Search the Collection

James Stow

(circa 1770-in or after 1823), Engraver

Artist associated with 29 portraits
The son of a poor labourer, James Stow showed such an early aptitude for art that he was apprenticed as a teenager to the famous line engraver, William Woollett. After Woollett's death in 1785, he completed his apprenticeship with William Sharp. By 1790, James Stow was creating his own engravings and was so highly regarded that he began receiving some of the most important commissions of the day. These included works for John Boydell's Shakespeare Gallery and for Robert Bowyer's Historic Gallery, which depicted images based upon important episodes in British history. Stow is said to have fallen into dissipated habits, and he died in poverty.

Tell us More


Tell us more back to top

Can you tell us more about this person? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. If you wish to license an image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.


How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.