The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

Advanced Collection search

First Previous 1 OF 35 NextLast

Barbara Palmer (née Villiers), Duchess of Cleveland with her son, probably Charles FitzRoy, as the Virgin and Child

1 of 35 portraits of Barbara Palmer (née Villiers), Duchess of Cleveland

© National Portrait Gallery, London

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Buy a print Make a donation
  • Buy a print
  • Use this image
  • ShareShare this

Barbara Palmer (née Villiers), Duchess of Cleveland with her son, probably Charles FitzRoy, as the Virgin and Child

after Sir Peter Lely
oil on canvas, circa 1664
69 in. x 45 in. (1752 mm x 1143 mm)
Bequeathed by Harold Lee-Dillon, 17th Viscount Dillon, 1933
Primary Collection
NPG 2564

Sittersback to top

Artistback to top

  • Sir Peter Lely (1618-1680), Portrait painter. Artist associated with 843 portraits, Sitter in 19 portraits.

Linked publicationsback to top

Subjects & Themesback to top

Events of 1664back to top

Current affairs

The Coventicle Act, a component of the Clarendon Code, is enacted by Parliament forbidding non-conformist conventicles.
The Admiral's Regiment, precursor to the Royal Marines, meets for the first time as part of the mobilisation for war with the Dutch.

Art and science

Playwright, Thomas Killigrew, stages his best-known play, The Parson's Wedding with an all-female cast. After the Restoration, women were permitted to take to the stage as actors.
Construction of the Sheldonian Theatre in Oxford begins. Designed by architect, Christopher Wren, the building is funded Archbishop Sheldon.

International

Mounting pressure for war with England's trading rival, Holland, increases as the two countries clash over trading interests around the world. Thomas Clifford, Baron Clifford, passionately champions the cause for war, becoming a leading voice in a bellicose parliament which promises an unprecedented grant towards the conflict.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.