The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

Advanced Collection search

Search the Collection

Henry Poole

(1873-1928), Sculptor

Artist of 2 portraits
The sculptor Henry Poole attended the Royal Academy Schools from 1892, and afterwards trained under Harry Bates and G.F. Watts. His father had been an architectural carver, and much of Poole's work was architectural sculpture, much for buildings by the architectural partnership Lanchester and Rickards. Poole was elected an Associate of the Royal Academy in 1920, and became a full Royal Academician in 1927.

Explore the portrait of Albert Ball by Henry Poole (NPG 2277) from all angles

Tell us More

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Make a donation

List Thumbnail

George Frederic Watts, by Henry Poole - NPG 2480

George Frederic Watts

by Henry Poole
bronze statuette
NPG 2480

Albert Ball, by Henry Poole - NPG 2277

Albert Ball

by Henry Poole
bronze statuette, 1920s
NPG 2277

Category

Groups

Tell us more back to top

Can you tell us more about this person? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license an image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.

Get Creative

Enter our Jubilee family competition

Submit your family’s recreation of a Royal portrait to win some Jubilee goodies

Enter now

Develop your art skills

Discover our BP Next Generation short films made by artists. Follow step by step guides in drawing and painting techniques.

Improve your skills

Hold Still

Hold Still photography workshop

Reflect on your own experiences of lockdown through this easy-to-do from home, photographic exercise. 

Watch the video

Draw Like a Renaissance Master

Revisit The Encounter exhibition and learn about Renaissance and Baroque drawing methods and materials.

Improve your technique