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57 portraits matching these criteria:
- subject matching 'Fashion Plates: Undergarments - Crinolines'
Originally a term for a textile made of horsehair (1829) used for making stiff under-petticoats to support and expand the skirt, but it soon became used for the petticoat itself. The lighter and less restrictive artificial crinoline or cage crinoline petticoat appeared in 1856 with whalebone hoops, and watch-spring hoops from 1857. In 1857-59 it was domed, then pyramidal, and at its widest 1859-61. From 1865 the front became flat, before merging into the crinolette (a small cage-crinoline hooped behind) by 1868. The crinolines worn in Britain were often not as extreme as those portrayed in French fashion plates.
'The Fashions'. Morning dress, ball dress and dress for a fancy-dress ball, February 1863
by Bonnard, published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode, after Jules David
hand-coloured etching and line engraving, published February 1863
NPG D48001
'The Fashions'. Ball dress, March 1863
published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published March 1863
NPG D48002
'The Fashions'. Home toilet and toilet de chambre, April 1863
by Louis Berlier, published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode, after Laure Noël (née Colin)
hand-coloured etching and line engraving, published April 1863
NPG D48003
by Réville, published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published June 1863
NPG D48004
published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published July 1863
NPG D48005
'The New Winter Cloaks and Mantles', October 1863
published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published October 1863
NPG D48006
'The New Winter Cloaks and Mantles', October 1863
published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published October 1863
NPG D48007
published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published June 1864
NPG D48008
by Rigolet, published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published July 1864
NPG D48009
by Rigolet, published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published July 1864
NPG D48010
published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode
hand-coloured etching and line engraving, published August 1864
NPG D48011
by A. Carrache, published in Les Modes Parisiennes, after François-Claudius Compte-Calix
hand-coloured etching, line and stipple engraving, 1864
NPG D48012
by A. Carrache, published in Les Modes Parisiennes, after François-Claudius Compte-Calix
hand-coloured etching, line and stipple engraving, 1864
NPG D48013
by A. Lacourière, published in Les Modes Parisiennes, after François-Claudius Compte-Calix
hand-coloured etching, line and stipple engraving, 1864
NPG D48014
after Héloise Leloir (née Colin)
hand-coloured etching, line and stipple engraving, 1864
NPG D48015
Ball and evening dresses, 1864
published in Le Follet, Courrier des Salons, Journal des Modes, after (Adèle) Anais Toudouze (née Colin)
hand-coloured etching, line and stipple engraving, 1864
NPG D48016
by A. Lacourière, probably published in Les Modes Parisiennes, after François-Claudius Compte-Calix
hand-coloured etching, line and stipple engraving, 1864
NPG D48017
by A. Carrache, published in Les Modes Parisiennes, after François-Claudius Compte-Calix
hand-coloured etching, line and stipple engraving, 1864
NPG D48018
by Paul Deferneville, published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode, after E. Préval
hand-coloured etching, line and stipple engraving, published January 1867
NPG D48020
by Paul Deferneville, published by Samuel Orchart Beeton, published in The Englishwoman's Domestic Magazine, first published in Le Moniteur de la Mode, after Jules David
hand-coloured etching, line and stipple engraving, published January 1867
NPG D48021