadequacies in the full-text search mechanism.
The Year’s Art Periodical published annually 1880-1947, examined up until 1920, compiled late in the year preceding publication. Initially Newman was the only colourman to advertise but he was followed by Lechertier Barbe in 1883, and thereafter by a changing selection of companies.
Telephone books British Phone Books, 1880-1984, a searchable online resource useful for establishing business addresses, available on a fee basis at British Phone Books, 1880-1984 - Ancestry.co.uk. It contains phone books published between 1880, the year after the public telephone service was introduced, and 1984, from the historic phone book collection held by BT Archives, providing near full county coverage for England as well as containing substantial records for Scotland, Ireland, and Wales.
Trade directories Trade directories are available at the Guildhall Library, London, and elsewhere on microfilm. Increasingly, they are being made available on the Internet. Kent's London Directory, 1794, can be accessed in trancription at www.londonancestor.com/kents/kents-menu. Numerous pre-1920 English and Welsh directories are reproduced in the original at the site maintained by the University of Leicester at www.historicaldirectories.org, with full-text search mechanism. Directories were often published around the start of the year, thus recording businesses at the locations they occupied late in the previous year. In compiling business addresses, no allowance has been made for this situation.
Whitley papers British Museum, Department of Prints & Drawings, volumes of newspaper cuttings and typewritten slips, put together by William Thomas Whitley (1858-1942), presented to the Museum in 1943. Whitley was author of Artists and their Friends in England 1700-1799, 1928, and other books.

Trade cards and catalogues
Banks coll. British Museum, Dept of Prints & Drawings, collection of trade cards etc, put together by Sarah Sophia Banks (1744-1818), only sister of Sir Joseph Banks, presented to the Museum in 1818. Many of these cards were marked with the year in manuscript, presumably indicating when the card was acquired. Some cards from other sources have been filed in this sequence at the British Museum. In process of being placed online at British Museum - Advanced Search.
Heal coll. British Museum, Dept of Prints & Drawings, collection of trade cards, put together by Sir Ambrose Heal (1872-1959), by whom bequeathed to the Museum. In process of being placed online at British Museum - Advanced Search.
Johnson coll. Bodleain Library, Oxford, collection of printed ephemera, put together by John Johnson (1882-1956), entered Library in 1968. Much is available in an excellent searchable illustrated database online at www.bodley.ox.ac.uk/johnson/johnson.htm.
Trade catalogues The best listings of the catalogues of the major firms of Reeves, Roberson, Rowney and Winsor & Newton can be found in Carlyle 2001, Katlan 1987 and Katlan 1992. Other catalogues, etc, referred to here are acknowledged by collection; catalogues for which no collection is given belong to the compiler, Jacob Simon, and are intended as an eventual gift to a public collection.

Websites and digital resources
A2A Access to Archives, at www.nationalarchives.gov.uk/a2a, contains more than 10 million records relating to items held in 400 record offices and other repositories in England and Wales. Many of the references to items held in archives are taken from this database; few have been inspected in the original.
Biography database Biography database 1680-1830, projected five CDROM databases covering UK and USA for all known book subscription lists, all national, town and trade directories through to 1830 and all society membership lists, available at leading reference libraries. Some references to book subscribers and some addresses from trade directories have been derived from this database.
ECCO Eighteenth Century Collections Online, 135,000 18th-century English-language printed works, fully searchable including full-text and illustrations, available on subscription at www.galeuk.com/jiscconsult/index.htm, and free at the British Library and elsewhere.
Genuki UK and Ireland genealogy The aim of GENUKI is to serve as a comprehensive ‘virtual reference library’ of genealogical information of particular relevance to the UK & Ireland; see www.genuki.org.uk/.
Google Book Search Google advanced book search covers many out of print and obscure publications. Perhaps the most useful results can be obtained when searches are limited to ‘full view’ of books published within a specific timespan. Accessible at http://books.google.com/advanced_book_search.
IGI Covering a wide selection of international sources, in the form of the International Genealogical Index, including for Britain information from some parish registers, usually but not always accurate, and a transcript of the 1881 census, maintained by the Church of Jesus Christ of Latter-day Saints, at www.familysearch.org/Eng/Search/frameset_search.asp. Many birth and marriage details prior to Civil Registration in 1837 have been derived from this database.
Literature online Over a third of a million full-text works of poetry, prose and drama in English, available on subscription at http://lion.chadwyck.com/marketing/index.jsp, and free at the British Library and elsewhere.
London Book Trades 1775-1800 Maintained by Ian Maxted, formerly at Devon Library and Information Services, making available and extending his 1977 publication of the same title (see Maxted 1977). This and related material is now available at http://bookhistory.blogspot.com/2005/12/index.html.
Scottish Book Trade Index Covering the Scottish book trade up until c.1850, maintained by the National Library of Scotland, at http://www.nls.uk/catalogues/resources/sbti .

Bibliography
Multi-authored works are cited in brief by the first author only

Agnew 1967 Geoffrey Agnew, Agnew's 1817-1967, 1967, including app.1 and 2.
Anderson 1994 Jaynie Anderson, 'A most improper picture': transformations of Bronzino's erotic allegory, Apollo, vol.139, February 1994, pp.19-28.
Asleson 2001 Robyn Asleson and Shelley Bennett, British Paintings at the Huntington, 2001.
Auerbach 1971 Erna Auerbach and C. Kingsley Adams, Paintings and Sculpture at Hatfield House: A Catalogue, 1971.
Ayres 1985 James Ayres, The Artist's Craft: A History of Tools, Techniques and Materials, Oxford, 1985.

