Fleming Collection: Fleming's Granger (Noble's Continuation Volume 1)
315 Portraits in set
The print collection and library of Dr William Fleming of Rowton Grange in Cheshire includes approximately 15,000 engravings and more than 150 volumes. Fleming began collecting books and portrait prints in 1814 and drew upon his extensive print collection to extra-illustrate many of the published works in his library. The most substantial of these sets is Fleming's Granger which comprises a collection of approximately 11,000 prints arranged and interfiled to illustrate a disbound copy of Rev. James Granger A Biographical History of England from Egbert the Great to the Revolution (1st edition 1769) and Noble's Continuation (1806) which extends Granger to 1727.
by Frederick Hendrik van Hove
line engraving, late 17th century
NPG D31052
by Jacob Gole, after Willem Wissing
mezzotint, late 17th to early 18th century
NPG D31053
published by Nicolaes Visscher II, after Unknown artist
mezzotint, late 17th century
NPG D31054
by Cornelis Martinus Vermeulen, after Adriaen van der Werff
line engraving, late 17th century
NPG D31055
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, late 17th century
NPG D31060
by and published by Jacob Gole
mezzotint, late 17th to early 18th century
NPG D31068
published by Nicolaes Visscher II
mezzotint, late 17th century
NPG D31073
by Robert White, after Sir Godfrey Kneller, Bt
line engraving, late 17th century
NPG D31120
by Robert White, after Mary Beale
line engraving, late 17th century
NPG D31122
by Robert White, after Mary Beale
line engraving, late 17th century
NPG D31123
by Peter Vanderbank (Vandrebanc), after Mary Beale
line engraving, late 17th century
NPG D31124
by Jan Drapentier, after Unknown artist
line engraving, late 17th century
NPG D31162
by Robert Williams, after Robert Byng
mezzotint, late 17th century
NPG D31173
by Robert White, after Thomas Forster
line engraving, late 17th century
NPG D31174
after Unknown artist
line engraving, late 17th to early 18th century
NPG D31178
by Robert White
line engraving, late 17th century
NPG D31180
by John Savage, published by John Bowles
line engraving, late 17th century
NPG D31182
possibly by Adriaen Haelwegh, published by Daniel de la Feuille
line engraving, late 17th century
NPG D31183
by Robert White, after Sir Godfrey Kneller, Bt
line engraving, late 17th century
NPG D31194
by Robert White, after John Riley
line engraving, late 17th century
NPG D31225
by Adriaen Haelwegh
line engraving, late 17th century
NPG D31239
by Robert White
line engraving, late 17th century
NPG D31243
by Simon Gribelin, after Unknown artist
line engraving, late 17th to early 18th century
NPG D31264
by Frederick Hendrik van Hove
line engraving, late 17th century
NPG D31266
by Joseph Nutting, after Sylvester Brounower
line engraving, late 17th to early 18th century
NPG D31278
after Unknown artist
line engraving, late 17th century
NPG D31288
possibly by Peter Vanderbank (Vandrebanc), possibly after William Faithorne
line engraving, late 17th century
NPG D31313
Queen Mary II; King William III
by Wallerant Vaillant, after Unknown artist
mezzotint, 1677
NPG D31078
by Mathias van Somer
line engraving, 1678
NPG D31193
by Robert Williams, published by John Smith, after Michael Dahl
mezzotint, circa 1680-1704 (circa 1689-1695)
NPG D31216
by John Sturt, after Unknown artist
line engraving, circa 1680-1720
NPG D31308
by John Sturt, after Samuel Barker
line engraving, circa 1680-1720
NPG D31309
by John Sturt, after Samuel Barker
line engraving, circa 1680-1720
NPG D31310
Queen Mary II when Princess of Orange
by Isaac Beckett, after Sir Peter Lely
mezzotint, 1681-1688
NPG D31072
Dorothy Fane (née Brudenell), Countess of Westmorland
by Isaac Beckett, after John Riley, published by John Smith
mezzotint, 1681-1688
NPG D31325
Henrietta Maria Wyvill (née Yarborough), Lady Wyvill
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1681-1688
NPG D31347
Henrietta Maria Wyvill (née Yarborough), Lady Wyvill
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1681-1688
NPG D31348
published by Nicolaes Visscher II, after Jan van der Vaart
mezzotint, circa 1683-1729
NPG D31057
Prince George of Denmark, Duke of Cumberland
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, circa 1683-1729
NPG D31059
by Frederick Hendrik van Hove, after Unknown artist
line engraving, published 1687
NPG D31363
by Robert White
line engraving, published 1688
NPG D31119
Mary Butler (née Somerset), Duchess of Ormonde and her son Thomas, Earl of Ossory
by Robert Williams, after Sir Godfrey Kneller, Bt
mezzotint, 1688-1704
NPG D31317
by John Smith, published by Edward Cooper, after Willem Wissing
mezzotint, 1689
NPG D31056
Queen Anne when Princess of Denmark
probably by Isaac Beckett, published by John Savage, after Sir Godfrey Kneller, Bt
mezzotint, 1689
NPG D31058
by Gerard de Lairesse
etching, circa 1689-1702
NPG D31063
King William III and Queen Mary II
by Bernard Lens (II), published by Edward Cooper
mezzotint, 1689-1702
NPG D31079
Prince George of Denmark, Duke of Cumberland and Queen Anne
by Bernard Lens (II), after Unknown artist, published by Edward Cooper
mezzotint, 1689-1702
NPG D31080
by and published by Peter Vanderbank (Vandrebanc), after Sir Godfrey Kneller, Bt
line engraving, published 1689
NPG D31181
by Robert White
line engraving, published 1689
NPG D31230
by Robert White
line engraving, published 1689
NPG D31231
by Robert White
line engraving, published 1689
NPG D31232
by Robert White
line engraving, published 1689
NPG D31233
by Robert White
line engraving, published 1689
NPG D31234
by Robert White
line engraving, published 1689
NPG D31235
by Robert White
line engraving, published 1689
NPG D31236
by Robert White
line engraving, published 1689
NPG D31237
by Robert White
line engraving, published 1689
NPG D31238
by Jacob Gole, after James Parmentier
line engraving, late 17th century
NPG D31305
Catherine Manners (née Noel), Duchess of Rutland
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1689
NPG D31320
by and published by John Smith, after Sir Godfrey Kneller, Bt
mezzotint, 1689
NPG D31337