I have been fascinated by the eighteenth-century British radical Thomas Hollis ever since I came across his diary in the Houghton Library, America. It was very exciting, therefore, that one of my first projects at the National Portrait Gallery was helping with fundraising to buy a marble bust of Hollis by Joseph Wilton. If Hollis’s name isn’t familiar to you, it’s probably what he would have wanted: he preferred to be anonymous. Despite this reticence, the diary reveals a man who was tireless in attacking political corruption and defending civil liberties. …
By
Clare Barlow, Assistant Curator
30 October 2012