Bamford 1983 Francis Bamford, A Dictionary of Edinburgh Wrights and Furniture Makers 1660-1840, in Furniture History, vol.19, 1983.
Barker 2009 Elizabeth E. Barker, ‘Documents relating to Joseph Wright of Derby (1734-97)’, Walpole Society, vol.71, 2009, pp.1-216.
Bathurst 1908 Earl Bathurst, Catalogue of the Bathurst Collection of Pictures, 1908.
Beard 1981 Geoffrey Beard, Craftsmen and Interior Decoration in England 1660-1820, Edinburgh, 1981.
Beattie 1983 Susan Beattie, The New Sculpture, 1983.
Beckett 1964 R.B. Beckett (ed.), John Constable's Correspondence: vol.II Early Friends and Maria Bicknell (Mrs Constable), Suffolk Records Society, vol.4, 1964.
Beckett 1965 R.B. Beckett (ed.), John Constable's Correspondence: vol.III The Correspondence with C.R. Leslie, Suffolk Records Society, vol.8, 1965.
Beckett 1966 R.B. Beckett (ed.), John Constable's Correspondence: vol.IV Patrons, Dealers and Fellow Artists, Suffolk Records Society, vol.10, 1966.
Beckett 1967 R.B. Beckett (ed.), John Constable's Correspondence: vol.V Various Friends..., Suffolk Records Society, vol.11, 1967.
Beckett 1968 R.B. Beckett (ed.), John Constable's Correspondence: vol.VI The Fishers, Suffolk Records Society, vol.12, 1968.
Bennett 1971 Mary Bennett and Edward Morris, The Emma Holt Bequest, Sudley Illustrated Catalogue and History of the House, Liverpool City Council, 1971.
Bennett 1988 Mary Bennett, Artists of the Pre-Raphaelite Circle, The First Generation, Catalogue of Works in the Walker Art Gallery, Lady Lever Art Gallery and Sudley Art Gallery, 1988.
Bennett 2010 Mary Bennett, Ford Madox Brown: A Catalogue Raisonné, 2010.
Bentley 2007 Gerald Eades Bentley, ‘Blake's Heavy Metal: The History, Weight, Uses, Cost, and Makers of His Copper Plates’, University of Toronto Quarterly, vol.76, 2007, pp.714-70.
Bilbey 2002 Diane Bilbey, with Marjorie Trusted, British Sculpture 1470 to 2000: A concise catalogue of the collection at the Victoria and Albert Museum, 2002.
Blunt 1979 Anthony Blunt, ‘Petworth Rehung: The Restoration and Rehanging of the Petworth Collection 1952-53’, National Trust Studies 1980, 1979, pp.119-32.
BM Satires M.D. George, Catalogue of Political and Personal Satires... in the British Museum, vols 6-8, 1938-47.
Bottoms 2002 Edward Bottoms, 'A Directory of Agents, Buyers and Collectors', in Larissa Dukelskaya and Andrew Moore (eds), A Capital Collection: Houghton Hall and the Hermitage, 2002
Bower 1990 Peter Bower, Turner’s Papers: A study of the manufacture, selection and use of his drawing papers 1787-1820, Tate Gallery, 1990.
Bower 1999 Peter Bower, Turner’s Later Papers: A study of the manufacture, selection and use of his drawing papers 1820-1851, Tate Gallery, 1999. See also Peter Bower, ‘Turner's use of papers and boards as a support for oil sketches', in Exploring Late Turner, exh. cat., Salander-O'Reilly Galleries, New York, 1999, p.61.
Bowness 2011 Sophie Bowness, 'Barbara Hepworth's studio practice: Plaster for Bronze', in Sophie Bowness (ed.), Barbara Hepworth: The Plasters. The Gift to Wakefield, 2011.
Boyd See Official records above.
Bright 1973 Henry Bright 1810-1873: A Catalogue of Paintings and Drawings in the collection of Norwich Castle Museum, 1973.
Bristow 1996 Ian C. Bristow, Interior House-Painting Colours and Technology 1615-1840, 1996.
Brockwell 1915 Maurice Brockwell, Catalogue of the Pictures and other Works of Art in the Collection of Lord St Oswald at Nostell Priory, 1915.
Bronkhurst 2006 Judith Bronkhurst, William Holman Hunt: A Catalogue Raisonné, 2 vols, 2006.
Brooks 1999 Hero Boothroyd Brooks, Practical Developments in English easel-painting conservation, c.1824-1968, from written sources, PhD thesis, Courtauld Institute of Art, 1999.
Bryant 2003 Julius Bryant, Kenwood: Paintings in the Iveagh Bequest, 2003.
Bucholz 2006 R.O. Bucholz, Office-Holders in Modern Britain, vol.11,Court Officers, 1660-1837 (revised), 2006, 'The artistic establishment: Painters, Menders and Surveyors of the Pictures', at www.british-history.ac.uk/report.aspx?compid=43808; ‘Joiner of the Privy Chamber 1660–1782’, at www.british-history.ac.uk/report.aspx?compid=43839#s19 (both accessed December 2010); an expanded online version of J.C. Sainty and R.O. Bucholz, Office-Holders in Modern Britain, vol.11, Officials of the Royal Household 1660-1837, 1997.
Buckeridge 1706 Bainbrigg Buckeridge, An Essay towards an English School of Painters, in Roger de Piles, The Art of Painting, and the Lives of the Painters, 1706.
Bustin 1999 Mary Bustin, ‘Experimental Secrets and Extraordinary Colours’, in Tabitha Barber, Mary Beale: Portrait of a 17th-century painter, her family and her studio, Geffrye Museum, 1999, pp.42-59.
Butlin 1981 Martin Butlin, ‘Turner’s Late Unfinished Oils: some new evidence for their late date’, Turner Studies, vol.1, no.2, 1981, pp.43-5.
Byam Shaw 1967 J. Byam Shaw, Paintings by Old Masters at Christ Church Oxford, 1967.

