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Mid-Georgian Portraits Catalogue

Richard Wilson (1714-1782), Landscape painter

1752
Painting by A. R. Mengs, half length, painting at his easel, see NPG 1803. National Museum and Gallery, Cardiff (illus. Mengs, Kenwood, 1993, no.18; S. Roettgen, Mengs, 1999, no.236). Painted in Rome in exchange for a landscape by Wilson. Engraved W. Bromley 1789, 1790; W. Bond 1812 (From a portrait copied by John Taylor under the inspection of Wilson, after an original Picture by Raphael Mengs, in the possession of Sir W. W. Wynne; see Joseph Farington, Diary, 21 June 1813) and 1824; C. Pye 1822. A copy by William Roos 1846 was offered to the NPG 1871 (Sir George Scharf's Trustees' Sketch Books, 17/79); see also NPG 1305 and NPG 1803.

c.1765-70
Painting by J. H. Mortimer, Caricature Group.

1772
Painting by Johann Zoffany, The Academicians of the Royal Academy, see NPG 1437. A pot of porter by his side was painted out after Wilson threatened Zoffany with a thrashing (W. G. Constable, Richard Wilson, 1953, p 57).

c.1775
Drawing by George Beaumont, half length with a mahlstick, etched by T. Hastings 1824.

Doubtful Portraits
See NPG 1327. A 'self-portrait' exhibited Sabin, English Portrait, 1976, no.7; painting by an unknown artist, Royal Academy, exhibited Second special exhibition of National Portraits (William and Mary to MDCCC), South Kensington, 1867, no.523 (illus. D. Cooper, 'The Iconography of Richard Wilson', Burlington Magazine, XC, 1948, fig.28; W. G. Constable, Richard Wilson, 1953, pl.135c).



This extended catalogue entry is from the out-of-print National Portrait Gallery collection catalogue: John Ingamells, National Portrait Gallery: Mid-Georgian Portraits 1760-1790, National Portrait Gallery, 2004, and is as published then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.