Thomas Murray
(1663-1735), Portrait painterSitter associated with 7 portraits
Artist associated with 86 portraits
Scottish-born Murray moved to London and studied with a member of the De Critz family before becoming a pupil of eminent portraitist John Riley. In 1703, he painted Queen Anne for the Society of the Middle Temple in London, showing her crowned and in royal robes. His many full-length oil paintings include a portrait of John, 1st Duke of Atholl.
by and published by John Smith, after Thomas Murray
mezzotint, 1703
NPG D17998
by Robert White, after Thomas Murray
line engraving, published 1704
NPG D31196
by George Vertue, published by Anne Speed, after Thomas Murray
line engraving, 1708 or after
NPG D34828
by John Simon, after Thomas Murray
mezzotint, (1710)
NPG D5750
Sir Robert Salusbury Cotton, Bt
by George White, after Thomas Murray
mezzotint, (circa 1710)
NPG D18970
by Francis Kyte, after Thomas Murray
mezzotint, (1712)
NPG D2561
by John Smith, after Thomas Murray
mezzotint, 1714 (1706)
NPG D1609
by John Smith, after Thomas Murray
mezzotint, 1714 (1706)
NPG D1610
by and published by John Smith, after Thomas Murray
mezzotint, 1714 (1706)
NPG D11584
by and published by John Smith, after Thomas Murray
mezzotint, 1714 (1706)
NPG D19030
Henry St John, 1st Viscount Bolingbroke
by George White, after Thomas Murray
mezzotint, circa 1714-1715 (1714)
NPG D19374
by George Vertue, after Thomas Murray
line engraving, 1718
NPG D9234
by George Vertue, after Thomas Murray
line engraving, 1718
NPG D31521
by John Faber Jr, published by John Bowles, after Thomas Murray
mezzotint, 1722 (1712)
NPG D2560
by and published by John Faber Jr, after Thomas Murray
mezzotint, 1722 (1713)
NPG D4072
by John Faber Jr, after Thomas Murray
mezzotint, 1724
NPG D23999
by John Faber Jr, after Thomas Murray
mezzotint, 1724
NPG D36090
by John Faber Jr, after Thomas Murray
mezzotint, 1724
NPG D36091
by John Faber Jr, published by Philip Overton, after Thomas Murray
mezzotint, 1728
NPG D6770
by John Faber Jr, published by Robert Sayer, after Thomas Murray
mezzotint, 1728 or after
NPG D8749
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