Callen 2000 Anthea Callen, The Art of Impressionism: Painting technique & the making of modernity, 2000.
Carlyle 2001 Leslie Carlyle, The Artist's Assistant: Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 with Reference to Selected Eighteenth-Century Sources, 2001.
Chapel 2008 Jeannie Chapel, ‘The papers of Joseph Gillott (1799-1872)’, Journal of the History of Collections, vol.20, 2008.
Clarke 1981 Michael Clarke, The Tempting Prospect: a social history of English watercolours, 1981.
Clayton 1997 Timothy Clayton, The English Print 1688-1802, 1997.
Clifford 1992 Timothy Clifford, ‘The Plaster Shops of the Rococo and Neo-Classical Era in Britain’, Journal of the History of Collections, vol.4, 1992, pp.39-65.
Cline 1978 C.L. Cline, The Owl and the Rossettis: Letters of Charles A. Howell and Dante Gabriel, Christina, and William Michael Rossetti, 1978.
Cobbe 1976 A. Cobbe, ‘Colourmen’s canvas stamps as an aid to dating paintings: a classification of Winsor and Newton’s canvas stamps from 1838-1920’, Studies in Conservation, vol.21, 1976, pp.85-94.
Collins 1998 Judith Collins, Eric Gill: The Sculpture‎, A Catalogue Raisonné, 1998.
Colvin 1976 Howard Colvin (ed.), The History of the King's Works, vol.5, 1660-1782, 1976.
Colvin 2008 Howard Colvin, A Biographical Dictionary of British Architects, 1600-1840, 4th ed., 2008.
Completing the Picture 1982 Completing the Picture: materials and techniques of twenty-six paintings in the Tate Gallery, Tate Gallery, 1982.
Connell 2007 David Connell, ‘John Anderson and John Bouttats: picture dealers in eighteenth-century London’, in Jeremy Warren and Adriana Turpin (eds), Auctions, Agents and Dealers. The Mechanisms of the Art Market 1660-1830, Oxford, 2007, pp.113-26.
Constantin 2001 Stéphanie Constantin, ‘The Barbizon Painters: A Guide to their Suppliers’, Studies in Conservation, vol.46, 2001, pp.49-67.
Cove 1991 Sarah Cove, ‘Constable's oil painting materials and techniques’, in Leslie Parris and I. Fleming-Williams (eds), Constable, Tate Gallery, 1991, pp.493-529.
Croft-Murray 1962 Edward Croft-Murray, Decorative Painting in England 1537-1837, vol.1, 1962.
Croft-Murray 1970 Edward Croft-Murray, Decorative Painting in England 1537-1837, vol.2, 1970.
Culme 1987 John Culme, Directory of gold and silversmiths, jewellers, and allied traders, 1838-1914, 1987.
Cunningham 1843 Allan Cunningham, The Life of Sir David Wilkie, 3 vols, 1843.

Daley 2006 Michael Daley, 3-part series on cleaning pictures at the National Gallery in The Jackdaw, ‘You’ll wonder where the yellow went…’, June 2006, pp.20-1; ‘Weaver’s tangled web’, July/August 2006, pp.23-5; ‘Solvent abuse’, September 2006, pp.22-5.
DEF ‘Picture Frames’ in Percy Macquoid and Ralph Edwards, Dictionary of English Furniture, vol.3, 2nd ed., 1954, pp.19-34.
DEFM Geoffrey Beard and Christopher Gilbert (eds.), Dictionary of English Furniture Makers 1660-1840, 1986.
Doran 2006 Victoria Doran, 'Frith's frames and the business of frame-making', in Mark Bills and Vivien Knight, William Powell Frith: painting the Victorian age, 2006, pp.156-60.
Dorment 1985 Richard Dorment, Alfred Gilbert, 1985.
Dorment 1986 Richard Dorment, Alfred Gilbert: Sculptor and Goldsmith, exh.cat., Royal Academy, 1986.
Dunkerton 1980 Jill Dunkerton, ‘Technical Note: Joseph Southall’s Tempera Paintings’, in Joseph Southall 1861-1944 Artist-Craftsman, Birmingham Museums & Gallery, 1980, pp.18-24.

Edmond 1980 Mary Edmond, ‘New light on the lives of miniaturists and large-scale portrait-painters working in London in the 16th and 17th centuries’, Walpole Society, vol.47, 1980.
Edwards 1808 Edward Edwards, Anecdotes of Painters who have resided or been born in England, 1808.
Einberg 2001 Elizabeth Einberg, ‘Catalogue Raisonne of the Works of George Lambert’, Walpole Society, vol.63, 2001.
Elzea 2001 Betty Elzea, Frederick Sandys 1829-1904, Woodbridge, 2001, incl. app.20, ‘Sandys’s frames and framers’, and app.21, ‘Evidence of suppliers of artists’ materials in Sandys’s work’.

