Search the Collection

Nathaniel Hone

(1718-1784), Portrait and miniature painter

Mid-Georgian Portraits Catalogue Entry

Sitter in 9 portraits
Artist associated with 56 portraits
Hone was a Dublin-born portrait painter, miniaturist and engraver. He moved to England as a youth and worked as a travelling portrait painter. In 1742 he married the wealthy Mary Earle in York Minster. The couple moved to London where Hone established himself painting portraits and narrative scenes. In 1768, he became a founder member of the Royal Academy of Arts.

Tell us More

List Thumbnail

Nathaniel Hone, by Nathaniel Hone - NPG 1878

Nathaniel Hone

by Nathaniel Hone
enamel on copper, circa 1760-1770
NPG 1878

Nathaniel Hone, by Nathaniel Hone - NPG 177

Nathaniel Hone

by Nathaniel Hone
oil on canvas, circa 1760
On display on the Second Floor at Beningbrough Hall
NPG 177

The Academicians of the Royal Academy, by John Sanders, after Johan Joseph Zoffany - NPG 1437

The Academicians of the Royal Academy

by John Sanders, after Johan Joseph Zoffany
watercolour and ink, 1773, based on a work of 1772
NPG 1437

Key to 'The Academicians of the Royal Academy', by John Sanders, after Johan Joseph Zoffany - NPG 1437a

Key to 'The Academicians of the Royal Academy'

by John Sanders, after Johan Joseph Zoffany
pencil, circa 1773
NPG 1437a

Nathaniel Hone, by Edward Fisher, after Nathaniel Hone - NPG D3074

Nathaniel Hone

by Edward Fisher, after Nathaniel Hone
mezzotint, (circa 1760)
NPG D3074

Nathaniel Hone, by Edward Fisher, after Nathaniel Hone - NPG D3075

Nathaniel Hone

by Edward Fisher, after Nathaniel Hone
mezzotint, (circa 1760)
NPG D3075

Nathaniel Hone, by Edward Fisher, after Nathaniel Hone - NPG D3076

Nathaniel Hone

by Edward Fisher, after Nathaniel Hone
mezzotint, (circa 1760)
NPG D3076

The Academicians of the Royal Academy, by Richard Earlom, after Johan Joseph Zoffany - NPG D21304

The Academicians of the Royal Academy

by Richard Earlom, after Johan Joseph Zoffany
mezzotint, published 1773
NPG D21304

Web image not currently available

Nathaniel Hone

by Edward Fisher, after Nathaniel Hone
mezzotint, (circa 1760)
NPG D20030

Related People

Category

Groups

Places

Links

Tell us more back to top

Can you tell us more about this person? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. If you wish to license an image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.