by Sir Frederic William Burton
20 1/4 in. x 15 in. (514 mm x 381 mm)
Given by the sitter's husband and, Charles Lee Lewes, 1883
Sitterback to top
- George Eliot (Mary Ann Cross (née Evans)) (1819-1880), Novelist. Sitter associated with 12 portraits.
Artistback to top
- Sir Frederic William Burton (1816-1900), Watercolour painter and Director of the National Gallery. Artist associated with 11 portraits, Sitter in 6 portraits.
This portraitback to top
This chalk portrait shows Eliot in her mid-forties. It was made by the artist Frederic Burton, a close friend of Eliot’s which may account for the closely-cropped, full-frontal and altogether more intimate portrayal of her face. Unlike her reaction to other portraits, particularly photographs, Eliot seems not to have recoiled from Burton’s image or the process of sitting to him, taking an interest in how the portrait developed over the course of a year. In December 1865, she told the artist D'Albert Durade that her friends considered it 'a remarkably fine portrait of me' and that she had agreed to its reproduction by the engraver, Paul Adolphe Rajon. In 1867, she was even content for Burton to exhibit the portrait at the Royal Academy of Arts. It was later engraved.
Linked publicationsback to top
Linked displays and exhibitionsback to top
- Portraying George Eliot (16 January 2019 - 19 December 2019)
Events of 1865back to top
Current affairsElizabeth Garrett Anderson is the first female to be awarded a doctor's licence. She is also involved in collecting signatures for the Manchester Suffrage Committee, the first suffrage organisation, formed this year. John Stuart Mill was also elected to parliament this year on the platform of women's suffrage.
Palmerston dies in October, and is replaced as leader of the Liberal government by his Foreign Secretary, Lord Russell.
Art and scienceLewis Carroll's Alice in Wonderland is published, inspired by Carroll's relationship (as Oxford don Sir Charles Dodgson) with his friend Henry George Liddell's daughter Alice.
Matthew Arnold publishes the first series of Essays in Criticism, a defining text in the development of English literature as an academic discipline.