Fairbairn 1982 Linda Fairbairn (compiler), Paint & Painting: an exhibition and working studio sponsored by Winsor & Newton to celebrate their 150th anniversary, Tate Gallery, 1982.
Farington K. Cave, K. Garlick and A. MacIntyre (eds), The Diary of Joseph Farington, 16 vols, 1978-84, here referred to by volume and page number.
Fawcett 1974 Trevor Fawcett, The Rise of English Provincial Art: artists, patrons, and institutions outside London, 1800-1830, Oxford, 1974, pp.52-4.
Ford 1983 John Ford, Ackermann 1783-1983, the Business of Art, Ackermann, 1983.
Forster  1848  H.R. Forster, The Stowe Catalogue Priced and Annotated, 1848.
Foskett 1964 Daphne Foskett, John Smart: The Man and his Miniatures, 1964.
Fox 1992 Celina Fox (ed.), London. World City 1800-1840, exh.cat., Essen, 1992, pp.328-42.
Fredeman William E. Fredeman (ed.), The Correspondence of Dante Gabriel Rossetti, Cambridge, 2002-10, 9 vols to date, here referred to by letter number.
Fredeman William E. Fredeman (ed.), The Correspondence of Dante Gabriel Rossetti, Cambridge, 2002-9, 8 vols to date, here referred to by letter number.
Frederiksen 2010 Rune Frederiksen and Eckart Marchand (eds), Plaster Casts: Making, Collecting and Displaying from Classical Antiquity to the Present, Berlin, 2010.

Gage 1980 John Gage (ed.), Collected Correspondence of J.M.W. Turner, Oxford, 1980.
Gage 1989 John Gage, George Field and his Circle: From Romanticism to the Pre-Raphaelite Brotherhood, Fitzwilliam Museum, Cambridge, 1989.
Gage 2001 John Gage, ‘A Romantic Colourman: George Field and British art’, Walpole Society, vol.63, 2001, pp.1-73.
Garnett 2000 Oliver Garnett, 'The Letters and Collection of William Graham: Pre-Raphaelite Patron and Pre-Raphael collector', Walpole Society, vol.62, 2000. pp.145-343.
Getty provenance index See Business records, Salerooms, above.
Gilbert 1996 Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, Furniture History Society, 1996.
Goodwin 1966 Michael Goodwin, Artist and Colourman, 1966.
Gott 2007 Ted Gott, Laurie Benson, Sophie Matthiesson et al., Modern Britain 1900-1960: Masterworks from Australian and New Zealand Collections, National Gallery of Victoria, Melbourne, 2007.
Griffiths 1996 Antony Griffiths, Landmarks in Print Collecting: Connoisseurs and Donors at the British Museum since 1753, 1996.
Gunnis 1968 Rupert Gunnis, Dictionary of British Sculptors 1660-1851, revised ed., 1968.

Hackney 1999 Stephen Hackney, Rica Jones and Joyce Townsend (eds.), Paint and Purpose. A study of technique in British Art, Tate Gallery Publishing, 1999. Case studies on British paintings from 1594 to 1958.
Hall 1962 Douglas Hall, 'The Tabley House Papers', Walpole Society, vol.38, 1962, pp.59-122.
Hardie 1967 Martin Hardie, Water-colour Painting in Britain, vol.1, The Eighteenth Century, 1967, 2nd ed, pp.17-24, 31.
Harley 1979 R.D. Harley, ‘Field’s Manuscripts: early 19th-century colour samples and fading tests’, Studies in Conservation, vol.24, 1979, p.81.
Harley 1982 R.D. Harley, Artists’ Pigments c. 1600-1835: A Study in English Documentary Sources, 2nd ed., 1982.
Harley 1987 R.D. Harley, ‘Artists’ Prepared Canvases from Winsor & Newton: 1928-1951’, Studies in Conservation, vol.32, 1987, pp.77-85.
Heal 1972 Ambrose Heal, The London Furniture Makers from the Restoration to the Victorian Era 1660-1840, 1972 reprint, first published 1953.
Hervey 1894 The Diary of John Hervey, 1st Earl of Bristol. With extracts from his Book of Expenses, 1688 to 1742, Wells, 1894.
Hill 1984 David Hill, ‘A Taste for the Arts: Turner and the Patronage of Edward Lascelles of Harewood House’, Turner Studies, vol.4, no.2, 1984, pp.24-33.
Hodgkinson 1995 Ian S. Hodkinson and Deborah M. Child, ‘An 18th-century artist-applied lining: Joseph Wright of Derby's Cut through the Rock at Cromford’, Journal of the American Institute for Conservation, 1995, vol.34, no.1, pp.33-47 (see http://aic.stanford.edu/jaic/articles/jaic34-01-003_indx.html).
Hoff 1973 Ursula Hoff, National Gallery of Victoria: European Painting and Sculpture before 1800, 3rd ed., 1973.
Houliston 1999 Laura Houliston, 'Frame Making in Edinburgh 1790-1830', Regional Furniture, vol.13, 1999, pp.58-77.
Humfrey 2004 Peter Humfrey, Timothy Clifford, Aidan Weston-Lewis and Michael Bury, The Age of Titian: Venetian Renaissance Art from Scottish Collections, exh.cat., National Galleries of Scotland, 2004.
Hutchison 1962 Sidney Hutchison, ‘The Royal Academy Schools, 1768-1830’, Walpole Society, vol.38, 1962.

Ingamells 1981 John Ingamells, The Hertford Mawson Letters: The 4th Marquess of Hertford to his agent Samuel Mawson, 1981. 
Ingamells 1985 John Ingamells, The Wallace Collection Catalogue of Pictures, vol.1 British, German, Italian, Spanish, 1985.
Ingamells 1986 John Ingamells, The Wallace Collection Catalogue of Pictures, vol.2 French 19th-century, 1986.
Ingamells 1989 John Ingamells, The Wallace Collection Catalogue of Pictures, vol.3 French before 1815, 1989.
Ingamells 1992 John Ingamells, The Wallace Collection Catalogue of Pictures, vol.4 Dutch and Flemish, 1992.
Ingamells 2000 John Ingamells, The Letters of Sir Joshua Reynolds, 2000.
Ingamells 2004 John Ingamells, National Portrait Gallery: Mid-Georgian portraits, 1760-1790, 2004.
Ingamells 2008 John Ingamells, Dulwich Picture Gallery: British, 2008.

