Thomas Gibson
(circa 1680-1751), Portrait painterArtist associated with 62 portraits
Thomas Gibson was a painter, born in London. Little is known of his early life or training. He worked in London as a painter of portraits and achieved some success, attracting prestigious sitters such as the archbishops William Wake and John Potter as well as Sir Robert Walpole. His patrons included John, 1st Earl Poulett, and Augusta, Princess of Wales. Gibson's practice earned him the appointment in 1711 as a founding director of Godfrey Kneller's St Martin's Lane Academy, the forerunner of the Royal Academy schools.
Henrietta Howard (née Hobart), Countess of Suffolk
attributed to John Harris, after a painting attributed to Thomas Gibson
watercolour, 1800-1873, based on a work of circa 1715-1725
NPG 2451
after Thomas Gibson
line engraving, 18th century (in or before 1710)
NPG D31482
by George White, after Thomas Gibson
mezzotint, early 18th century
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by Michael Vandergucht, after Thomas Gibson
line engraving, early 18th century
NPG D27444
by John Simon, after Thomas Gibson
mezzotint, early 18th century
NPG D33306
by John Simon, after Thomas Gibson
mezzotint, early 18th century
NPG D1458
by John Simon, after Thomas Gibson
mezzotint, early 18th century
NPG D1459
by John Simon, after Thomas Gibson
mezzotint, early 18th century
NPG D1460
by John Simon, after Thomas Gibson
mezzotint, early 18th century
NPG D2208
by John Simon, after Thomas Gibson
mezzotint, early 18th century
NPG D2209
by John Simon, after Thomas Gibson
mezzotint, early 18th century
NPG D2210
by George White, after Thomas Gibson
mezzotint, early 18th century
NPG D3034
by George White, after Thomas Gibson
mezzotint, early 18th century
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by George White, after Thomas Gibson
mezzotint, early 18th century
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by George White, after Thomas Gibson
mezzotint, early 18th century
NPG D795
by George White, after Thomas Gibson
mezzotint, early 18th century
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by John Smith, after Thomas Gibson
mezzotint, 1706
NPG D34164
by John Smith, after Thomas Gibson
mezzotint, 1706
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by John Smith, after Thomas Gibson
mezzotint, 1706
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by John Smith, after Thomas Gibson
mezzotint, 1706
NPG D18957
by Andrew Johnston, after Thomas Gibson
mezzotint, (in or before 1710)
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by Andrew Johnston, published by Philip Overton, after Thomas Gibson
mezzotint, (in or before 1710)
NPG D31483
by Andrew Johnston, published by Philip Overton, after Thomas Gibson
mezzotint, (in or before 1710)
NPG D39980
by Andrew Johnston, published by Philip Overton, after Thomas Gibson
mezzotint, (in or before 1710)
NPG D4125
by and published by Pieter Schenck, after Thomas Gibson
mezzotint, published 1710 (in or before 1710)
NPG D4126
by Andrew Johnston, after Thomas Gibson
mezzotint, 1710 (in or before 1710)
NPG D5868
by George White, sold by Samuel Sympson, after Thomas Gibson
mezzotint, (1715-1720)
NPG D37975
by George White, after Thomas Gibson
mezzotint, (1715-1720)
NPG D4582
Edward Russell, Earl of Orford
by George Vertue, after Thomas Gibson
line engraving, 1716
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Edward Russell, Earl of Orford
by George Vertue, after Thomas Gibson
line engraving, 1716
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by John Simon, after Thomas Gibson
mezzotint, 1719 or after (1712)
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by John Faber Jr, after Thomas Gibson
mezzotint, 1720s-1730s
NPG D2552
by George White, after Thomas Gibson
mezzotint, circa 1720
NPG D3042
by George Vertue, after Thomas Gibson
line engraving, 1721
NPG D31486
by George Vertue, after Thomas Gibson
line engraving, 1721 (1712)
NPG D33977
Robert Molesworth, 1st Viscount Molesworth
by Peter Pelham, sold by Edward Cooper, after Thomas Gibson
mezzotint, 1721
NPG D38852
by George Vertue, after Thomas Gibson
line engraving, 1721 (1712)
NPG D7653
by George Vertue, after Thomas Gibson
engraving, 1721 (1712)
NPG D19187
published by Philip Overton, after Thomas Gibson
mezzotint, published circa 1725-1745 (1710 or before)
NPG D20096
Robert Walpole, 1st Earl of Orford
by Gerhard Bockman, after Thomas Gibson
mezzotint, circa 1727-1742
NPG D5420
after Thomas Gibson
stipple engraving, mid to late 18th century
NPG D27468
by John Faber Jr, after Thomas Gibson
mezzotint, published 1732
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by George Vertue, after Thomas Gibson
line engraving, engraved 1737
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by George Vertue, after Thomas Gibson
line engraving, published 1738
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by Jacobus Houbraken, after Thomas Gibson, published by John & Paul Knapton
line engraving, circa 1740
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by Jacobus Houbraken, after Thomas Gibson, published by John & Paul Knapton
line engraving, circa 1740
NPG D33307
by Jacobus Houbraken, after Thomas Gibson, published by John & Paul Knapton
line engraving, circa 1740
NPG D33308
by George White, after Thomas Gibson
mezzotint, after 1740
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by George White, after Thomas Gibson
mezzotint, after 1740
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by George White, after Thomas Gibson
mezzotint, after 1740
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by George White, after Thomas Gibson
mezzotint, after 1740
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by George White, published by William Henry Toms, after Thomas Gibson
mezzotint, after 1740
NPG D18777
by George Vertue, after Thomas Gibson
engraving, 1741 or after
NPG D40389
by George Vertue, after Thomas Gibson
engraving, 1741 or after
NPG D14171
by George Vertue, after Thomas Gibson
engraving, 1750 (1715)
NPG D18895
after Thomas Gibson
stipple engraving, published 1785
NPG D27470
by and published by Edward Harding, after Thomas Gibson
stipple engraving, published 1800
NPG D27534
by John George Landseer, after Thomas Gibson
line engraving, published 1805
NPG D10699
by George Dawe, after Thomas Gibson
mezzotint, published 1805
NPG D1966
by George Dawe, after Thomas Gibson
mezzotint, published 1805
NPG D1967
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