Salt paper process
The earliest photographic process for making positive prints, invented by William Henry Fox Talbot in 1840. The print was made on high quality writing paper that had been immersed in a solution of common salt and then floated in a bath of silver nitrate. A finished salt print is matt in finish, reddish brown in colour, and has no surface gloss. It could be toned with a gold chloride for a richer, purplish tone and greater permanence. Salt prints were superceded by albumen prints in the 1850s.
Jane Octavia Brookfield (née Elton)
attributed to Sir Anthony Coningham Sterling
late 1840s
NPG P171(62)
Samuel Laurence
attributed to Sir Anthony Coningham Sterling
late 1840s
NPG P171(12)
John Barton Sterling
attributed to Sir Anthony Coningham Sterling
late 1840s
NPG P171(47)
Thomas Carlyle
by Robert Scott Tait
1851
NPG P171(6)
Colin Campbell, 1st Baron Clyde
by Roger Fenton
1855
NPG P20
FitzRoy James Henry Somerset, 1st Baron Raglan
by Roger Fenton
1855
NPG P19
Captain Hume; Sir John Campbell, Bt
by Roger Fenton
1855
NPG Ax24906
The Council of War on the day of the taking of the Mamelon Quarries, 7 June 1855
by Roger Fenton
6 June 1855
NPG P49
Charles John Kean; Ellen Terry as Leontes and Mamillius in 'The Winter's Tale'
by Martin Laroche (William Henry Silvester)
26 April 1856
NPG x7954
Henry John Temple, 3rd Viscount Palmerston
by Graham Vivian
1858
NPG P152
Visitors to Broadlands, 1859
possibly by Graham Vivian
1859
NPG P153
John Gibson
by Nadar
circa 1862
NPG P227