Jackson-Stops 1980 Gervase Jackson-Stops, 'Picture Frames at Petworth', Country Life, vol.168, 1980, pp.798-800, 1030-2.
James 1971 Duncan James, ‘Foundries’. Arts Review, vol.23, no.3, 13 February 1971, pp.70-1, 87.
James 1984 Duncan James, A Century of Statues: the History of the Morris Singer Foundry, 1984.
James 1986 Duncan James, ‘Alfred Gilbert and his use of nineteenth-century founding techniques’, in Richard Dorment, Alfred Gilbert: Sculptor and Goldsmith, exh.cat., Royal Academy, 1986, pp.21-6).
Jarman 1994 Derek Jarman, Chroma. A Book of Colour – June ‘93, 1994.
Jenkins 1990 Ian Jenkins, ‘Acquisition and Supply of Casts of the Parthenon Sculptures by the British Museum, 1835-1939’, Annual of the British School at Athens, vol.85, 1990, pp.89-114.
Jervis 1982 Simon Jervis, ‘Picture frames and picture hanging at Apsley House’, in C.M. Kauffmann, Catalogue of Paintings in the Wellington Museum, 1982, pp.17-20.
Joy 1969 Edward Joy, 'The Royal Victorian Furniture-Makers, 1837-87', Burlington Magazine, vol.111, 1969, pp.677-87.

Katlan 1987 Alexander W. Katlan, American Artists’ Materials Suppliers Directory: Nineteenth Century, New York 1810-1899, Boston 1823-1887, New Jersey, 1987 (supplies by British artists’ colourmen, as recorded in this book, have been selectively noted for dated pictures and those with illustrated stencils).
Katlan 1992 Alexander W. Katlan, American Artists’ Materials. Volume II A Guide to Stretchers, Panels, Millboards, and Stencil Marks, Madison, Connecticut, 1992.
Katlan 1999 Alexander Katlan, ‘The American artist's tools and materials for on-site oil sketching’, Journal of the American Institute for Conservation, 1999, vol.38, no.1, pp.21-32, see http://aic.stanford.edu/jaic/articles/jaic38-01-003_2.html.
Kauffmann 1982 C.M. Kauffmann, Catalogue of Paintings in the Wellington Museum, 1982.
Kirkham 1969 P.A. Kirkham, ‘Samuel Norman: a study of an eighteenth-century Craftsman’, Burlington Magazine, 1969, vol.111, pp.501-13.
Kollmann 2000 Stefanie Kollmann, Niederländische Künstler und Kunst im London des 17.Jahrhunderts, Hildesheim, 2000.
Kosek 1998 Joanna M. Kosek, ‘The heyday of pastels in the 18th century’, The Paper Conservator, vol.22, 1998, pp.1-9.
Krill 2002 John Krill, English Artists’ Paper: Renaissance to Regency, Oak Knoll Press and Winterthur Museum, 2nd ed., 2002.

Labreuche 2004 Pascal Labreuche, ‘Les fournisseurs Parisiens des toiles et chassis des années 1800 à 1880: une étude à partir de peintures conservées au Musée Condé’, Le Musée Condé, no.61, December 2004, pp.35-56.
Leach 1973 Cathy Leach, ‘19th Century Prepared Artists’ Canvases’, Antique Collecting, July 1973, pp.2-4.
Leeds 1992 Leeds City Art Galleries and Jessica Rutherford, Country House Lighting 1660-1890, Temple Newsam Country House Studies no.4, Leeds, 1992.
Leslie 1865 Charles Robert Leslie and Tom Taylor, Life and Times of Sir Joshua Reynolds: with notices of some of his contemporaries, 1865.
Lippincott 1983 Louise Lippincott, Selling Art in Georgian London: The Rise of Arthur Pond, 1983.
Lippincott 1991 Louise Lippincott, ‘Arthur Pond's Journal of Receipts and Expenses, 1734-50’, Walpole Society, vol.54, 1991, pp.220-333.
Lister 1974 Raymond Lister (ed.), The Letters of Samuel Palmer, 2 vols, Oxford, 1974.
Lowry 2001 Kate Lowry, ‘A Technical Note on Brett’s Paintings’, in John Brett: A Pre-Raphaelite on the shores of Wales, National Museum and Gallery, Cardiff, 2001, pp.38-41.
Lugt 1921 Frits Lugt, Les Marques de collections de dessins & d’estampes, Amsterdam, 1921.

