First Previous 6 OF 1059 NextLast

Catherine Sedley, Countess of Dorchester

6 of 1059 portraits matching 'catherine'

© National Portrait Gallery, London

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Buy a print Buy a greetings card Make a donation Close

Catherine Sedley, Countess of Dorchester

by Peter Cross
watercolour on vellum, circa 1685-1690
3 1/8 in. x 2 3/8 in. (79 mm x 60 mm) oval
Purchased, 1913
Primary Collection
NPG 1696

Sitterback to top

Artistback to top

  • Peter Cross (circa 1645-1724), Artist. Artist or producer of 4 portraits.

Linked publicationsback to top

  • Ingamells, John, Later Stuart Portraits 1685-1714, 2009, p. 74
  • Macleod, Catharine; Alexander, Julia Marciari, Painted Ladies: Women at the Court of Charles II, 2001 (accompanying the exhibition at the National Portrait Gallery from 11 October 2001 to 6 January 2002), p. 203
  • Piper, David, Catalogue of Seventeenth Century Portraits in the National Portrait Gallery, 1625-1714, 1963, p. 110
  • Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 183
  • Walker, Richard, Miniatures: 300 Years of the English Miniature, 1998, p. 47 Read entry

    Lady Dorchester was entertaining and vivacious, rich but not beautiful, and became for many years a mistress of the Duke of York, later James II. She also had a mordant but indelicate wit, as when meeting the Duchess of Portsmouth and the Countess of Orkney at the court of George I, she said, 'who would have thought that we three whores should have met here' (G. E. Cokayne, The Complete Peerage, IV, p 407).

    It is easy to see here how Cross's monogram PC could be mistaken for LC, leading to the confusion which lasted from the eighteenth century till 1935, when the V&A Museum bought a miniature of William Gore clearly signed and dated P. Cross fecit 1670 (John Murdoch, Seventeenth-century English Miniatures in the Collection of the Victoria and Albert Museum, London, 1997, no.166). This was followed by another, of Sir James Ogilvy, signed Peeter Cross. Cross's distinctive red, blue and green stipple can be seen, in NPG 6280, 1696 and 4692, in the shading on the faces.

Subject/Themeback to top

Events of 1685back to top

Current affairs

Charles II dies, his heir, Catholic brother, James II, succeeds to the throne. Despite deep distrust by many Protestants, he initially experiences unexpected popularity.
James Scott, Duke of Monmouth, leads the Monmouth Rebellion ambitious to seize the throne. Following his defeat at Sedgemoor, Monmouth is executed at Tower Hill.

Art and science

Opera Universa, by physician Thomas Sydenham, considered the father of English medicine, is published in London.
Organist, Henry Purcell composes, My heart is inditing, for the coronation of James II and his queen, Mary of Modena.
Writer on dentistry, Charles Allen publishes the earliest known English book on dentistry.

International

The Edict of Fontainebleau is issued by Louis XIV revoking the Edict of Nantes which gave Huguenots a right to practice their religion, free from persecution. Although Huguenots had steadily left France since the Dragonnades in 1681, this edict essentially ended official religious toleration in France.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.