John Michael Wright
(1617-1694), PainterArtist associated with 29 portraits
Born and buried in London, Wright was apprenticed in Edinburgh in 1636 to the portrait painter, George Jamesone. After a lengthy stay in Rome in the 1640s during which he became a Roman Catholic, he worked for Archduke Leopold Wilhelm, Governor of the Spanish Netherlands, before settling in London in 1656. Wright worked on occasion for for the court and was appointed Picture Drawer in Ordinary to the King in 1673, but his clients increasingly came from the margins of the court and particularly from the catholic nobility and gentry. He also produced a set of full-length portraits of the 'fire judges' who had adjudicated on property disputes following the Fire of London in 1666. His portraits are characterised by a certain elegant restrained realism in contrast to the suave glamour of Peter Lely.
Elizabeth Claypole (née Cromwell)
by John Michael Wright
oil on panel, 1658
NPG 952
by John Michael Wright
oil on canvas, circa 1660-1665
NPG 531
after John Michael Wright
oil on canvas, based on a work of circa 1669-1670
NPG 106
after John Michael Wright
oil on canvas, feigned oval, based on a work of circa 1670
NPG 465
Barbara Palmer (née Villiers), Duchess of Cleveland
by John Michael Wright
oil on canvas, circa 1670
NPG 5497
The Family of Sir Robert Vyner
by John Michael Wright
oil on canvas, 1673
NPG 5568
George Jeffreys, 1st Baron Jeffreys of Wem
by John Michael Wright
oil on canvas, 1675
On display in Room 7 on Floor 3 at the National Portrait Gallery
NPG 6047
Arthur Annesley, 1st Earl of Anglesey
after John Michael Wright
oil on canvas, based on a work of 1676
NPG 3805
possibly after John Michael Wright
oil on canvas, based on a work of 1678
NPG 1850
George Jeffreys, 1st Baron Jeffreys of Wem
after John Michael Wright
oil on canvas, circa 1680
NPG 56
attributed to John Michael Wright
oil on canvas, circa 1680
On display at Gawthorpe Hall, Burnley
NPG 3771
after John Michael Wright
photograph, (circa 1668-1670)
NPG D37127
after John Michael Wright
watercolour, (circa 1668-1670)
NPG D20027
after John Michael Wright
mezzotint, (circa 1670)
NPG D35113
by Robert White, after John Michael Wright
line engraving, published 1676
NPG D29867
Heneage Finch, 1st Earl of Nottingham
by Unknown engraver, after John Michael Wright
line engraving, published 1679
NPG D31716
Heneage Finch, 1st Earl of Nottingham
by Unknown engraver, after John Michael Wright
line engraving, published 1679
NPG D29856
after John Michael Wright, published by John Bowles
mezzotint, early 18th century
NPG D29866
by George Vertue, after John Michael Wright
line engraving, published 1736
NPG D29865
by Thomas Trotter, after John Michael Wright
line engraving, published 1783
NPG D29875
by Silvester (Sylvester) Harding, after John Michael Wright
stipple engraving, published 1792
NPG D29887
Heneage Finch, 1st Earl of Nottingham, formerly known as Sir Heneage Finch
attributed to Thomas Athow, after John Michael Wright
watercolour, early 19th century
NPG D23262
attributed to Thomas Athow, after John Michael Wright
watercolour, early 19th century
NPG D23269
by Charles Picart, after John Michael Wright
stipple engraving, published 1820
NPG D29874
by William Derby, after John Michael Wright
pencil, circa 1835-1842 (mid 17th century)
NPG D23073
published by John Player & Sons, after John Michael Wright
colour relief halftone cigarette card, 1935
NPG D48141
by George Vertue, after John Michael Wright
line engraving, engraved 1736
NPG D20112
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