McClure 1998 Ian McClure, ‘History of Structural Conservation of Panel Paintings in Great Britain’, in Kathleen Dardes & Andrea Rothe (eds), The Structural Conservation of Panel Paintings, Getty Conservation Institute, 1998.
Mannings 2000 David Mannings, Sir Joshua Reynolds: a complete catalogue of his paintings, 2000.
Martin 2005 Gregory Martin, Rubens: the ceiling decoration of the Banqueting Hall, Corpus Rubenianum Ludwig Burchard, pt. 15, 2005.
Mason 1992 Pippa Mason, ’The Picture Frames’, in Tessa Murdoch (ed.), Boughton House: The English Versailles, 1992, pp.90-5.
Maxted 1977 Ian Maxted, The London Book Trades, 1775-1800: a preliminary checklist of members, Folkestone, 1977. See also Websites and digital resources, above.
Miles 1981 Hamish Miles, Fourteen small pictures by Wilkie, exh.cat., Fine Art Society, London, 1981.
Miles 1994 Hamish Miles, Sir David Wilkie 1785-1841, exh.cat., Richard L. Feigen & Co, London, 1994.
Millar 1955 Oliver Millar, ‘Notes on British Painting from Archives: III’, Burlington Magazine, vol.97, 1955, pp.255-6.
Millar 1963 Oliver Millar, The Tudor, Stuart and early Georgian pictures in the Collection of Her Majesty the Queen, 1963.
Millar 1968 Oliver Millar, ‘Van Dyck in London’, Burlington Magazine, vol.110, 1968, pp.307-8.
Millar 1969 Oliver Millar, The later Georgian Pictures in the Collection of Her Majesty the Queen, 1969.
Millar 1977 Oliver Millar, The Queen’s Pictures, 1977.
Millar 1991 Oliver Millar, ‘Caring for The Queen’s Pictures: Surveyors Past and Present’, in Christopher Lloyd, The Queen’s Pictures: Royal Collectors through the Centuries, 1991, pp.14-27.
Millar 1992 Oliver Millar, The Victorian Pictures in the Collection of Her Majesty the Queen, Cambridge, 1992.
Millar 1995 Oliver Millar, 'Artists and Craftsmen in the service of Sir Stephen Fox and his family', Burlington Magazine, vol.137, 1995, pp.518-28.
Minet 1921 William and Susan Minet, ‘Registers of the Church of Le Carre and Berwick Street 1690-1788’, Publications of the Huguenot Society of London, vol.25, 1921.
Mitchell 1990 Paul Mitchell, ‘Wright’s Picture Frames’, in Judy Egerton, Wright of Derby, exh.cat., Tate Gallery, 1990, pp.272-88.
Mitchell & Roberts 1996 Paul Mitchell & Lynn Roberts, Frameworks: Form, Function & Ornament in European Portrait Frames, 1996.
Mitchinson 1998 David Mitchinson and others, Celebrating Moore: Works from the collection of the Henry Moore Foundation, 1998
Moore 1985 Andrew Moore, The Norwich School of Artists, Norfolk Museums Service and HMSO, 1985.
Morgan 2008 Sarah Morgan et al., ‘Canvas and its preparation in early twentieth-century British paintings’, in Joyce H. Townsend et al., Preparation for Painting: The Artist’s Choice and its Consequences, 2008, pp.132-40.
Morris 1994 Edward Morris, Victorian & Edwardian Paintings in the Lady Lever Art Gallery: British artists born after 1810 excluding the early Pre-Raphaelites, 1994.
Morris 1996 Edward Morris, Victorian & Edwardian Paintings in the Walker Art Gallery and at Sudley House, British artists born after 1810 but before 1861, 1996.
Muller 1994 Norman Muller, ‘Addendum: Conservator’s Note’, Record of The Art Museum Princeton University, vol.53, no.1, 1994, pp.33-5 (on paintings by Sir George Hayter).
Murdoch 1985 Tessa Murdoch (ed.), The Quiet Conquest. The Huguenots 1685 to 1985, exh.cat., Museum of London, 1985.
Murdoch 1997-8 Tessa Murdoch, 'Jean, René and Thomas Pelletier, a Huguenot family of carvers and gilders in England 1682-1726', Burlington Magazine, vol.139, 1997, pp.732-42, vol.140, 1998, pp.363-74

Newall 2004 Christopher Newall, The Poetry of Truth: Alfred William Hunt and the art of landscape, Oxford, Ashmolean Museum, 2004.
Noel-Paton 1990 M.H. Noel-Paton and J.P. Campbell, Noel Paton 1821-1901, Edinburgh, 1990.
Norman 2009 Mark Norman, ‘The history of conservation in the Ashmolean’, The Ashmolean, no.56, spring 2009, pp.21-3.
Nunn 2009 Catherine Nunn, 'The conservation history of an eighteenth-century collection: caring for the pictures of the Foundling Hospital', Journal of the Institute of Conservation, vol.32, 2009, pp.233-47.

ODNB Oxford Dictionary of National Biography, 60 vols, Oxford, 2004.
Ormsby 2005 Bronwyn A. Ormsby, Joyce H. Townsend, Brian W. Singer and John R. Dean, ‘British Watercolour Cakes from the Eighteenth to the Early Twentieth Century’, Studies in Conservation, vol.50, 2005, pp.45-66 [note: the dating of some of the early watercolour cakes is subject to review].

