William Bond
(active 1772-1827), EngraverArtist associated with 57 portraits
William Bond studied stipple engraving under Bartolozzi. His first engraved work was published in 1772, and he continued to create engravings until 1807. During the latter part of the eighteenth century, Bond was considered to be among the greatest stipple engravers, along with Richard Earlom, John Ogborne and Charles Turner. He had the distinction of being nominated the first President of the Society of Engravers when it was founded in 1803.
William Henry West Betty ('Master Betty, The Infant Roscius, as Hamlet')
by and published by William Bond, after Henry Singleton
stipple, published 5th December 1804
On display in Room 11 on Floor 3 at the National Portrait Gallery
NPG L269.B8.33
Andrew Cherry as Lazarillo in 'Two Strings to your Bow'
by William Bond, published by John Cawthorn, after Samuel De Wilde
stipple, published 1806
On display in Room 11 on Floor 3 at the National Portrait Gallery
NPG L269.B6.01
John Manners, Marquess of Granby
by William Bond, printed by Bell & Wright, published by Longman & Co, published by Josiah Taylor, published by William Bond, after Sir Joshua Reynolds
stipple engraving, (circa 1758-1760)
NPG D39972
Frances Russell (née Cromwell), Lady Russell
by William Bond, after Unknown artist
stipple engraving, late 18th to early 19th century
NPG D29183
Frances Russell (née Cromwell), Lady Russell
by William Bond, after Unknown artist
stipple engraving, late 18th to early 19th century
NPG D29184
Anne Spencer (née Churchill), Countess of Sunderland
by William Bond, after Sir Godfrey Kneller, Bt
stipple engraving, late 18th to early 19th century
NPG D27384
Mary (née Palmer), Marchioness of Thomond
by William Bond, after Sir Thomas Lawrence
stipple engraving, (1794-1795)
NPG D14550
Humphrey Stafford, Duke of Buckingham
by William Bond, published by Philip Yorke, after Joseph Allen
stipple engraving, published 1 August 1798
NPG D23915
Thomas Egerton, 1st Viscount Brackley
by William Bond, published by Philip Yorke, after Joseph Allen
stipple engraving, published 1798
NPG D26066
by William Bond, after Thomas Hudson
stipple engraving, 1798-1823
NPG D34894
by William Bond, after Thomas Hudson
stipple engraving, 1798-1823
NPG D34895
Humphrey Stafford, 1st Duke of Buckingham
by William Bond, published by Philip Yorke, after Joseph Allen
stipple engraving, published 1 August 1798
NPG D4400
by William Bond, after Joseph Allen
stipple engraving, published 1798
NPG D6984
by William Bond, after John James Masquerier
stipple engraving, circa 1798-1823
NPG D15732
George Jeffreys, 1st Baron Jeffreys of Wem
by William Bond, published by Philip Yorke, after Joseph Allen
stipple engraving, published 1 August 1798
NPG D19694
by William Bond, after Thomas Hudson
stipple engraving, 1798-1823
NPG D19951
by William Bond, after Henry Bone, after Sir Martin Archer Shee
stipple engraving, (circa 1800)
NPG D33399
Henry Howard, 1st Earl of Northampton
by William Bond, published by Lackington, Allen & Co, and published by Longman, Hurst, Rees, Orme & Brown, after John Jackson, after Unknown artist
stipple engraving, early 19th century
NPG D38773
by William Bond, published by Edward Orme, after W.P.J. Lodder (Loder)
stipple engraving, early 19th century
NPG D42124
by William Bond, published by Edward Orme, after W.P.J. Lodder (Loder)
stipple engraving, early 19th century
NPG D42125
Comments back to top
We are currently unable to accept new comments, but any past comments are available to read below.
If you need information from us, please use our Archive enquiry service . Please note that we cannot provide valuations. You can buy a print or greeting card of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at around £6 for unframed prints, £16 for framed prints. If you wish to license an image, select the portrait of interest to you, then look out for a Use this image button, or contact our Rights and Images service. We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.