J.M.W. Turner
(1775-1851), Landscape painterJoseph Mallord William Turner
Regency Portraits Catalogue Entry
Sitter associated with 43 portraits
Artist associated with 4 portraits
Turner is unarguably one of Britain's most famous and innovative artists. After his first visit to the Alps in 1802, he began to combine narrative with the effects of sublime and violent nature, as seen in his Snow Storm: Hannibal and His Army Crossing the Alps (1812). Later landscapes such as The Fighting Temeraire (1838) were remarkable for their dazzling effects of light and colour. While his impressionistic style bewildered some, Constable thought them 'airy visions painted with tinted steam'.
by J.M.W. Turner
watercolour, circa 1790
NPG 1314
by Thomas Cooley
pencil, 1810
NPG 4913a
by Charles Robert Leslie
pencil, 1816
NPG 4084
by Charles West Cope
oil on card, circa 1828
NPG 2943
after Sir John Gilbert
pencil, circa 1837
NPG 5566
by Charles Turner
chalk, 1842
NPG 1182
by Charles Martin
pencil, 1844
NPG 1483
by Charles Hutton Lear
pencil, circa 1847
NPG 1456(25)
by John Phillip
watercolour, circa 1850
NPG 1717
published by Friedrich Bruckmann, after Charles Wentworth Wass, after John Linnell
albumen carte-de-visite, circa 1875 (1838)
NPG x197176
published by Hughes & Edmonds
albumen print, published 1876
NPG Ax132902
after J.T. Allen
woodcut, (1806)
NPG D6663
by Samuel Haydon, after Daniel Maclise
drypoint etching, circa 1825-1850
NPG D4423
by William Daniell, after George Dance
soft-ground etching, published 10 May 1827 (31 March 1800)
NPG D12108
by William Daniell, published by William Smith, after George Dance
soft-ground etching, published 10 May 1827 (31 March 1800)
NPG D14457
published by Marseille Middleton Holloway, after John Thomas Smith
lithograph, mid 19th century
NPG D39438
after Unknown artist
etching, mid 19th century
NPG D39445
after Alfred, Count D'Orsay
etching, 1840s-1850s
NPG D39442
by Charles William Sharpe, after Alfred, Count D'Orsay
stipple engraving, circa 1840-1854
NPG D39443
by Charles William Sharpe, after Alfred, Count D'Orsay
stipple engraving, circa 1840-1854
NPG D46295
after Charles Martin
etching, (1844)
NPG D39435
after Charles Martin
watercolour with bodycolour over pencil, 1844
NPG D6662
William Collins; Sir Francis Grant; J.M.W. Turner; Daniel Maclise
published by Illustrated London News, after John George Landseer, after John George Landseer, after Charles Martin, after Unknown artist
wood engraving, published 10 May 1845
NPG D39446
after Sir John Gilbert
wood engraving, (1846)
NPG D39436
after Sir John Gilbert
lithograph, (1846)
NPG D39437
by Richard Doyle
woodcut, 1846
NPG D6996
published by Joseph Hogarth, after Alfred, Count D'Orsay
lithograph, published 1 January 1851
NPG D39439
published by Joseph Hogarth, after Alfred, Count D'Orsay
lithograph, published 1 January 1851
NPG D39440
J.M.W. Turner ('The Fallacy of Hope')
published by Joseph Hogarth, after Alfred, Count D'Orsay
lithograph, published 1 January 1851
NPG D39441
published by Joseph Hogarth, after Alfred, Count D'Orsay
lithograph, published 1 January 1851
NPG D39460
probably published by Joseph Hogarth, after Alfred, Count D'Orsay
lithograph, probably published 1 January 1851
NPG D46294
by Charles Turner, after Alfred, Count D'Orsay
stipple engraving, published 1852
NPG D6997
by J.B. Hunt, published by Rogerson & Tuxford
stipple engraving, published 1857
NPG D6995
by William Holl Jr, after J.M.W. Turner
stipple and line engraving, published 1862
NPG D39433
by William Holl Jr, published by James Sprent Virtue, after J.M.W. Turner
stipple and line engraving, published 1862
NPG D39459
after Charles Turner
photograph of mezzotint, late 19th century (1856)
NPG D39444
by Charles Wentworth Wass, after John Linnell
mezzotint, 1875 (1838)
NPG D9365
by Charles Wentworth Wass, after John Linnell
mezzotint, 1875 (1838)
NPG D39434
by Charles Wentworth Wass, after John Linnell
mezzotint, 1875 (1838)
NPG D39461
by Leonard Charles Wyon, after Daniel Maclise
bronze medal, 1876
NPG D2929
by Simeon Myers, published by Raphael Tuck & Sons, after J.M.W. Turner
etching and aquatint, published 1 September 1886
NPG D39447
after Sir William Blake Richmond
pencil
NPG D6664
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