Parris 1975 Leslie Parris, Conal Shields and Ian Fleming-Williams, John Constable: Further Documents & Correspondence, 1975.
Patents for Inventions Patents for Inventions. Abridgements of Specifications. Class 11, Artists’ Instruments and Materials, various parts covering the period 1855-1930, HMSO, 1893-1931.
Payne 2007 John Payne, Framing in the Nineteenth Century: Picture Frames 1837-1935, National Gallery of Victoria, 2007.
Pears 1988 Iain Pears, The Discovery of Painting: The Growth of Interest in the Arts in England, 1680-1768, 1988.
Penny 1986 Nicholas Penny, 'Reynolds and picture frames', Burlington Magazine, vol.128, 1986, pp.810-25.
Penny 1992 Nicholas Penny, Catalogue of European Sculpture in the Ashmolean Museum, 1540 to the present day, vol.III, British, 1992.
Penny 2004 Nicholas Penny, National Gallery Catalogues: The 16th Century Italian Paintings, vol.1, Paintings from Bergamo, Brescia and Cremona, 2004.
Penny 2008 Nicholas Penny, National Gallery Catalogues: The 16th Century Italian Paintings, vol.2, Venice 1540-1600, 2008.
Phillips 2004 Michael Phillips, 'The Printing of Blake's America a Prophecy', Print Quarterly, vol. 21, 2004.
Piper 1963 David Piper, Catalogue of 17th-century Portraits in the National Portrait Gallery, Cambridge, 1963.
Proudlove 1988 Cathy Proudlove, ‘The Early Norwich Artists: their techniques and the Dutch Example’, in Andrew W. Moore, Dutch and Flemish Painting in Norfolk, 1988, pp.151-6.
Proudlove 1996 Cathy Proudlove, ‘London Artists’ Colourmen. Part I: A to D’, The Picture Restorer, no.10, autumn 1996.
Public Sculpture A series of volumes, Public Sculpture of Britain, published by Liverpool University Press from 1997, with the aim of forming a full survey of public sculpture nationwide:
Public Sculpture of Birmingham, 1998, by George Noszlopy, ed. Jeremy Beach.
Public Sculpture of Bristol, 2011, by Douglas Merritt, Francis Greenacre and Katharine Eustace.
Public Sculpture of Glasgow, 2002, by Raymond McKenzie.
Public Sculpture of Herefordshire, Shropshire and Worcestershire, 2010, by George Noszlopy and Fiona Waterhouse.
Public Sculpture of Leicestershire and Rutland, 2000, by Terry Cavanagh, intro. Alison Yarrington.
Public Sculpture of Liverpool, 1997, by Terry Cavanagh.
Public Sculpture of City of London, 2003, by Philip Ward-Jackson.
Public Sculpture of South London, 2007, by Terry Cavanagh.
Public Sculpture of Greater Manchester, 2003, by Terry Wyke.
Public Sculpture of North-East England, 2000, by Paul Usherwood, Jeremy Beach and Catherine Morris.
Public Sculpture of Staffordshire and the Black Country, 2005, by George Noszlopy and Fiona Waterhouse.
Public Sculpture of Warwickshire, Coventry and Solihull, 2003, by George Noszlopy.

Ramsay bank account Bank account of Allan Ramsay at Coutts & Co (see National Portrait Gallery Archive, NOA Ramsay for further details).
Ranise 2007 Giovanna Brambilla Ranise, La Raccolta Dimezzata: Storia della Dispersione della Pinacoteca di Guglielmo Lochis (1789-1859), Bergamo, 2007.
Renne 2011 Elizaveta Renne, State Hermitage Museum catalogue. Sixteenth- to nineteenth-century British painting, 2011.
Reynolds 1960 Graham Reynolds, Catalogue of the Constable Collection, Victoria and Albert Museum, HMSO, 1960.
Reynolds 1984 Graham Reynolds, The Later Paintings and Drawings of John Constable, 1984.
Roscoe 2009 Ingrid Roscoe, A Biographical Dictionary of Sculptors in Britain, 1660-1851, 2009.
Ruhemann 1968 Helmut Ruhemann, The Cleaning of Paintings, 1968.
Runeberg 2005 Ulrik Runeberg, ‘Immigrant Picture Restorers of the German-speaking World in England from the 1930s to the Post-war Era’, in Shulamith Behr and Marian Malet (eds), Arts in Exile in Britain 1933-1945. Politics and Cultural Identity (Yearbook of the Research Centre for German and Austrian Exile Studies, vol.6), Amsterdam, 2005, pp.339-71.
Russell 1989 Francis Russell, ‘The Derby Collection (1721-1735)’, Walpole Society, vol.53, 1989, pp.143-80.

Schaefer 2008 Iris Schaefer, Caroline von Saint-George and Katja Lewerentz, Painting Light: The hidden techniques of the Impressionists, Milan, 2008.
Scott Thomson 1937 Gladys Scott Thomson, Life in a Noble Household 1641-1700, 1937.
Shearman 1983 John Shearman, The Early Italian Pictures in the Collection of Her Majesty The Queen, Cambridge, 1983.
Silber 1986 Evelyn Silber, The Sculpture of Epstein with a complete catalogue, 1986.
Silber 1996 Evelyn Silber, Gaudier-Brzeska: Life and Art, 1996.
Simon 1994 Jacob Simon, 'Allan Ramsay and picture frames’, Burlington Magazine, vol.136, 1994, pp.444-55.
Simon 1996 Jacob Simon, The Art of the Picture Frame: artists, patrons and the framing of portraits in Britain, National Portrait Gallery, 1996.
Simon 1997 Jacob Simon, 'A note on Arthur Melville (1855-1904) and picture frames', Museum Management and Curatorship, vol.16, 1997, pp.427-33.
Simon 1998 Jacob Simon, 'The production, framing and care of English pastel portraits in the eighteenth century', The Paper Conservator, vol.22, 1998, pp.10-20.
Simon 2003 Jacob Simon, Thomas Johnson's The Life of the Author, Furniture History Society, 2003, also published in Furniture History, vol.29, 2003, pp.1-64.
Sitwell 1990 Christine Sitwell, 'Gluck and the quality of artists' materials: The Suede Effect', in Appearance, Opinion, Change: evaluating the look of paintings, United Kingdom Institute for Conservation, 1990, pp.42-4.
Sitwell 1998 Christine Sitwell, 'Approach to Restoration in English Country Houses', in Christine Sitwell and Sarah Staniforth (eds.), Studies in the History of Painting Restoration, 1998, pp.129-138.
Sizer 1950 Theodore Sizer, The Works of Colonel John Trumbull, New Haven, 1950, pp.100-5.
Sloman 2002 Susan Sloman, Gainsborough in Bath, 2002.
Smith 1988 Sheenah Smith, Horatio McCulloch 1805-1867, exh.cat., Glasgow Museums and Art Galleries, 1988.
J.C. Smith J. Chaloner Smith, British Mezzotinto Portraits, 4 vols, 1878-83.
Souhami 2000 Diana Souhami, Gluck 1895-1978: Her Biography, 2000.
Stabler 2006 John Stabler, Norfolk Furniture Makers 1700-1840, Regional Furniture Society, 2006, also published as Regional Furniture, vol.20, 2006.
Staples 1984 Peter J. Staples, with Don Pavey, The Artists’ Colourmen’s Story. A guide to the history of artists’ colourmen of London as illustrated in the artists’ colourmen’s room at the Winsor & Newton Colour Works at Wealdstone, Reckitt & Colman, 1984.
Stewart 2000 Miriam Stewart and Kerry Schauber, ‘Catalogue of Sketchbooks and Albums by John Singer Sargent at the Fogg Art Museum’, Harvard University Art Museums Bulletin, vol.7, no.1, 2000.
Strickland 1913 Walter G. Strickland, A Dictionary of Irish Artists, Dublin, 2 vols, 1913.
Sullivan 2005 M.G. Sullivan and Emma Hardy, 'Compendium of British bronzes 1660-1851 from the Dictionary of Sculptors in Britain 1660-1851 edited by Ingrid Roscoe', Sculpture Journal, vol.14, 2005, pp.93-150.
Sung 2009 Mei-Ying Sung, William Blake and the Art of Engraving, 2009.
Surtees 1981 Virginia Surtees (ed.), The Diary of Ford Madox Brown, 1981.

