Search the Collection

Thomas Gray

(1716-1771), Classical scholar and poet

Early Georgian Portraits Catalogue Entry

Sitter in 14 portraits
Poet, classical scholar and letter writer, Gray studied at Eton College from 1725 before entering Cambridge in 1734. From 1739 to 1741, he and his friend Horace Walpole toured the continent where they quarrelled and fell out temporarily. Gray returned to Cambridge where he began seriously writing poetry. Among his most famous poems are Ode to Spring (1748), Elegy in a Country Churchyard (1751) and Ode on a Distant Prospect of Eton College (1747). Gray spent the majority of his life in Cambridge and in 1768, he was appointed to the prestigious post of Professor of History and Modern Languages at Pembroke College..

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Make a donation Close

List Thumbnail

Thomas Gray, by James Basire, after  William Mason - NPG 425

Thomas Gray

by James Basire, after William Mason
pencil, 1771-1775, based on a work of 1771
NPG 425

Thomas Gray, by John Sebastian Miller (formerly Johann Sebastian Müller), after  John Giles Eccardt - NPG D19788

Thomas Gray

by John Sebastian Miller (formerly Johann Sebastian Müller), after John Giles Eccardt
line engraving, 1753 (1747-1748)
NPG D19788

Thomas Gray, by William Henshaw, after  William Mason - NPG D5163

Thomas Gray

by William Henshaw, after William Mason
etching, (1760?)
NPG D5163

Thomas Gray, by William Henshaw, after  William Mason - NPG D5164

Thomas Gray

by William Henshaw, after William Mason
etching, (1760?)
NPG D5164

Thomas Gray, by James Basire, after  William Mason, and after  Benjamin Wilson - NPG D14054

Thomas Gray

by James Basire, after William Mason, and after Benjamin Wilson
line engraving, published 1 March 1775 (circa 1771)
NPG D14054

Thomas Gray, by William Doughty, after  William Mason - NPG D2801

Thomas Gray

by William Doughty, after William Mason
etching, published 1778
NPG D2801

Thomas Gray, by William Doughty, after  William Mason - NPG D2802

Thomas Gray

by William Doughty, after William Mason
etching, published 1778
NPG D2802

Thomas Gray, by John Raphael Smith - NPG D47449

Thomas Gray

by John Raphael Smith
stipple engraving, circa 1781-1802
NPG D47449

Thomas Gray, by William Ridley, published by  Charles Cooke - NPG D19166

Thomas Gray

by William Ridley, published by Charles Cooke
stipple engraving, published 23 May 1795
NPG D19166

Place

Tell us more back to top

Can you tell us more about this person? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license an image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.