Thomas Holloway
(1748-1827), EngraverArtist associated with 33 portraits
Between 1773 and 1777, he exhibited a variety of works at the Royal Academy, including seals, engraved gems, and portraits in crayon and oil. Holloway's largest project was the English edition of J. C. Lavater's Essays on Physiognomy, translated by Dr Henry Hunter and published in five volumes (1789-98). This work was illustrated with about 800 plates by a number of engravers including Francesco Bartolozzi and William Blake, with Holloway contributing about 300 plates.
by Thomas Holloway, after Unknown artist
line engraving, published 1794
NPG D8287
by Thomas Holloway
line engraving, published 1795
NPG D24294
by and published by Thomas Holloway, published by Robert Wilkinson, published by Darling & Thompson, after William Artaud
line engraving, published 15 July 1795
NPG D15373
by and published by Thomas Holloway, after Benjamin West
engraving, published 25 April 1798
NPG D37692
by and published by Thomas Holloway, after Benjamin West
engraving, published 25 April 1798
NPG D37693
by and published by Thomas Holloway, after Benjamin West
engraving, published 25 April 1798
NPG D37696
by Thomas Holloway, after Benjamin West
line engraving, published 1798
NPG D8266
by and published by Thomas Holloway, after Sir Godfrey Kneller, Bt
line engraving, published 1798
NPG D8825
'Death of Archbishop Sharp' (James Sharp)
by Thomas Holloway, published by Robert Bowyer, after John Opie
line engraving, published March 1799
NPG D40672
by Thomas Holloway, after Lemuel Francis Abbott
line engraving, published 1800
NPG D7726
by Thomas Holloway, after Mason Chamberlin
line engraving, published 1787 (circa 1774)
NPG D21379
by and published by Thomas Holloway, after Benjamin West
line engraving, published 4 June 1793
NPG D19682
by and published by Thomas Holloway, published by Robert Wilkinson, published by Darling & Thompson, after William Artaud
line engraving, published 15 July 1795
NPG D19681
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