Talley 1981 M. Kirby Talley, Portrait Painting in England: Studies in the Technical Literature before 1700, Paul Mellon Centre for Studies in British Art, 1981.
Talley 1986 M. Kirby Talley, “ ‘All Good Pictures Crack’: Sir Joshua Reynolds’s practice and studio“, pp.55-70, in Nicholas Penny (ed.), Reynolds, Royal Academy of Arts, 1986.
Thomson 1997 Duncan Thomson, Raeburn: The Art of Sir Henry Raeburn 1756-1823, exh.cat., Scottish National Portrait Gallery, 1997.
Torchia 1998 Robert Wilson Torchia et al., American Paintings of the Nineteenth Century, vol.2, National Gallery of Art, 1998.
Townsend 1993 Joyce Townsend, Turner's Painting Techniques, Tate Gallery, 1993.
Townsend 1994 Joyce H. Townsend, ‘The Materials and Techniques of J.M.W. Turner: Primings and Supports, Studies in Conservation, vol.39, 1984, pp.145-53.
Townsend 2003 Joyce H. Townsend (ed.), William Blake: The Painter at Work, Tate Publishing, 2003.
Townsend 2004 Joyce H. Townsend, Jacqueline Ridge and Stephen Hackney, Pre-Raphaelite Painting Techniques, Tate, 2004.

Uwins 1858 Sarah Uwins, A Memoir of Thomas Uwins, R.A., 1858.

Vertue ‘Vertue Note Books’, Walpole Society, 1930-55, here referred to by volume and page number.

Walker 1985 Richard Walker, Regency Portraits. National Portrait Gallery, 1985.
Walker 1988 Richard Walker, A Catalogue of paintings, drawings, engravings and sculpture in the Palace of Westminster compiled during 1959-77, vol.3, part 4, 1988 (photocopy of typescript, 8 copies, available at National Portrait Gallery, London Library and Courtauld Institute of Art).
Walpole’s Correspondence W.S. Lewis et al. (eds), The Yale Edition of Horace Walpole’s Correspondence, 48 vols, 1937-83.
Waterfield 1995 Giles Waterfield et al., Conserving Old Masters: Paintings recently restored at Dulwich Picture Gallery, exh.cat., Dulwich Picture Gallery, 1995.
Waterhouse 1981 Waterhouse, The Dictionary of British 18th Century Painters in Oils and Crayons, Woodbridge, 1981.
Waterhouse 1988 Ellis Waterhouse, The Dictionary of British 16th and 17th Century Painters in Oils and Crayons, Woodbridge, 1988.
Webb 1996 Cliff Webb, London Livery Company Apprenticeship Records: Tylers' & Bricklayers' Company 1612-44, 1668-1800, vol.2, 1996.
Webb 1998 Cliff Webb, London Livery Company Apprenticeship Records: Gold and Silver Wyre Drawers’ Company 1693-1837, vol.15, 1998.
Webb 2003 Cliff Webb, London Livery Company Apprenticeship Records: Painter-Stainers’ Company 1655, 1666-1800, vol.38, 2003.
Wedd 2001 Kit Wedd, with Lucy Peltz and Cathy Ross, Creative Quarters: the art world in London from 1700 to 2000, Museum of London, 2001.
Whitley 1928 William T. Whitley, Artists and their Friends in England 1700-1799, 2 vols, Cambridge, 1928, especially vol.1, pp.329-36, vol.2, pp.360-3.
Whitley 1928(1) William T. Whitley, Art in England 1800-1820, Cambridge, 1928.
Whitley 1930 William T. Whitley, Art in England 1821-1837, Cambridge, 1930.
Whitley 1931 William T. Whitley, ‘Relics of Turner’, Connoisseur, vol.88, 1931, p.198.
Wildman 1995 Stephen Wildman, Visions of Love and