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Regency Portraits Catalogue

Charles Manners-Sutton (1755-1828), Archbishop of Canterbury

c.1795
Oil by Hoppner in Royal Collection (Windsor Castle), three-quarter-length in robes as Dean of Windsor and Registrar of the Order of the Garter (Sir Oliver Millar, The Later Georgian Pictures in the Collection of Her Majesty the Queen, 846 and reproduced John Ingamells, The English Episcopal Portraits, 1981, 268); a copy is at Lambeth Palace and mezzotint by Charles Turner published 16 November 1829 (Alfred Whitman, Charles Turner, 1907, 549); enamel copy by Henry Bone in Holburne Museum, Bath, and another at Christie's 16 October 1973 (171) bought Limner.

c.1805
Oil by Lawrence in private collection Cheltenham by family descent, head and shoulders facing in robes and wig, unfinished (Kenneth Garlick, ‘Catalogue of Paintings, Drawings and Pastels of Sir Thomas Lawrence’ in Walpole Society Journal, XXXIX, 1964, p 139); three-quarter-length copy at Lambeth Palace.

1821
Watercolour drawing by James Stephanoff in V&A Museum (66-1878), as Archbishop carrying the Service at Coronation of George IV 1821, engraved as a plate in Nayler's Coronation.

c.1828
Drawing by Wageman, engraved by Holl, three-quarter-length vignette in private dress, published Cribb 1828.

Stipple by Woolnoth, published Fisher Son & Co, 1 September 1828, head and shoulders vignette looking right in bishop's robes and wig.

Posthumous
Memorial bust by Theakston at Addington perhaps originating with Chantrey's camera lucida drawing (NPG 316a(121)).



This extended catalogue entry is from the out-of-print National Portrait Gallery collection catalogue: Richard Walker, Regency Portraits, National Portrait Gallery, 1985, and is as published then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.