Charles Howard, 1st Earl of Nottingham

after Unknown artist
oil on canvas, 17th century, based on a work of 1602
96 in. x 54 in. (2439 mm x 1372 mm)
Purchased, 1965
Primary Collection
NPG 4434

Sitterback to top

Charles Howard, 1st Earl of Nottingham (1536-1624), Lord High Admiral. Sitter associated with 15 portraits.

Artistback to top

Unknown artist, Artist. Artist associated with 6556 portraits.

This portraitback to top

Howard was admitted to the Order of the Garter in 1575 and is depicted wearing full Garter robes. Due to past damage there has been some paint loss on the face and beard. This makes his beard look very white, and therefore Howard seems older than would have been originally intended.

Related worksback to top

NPG D48928: Charles Howard, 1st Earl of Nottingham (after)

Linked publicationsback to top

Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 464
Strong, Roy, Tudor and Jacobean Portraits, 1969, p. 235

Subjects & Themesback to top

Events of 1602back to top

Current affairs

The Lord Deputy of Ireland Charles Blount, Lord Mountjoy secures the surrender of the Spanish force sent to Ireland to assist the Catholic rebellion led by Hugh O'Neill, Earl of Tyrone.

Art and science

The full-length portrait of Sir Walter Ralegh and his son is painted by an unknown artist.
The Bodleian Library of Oxford University is inaugurated by the scholar and diplomat Sir Thomas Bodley.
Akbar, Mughal Emperor of India, constructs the Buland Darwaza ('Great Gateway') in Fatehpur Sikri, India, to commemorate his conquest of Gujarat.

International

Foundation of the Dutch East India Company (Verenigde Oostindische Compagnie or VOC) and the Amsterdam Stock Exchange.
The Dutch fleet arrives in Ceylon (present-day Sri Lanka) and is welcomed as aid against the Portuguese.
Abbas I, Shah of Persia expels the Portuguese from Bahrain in the Persian Gulf and launches a campaign against the Ottoman Empire.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

* What can you tell us? (Help)

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citation (Help)

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Denied Granted

* Your name (Why?)

* Email (Why?)

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.