Elizabeth Conyngham (née Denison), Marchioness Conyngham
(1769-1861), Mistress of George IV; wife of Henry Conyngham, 1st Marquess of ConynghamSitter in 34 portraits
'Royal Gambols!! or the Old Oak in Danger'
published by John Fairburn
hand-coloured etching, published September 1820
NPG D48674
'A Complete Turn-Out among the Cabinet-Makers'
probably by Henry Heath, published by Samuel William Fores
hand-coloured etching, published April 1827
NPG D48686
'To Be, or not To Be, that is the Question.'
by Henry Heath, published by Samuel William Fores
hand-coloured etching, published 8 May 1827
NPG D48692
by Henry Heath, published by Samuel William Fores
hand-coloured etching, published 12 February 1828
NPG D46036
by William Heath, published by Thomas McLean
hand-coloured etching, published circa January 1828
NPG D46065
'Patch-work Cabinet, No. 2. Political Bind Man's Buff'
published by John Fairburn
hand-coloured etching, published February 1828
NPG D48706
by William Heath, published by Thomas McLean
hand-coloured etching, published circa February 1828
NPG D48708
!['The Th---e [Throne] in Danger' (Arthur Wellesley, 1st Duke of Wellington; King George IV; Elizabeth Conyngham (née Denison), Marchioness Conyngham), by William Heath, published by Thomas McLean - NPG D48712](https://collectionimages.npg.org.uk/std/mw297419/The-Th---e-Throne-in-Danger-Arthur-Wellesley-1st-Duke-of-Wellington-King-George-IV-Elizabeth-Conyngham-ne-Denison-Marchioness-Conyngham.jpg)
by William Heath, published by Thomas McLean
hand-coloured etching, published circa February 1828
NPG D48712
by Henry Heath, published by Samuel William Fores
hand-coloured etching, published 1 February 1828
NPG D48713
by John ('HB') Doyle, published by Thomas McLean
lithograph, published 18 July 1829
NPG D40940
by John ('HB') Doyle, published by Thomas McLean
lithograph, published 11 August 1829
NPG D40975
published by John Field
hand-coloured etching, published circa April 1829
NPG D46063
'The Constitution of John Bull destroyed by the combined Efforts of the Burkites'
by John Phillips, published by George Humphrey
hand-coloured etching, published April 1829
NPG D48744
published by John Field
hand-coloured etching, published circa April 1829
NPG D48745
The Catholic Sovereign, Safety Coach a new Start from the Castle Windsor - A regular Out and Outer
by Thomas Howell Jones, after Samuel William Fores
hand-coloured etching, published circa April 1829
NPG D48746
The Catholic Sovereign, Safety Coach a new Start from the Castle Windsor - A regular Out and Outer
by Thomas Howell Jones, after Samuel William Fores
hand-coloured etching, published circa April 1829
NPG D48747
![A Long Pull, A Stong [Strong] Pull and a Pull Altogether!!!, probably by Henry Heath, after Gabriel Shire Tregear - NPG D48757](https://collectionimages.npg.org.uk/std/mw297749/A-Long-Pull-A-Stong-Strong-Pull-and-a-Pull-Altogether.jpg)
A Long Pull, A Stong [Strong] Pull and a Pull Altogether!!!
probably by Henry Heath, after Gabriel Shire Tregear
hand-coloured etching, published April 1829
NPG D48757
A Political Menagerie. Rare Favourite Birds
probably by John Phillips, published by George Humphrey
hand-coloured etching, published 9 April 1829
NPG D48758
published by S. Gans
hand-coloured etching, published circa May 1829
NPG D48759
by Henry Heath, published by Gabriel Shire Tregear
hand-coloured etching, published circa May 1829
NPG D48764
Comments back to top
We are currently unable to accept new comments, but any past comments are available to read below.
If you need information from us, please use our Archive enquiry service . Please note that we cannot provide valuations. You can buy a print or greeting card of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at around £6 for unframed prints, £16 for framed prints. If you wish to license an image, select the portrait of interest to you, then look out for a Use this image button, or contact our Rights and Images service. We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.