François Latry by Florence  Enid Stoddard, circa 1937, given by Christine Hayes, D42428


In the modern world of celebrity chefs, and, at this time of year in particular, when so many of them publish new books for the Christmas market, who remembers their predecessors?  Recently, on BBC Four, Michel Roux Jr explored the life of his great culinary hero, Georges Auguste Escoffier; but what of those who followed Escoffier: Eugène Herbodeau at the Carlton, François Latry at the Savoy, Arsène Avignon at the Ritz?

This year the Gallery was given for the Reference Collection a small group of lively pencil drawings depicting French maître chefs de cuisine from the 1930s by artist Florence Enid Stoddard (1882-1962).  They capture something of the flavour of the period, an age of luxurious hotels and fine dining, and will be the subject of a small showcase display next summer.   Meanwhile, we need to research these men, to find out more about their lives and achievements, but unfortunately, unlike their more recent successors, they have not left much trace of themselves.

Eugène Herbodeau by Florence  Enid Stoddard, circa 1937, given by Christine Hayes, D42430


Herbodeau and Latry were star chefs between the two world wars: both made Chevaliers de la Légion d’honneur in France, they were often quoted for tips and advice in the cookery pages and domestic columns of the regional press in Britain.  Herbodeau was a protégé of Escoffier and co-wrote a biography of the master; Latry is famed for inventing the war-time meat-free austerity dish known as Lord Woolton pie.  But what of their signature dishes and the extravagant menus they created for official banquets?

A recent visit to the Ritz gave me an opportunity to see the hotel’s Staff Engagement Book, in which Herbodeau’s transfer to the Carlton and the promotion of his successor Avignon are carefully recorded in 1928.  But such entries provide little more than the bare bones of what were, in their day, illustrious careers in some of London’s finest kitchens.  I have yet to flesh out their stories and, as for their colleagues Marcel Percevault at Claridges and Henri Poupart at Buckingham Palace, the search is only just starting.

A selection of these works will be on display at the Gallery from summer 2013.

Image credit (from top to bottom)

François Latry by Florence  Enid Stoddard, circa 1937, given by Christine Hayes, NPG D42428

Eugène Herbodeauby Florence  Enid Stoddard, circa 1937, given by Christine Hayes, NPG D42430

Comments

We are currently unable to accept new comments, but any past comments are available to read below.

Jeremy Taylor

27 August 2020, 16:08

Hi, I was at Claridges from 67-69 and clearly remember the scene described by Ron Lee. Felix Soubrand was an amazing chef and I had the greatest respect for him. I did visit the kitchen a couple of years ago and it had completely changed: fixtures, culture, etc... I suppose that now craftsmanship and training are virtually extinct, we will never see those days again despite the high profile given to cookery in the media. I thought the Maitre Chef's name was Marcel Francoule? (I was also Saucier for a couple of years before leaving for teacher training college.). Happy days; beer, sawdust and French cuisine!!

Ron Lee

11 May 2020, 10:28

My name is Ron Lee and I also worked in Claridges kitchens around '65/'66 with Marcel Percevault.
At the time the sous chef was Felix Soubrand, Larder chef, Mr. Evans, Saucier was Dickie Wright, and I believe the tournant was Dickie Llewelyn.
I started in the small hors d'Oeuvre prep room I had to prepare 18 raviers of hors d'Oeuvres for thé rotating trolley, then I had to go in the restaurant in my whites to open the oysters “ a l'Anglaise” in front of the customers, one day I had to open some for the Queen.
I then moved on to a commis poissonnier, where I remember the 1st commis was Mandi, an Italian.
At that time we had 46 white hats in the kitchen, and clean sawdust was regularly sprinkled on the floor by the kitchen porters.
I would love to hear from any other Claridges or Savoy veterans of that time

Robin Francis, Head of Archive & Library

07 August 2013, 10:56

Sadly the drawing of Marcel Percevault will not be among the small group of Master Chefs who will be displayed in Room 31 this month but we are keen to learn more about him and his time at Claridges for our records. He is described in The West End Front by Matthew Sweet as “an agile immaculate Frenchman who had known Escoffier and lost an eye in some undisclosed incident that was possibly military, possibly culinary”. I believe he won the Coupe d’Or Internationale Marius Dutry, awarded by the l’Academie Culinaire de France, in 1966; but for such a distinguished chef we know surprisingly little about him.

Bruchie

21 June 2013, 17:41

At the age of 16 I worked as a commis chef in the kitchens of Chef Marcel Percevault till I left to do my national service I worked in the larder This was in 1953 during the coronation we slept on camp beds in the ballroom and chef Percevault allowed us to go to oxford street to see the parade in our whites and allowed us to take orange boxes to stand on to help our view.

David

30 December 2012, 23:56

My thoughts on reading this inevitably also turn back to their own predecessor, the great Alexis Soyer, who fled Paris for London during the 1830 revolution, and became the equivalent of a celebrity chef in Victorian England, bringing in a number of significant innovations to the kitchens at the Reform Club, including cooking with gas and adjustable oven temperatures. He wins my admiration for his work during the Great Irish Famine, setting up the model for future soup kitchens (and devising the Famine soup of just a little beef, water, onions and barley), publishing various books and donating proceeds to charities, and then during the Crimean War devising the Soyer field stove, and setting about reorganising and improving food provisioning for soldiers. He is rightly commemorated in a wonderful painting alongside Florence Nightingale tending wounded soldiers at Scutari on display at the Gallery.