Francis Bacon
(1909-1992), PainterSitter in 47 portraits
Dublin-born Bacon left Ireland at the age of sixteen, settling permanently in England in 1928. The work Three Studies for Figures at the Base of a Crucifixion (1944, Tate) established him as an artist of international importance. Bacon used imagery from sources as diverse as Velasquez, Van Gogh, the cinema, old snapshots and illustrations of disease. Known for his bold, abstracted figurative paintings with their tormented and powerful view of the human condition, Bacon describes them as 'a direct assault on the nervous system.' His international reputation was confirmed by retrospectives at the Guggenheim Museum, New York (1963) and Grand Palais, Paris (1971).
by Reginald Gray
oil on board, 1960
NPG 5135
by Dmitri Kasterine
modern bromide print from original negative, 2009, based on a work of 1978
NPG P1321
by Clare Shenstone
conté, circa 1982
NPG 6424
by Ruskin Spear
oil on board, 1984
NPG 5818
by Cecil Beaton
bromide print on white card mount, 1951
NPG x14018
John Rothenstein; Francis Bacon
by Herbert K. Nolan
bromide print, March 1957
NPG x24190
Alberto Giacometti; Francis Bacon
by Graham Keen
modern bromide print from original negative, July 1965
NPG x199752
by J.S. Lewinski
bromide print on card mount, 1967
NPG x13707
by Unknown photographer
bromide press print, July 1970
NPG x184158
by Francis Goodman
twelve 2 1/4 inch square film negatives, May 1971
NPG x195471
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