Double Take: Versions and Copies of Tudor Portraits

Past display archive
26 June - 6 September 2012

Room 2

Free

This display brings together five pairs of near identical portraits in order to explore how and why multiple versions and copies of portraits were made in the sixteenth century. Portraits of prominent Tudor sitters from the Gallery’s collection: Henry VIII, Anne Boleyn, Archbishop William Warham, the merchant Thomas Gresham and Lord Treasurer Thomas Sackville, are paired with portraits that have been generously loaned from other collections.

These portraits were produced to satisfy a demand for images of monarchs and prominent courtiers that often lasted long after the sitter’s death. Technical analysis undertaken as part of the Making Art in Tudor Britain project has used dendrochronology, infrared reflectography, x-radiography and photomicroscopy to explore the process by which these works were made and to discover which are contemporary versions of portraits, and which are later copies.

Find out more


William Warham, after Hans Holbein the Younger, early 17th century (1527) - NPG  - © National Portrait Gallery, London

William Warham
after Hans Holbein the Younger
early 17th century (1527)
NPG 2094

  
Portrait of William Warham, Lambeth Palace, By kind permission of the Archbishop of  Canterbury and the Church Commissioners

Portrait of William Warham, Lambeth Palace, By kind permission of the Archbishop of Canterbury and the Church Commissioners



 

© National Portrait Gallery, London