John Closterman
(1660-1711), ArtistArtist associated with 58 portraits
The German painter John Closterman arrived in England in 1681 after working in Paris. In 1698, Closterman went on a Grand Tour to Italy and Spain to study art. This was probably supported by the Earl of Shaftesbury, a classical scholar and philosopher.
by and published by John Smith, after John Closterman
mezzotint, 1692
NPG D3693
by and published by John Smith, after John Closterman
mezzotint, 1692
NPG D8982
by and published by John Smith, after John Closterman
mezzotint, 1692
NPG D8983
by and published by John Smith, after John Closterman
mezzotint, 1692
NPG D8984
by and published by John Smith, after John Closterman
mezzotint, 1692
NPG D8985
by and published by John Smith, after John Closterman
mezzotint, 1692
NPG D11695
by Robert White, after John Closterman
line engraving, 1695
NPG D32252
by and published by John Smith, after John Closterman
mezzotint, 1696
NPG D30966
by and published by John Smith, after John Closterman
mezzotint, 1696
NPG D30967
by John Sturt, after John Closterman
line engraving, published 1696
NPG D31311
by John Smith, after John Closterman
mezzotint, 1696
NPG D46101
by and published by John Smith, after John Closterman
mezzotint, 1696
NPG D11978
by John Smith, after John Closterman
mezzotint and etching, 1698
NPG D31560
by John Smith, after John Closterman
mezzotint and etching, 1698
NPG D31561
by John Smith, after John Closterman
mezzotint and etching, 1698
NPG D34197
by John Smith, after John Closterman
mezzotint and etching, 1698
NPG D11579
by James Cole, after John Closterman
line engraving, early-mid 18th century
NPG D27610
by George Vertue, after John Closterman
line engraving, early 18th century
NPG D27611
by John Faber Jr, after John Closterman
mezzotint, 1702 or after
NPG D11047
John Campbell, 2nd Duke of Argyll and Greenwich
by Robert Williams, after John Closterman
mezzotint, 1704
NPG D546
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