Sir Robert Peel, 2nd Bt

1 portrait of Sir Robert Peel, 2nd Bt

© National Portrait Gallery, London

2 Likes voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Buy a print Buy a greetings card Make a donation

Sir Robert Peel, 2nd Bt

by John Linnell
oil on panel, 1838
17 7/8 in. x 14 7/8 in. (455 mm x 378 mm)
Purchased, 1887
Primary Collection
NPG 772

On display in Room 15 on Floor 3 at the National Portrait Gallery

Sitterback to top

Artistback to top

  • John Linnell (1792-1882), Painter. Artist or producer associated with 69 portraits, Sitter in 8 portraits.

Related worksback to top

Linked publicationsback to top

  • The British Portrait, 1660-1960, 1991, p. 308 number 301
  • Foister, Susan, Cardinal Newman 1801-90, 1990 (accompanying the exhibition at the National Portrait Gallery from 2 March - 20 May 1990), p. 23, 38 Read entry

    Peel became an MP in 1809 aged twenty-one and soon became embroiled in the Irish question; in 1812 he took up the post of Chief Secretary for Ireland which he held until 1818. His task was to maintain authority and order in the face of opposition from Daniel O'Connell which he approached by establishing a police force and speaking against Catholic emancipation. His acrimonious relationship with O'Connell resulted in Peel challenging him to a duel in 1815, which never took place, as O'Connell was arrested on his way to meet him.

    In 1822 Peel became Home Secretary; he resigned in 1827 when Canning succeeded Lord Liverpool as Prime Minister, because Canning was in favour of Catholic emancipation. He then changed his mind, believing that maintaining order in Ireland took priority, and introduced a bill for Catholic emancipation. He subsequently resigned and sought re-election at Oxford, where he was defeated and earned Newman's disapproval.

    Peel was afterwards re-elected elsewhere, and continued his political career, eventually introducing the bill to abolish Irish tithes as well as other church reforms, notably the establishment of the Ecclesiastical Commission in 1835. In 1841 he became Prime Minister, and once more faced the Irish question and O'Connell, now more than ever a crisis because of the potato famine; the suspension of the Corn Laws was one consequence of the situation.

  • Ormond, Richard, Early Victorian Portraits, 1973, p. 368
  • Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 486

Subjects & Themesback to top

Events of 1838back to top

Current affairs

The Anti-Corn Law league is established in Manchester, led by Richard Cobden and John Bright, aiming to create a fully free-trade economy.
The People's Charter is published, demanding many constitutional amendments that would become central to future democratic reform, including universal male suffrage and secret ballots. Despite having one million signatures (and 5 million by 1848), the petition was rejected.
Slavery is completely abolished.

Art and science

Turner's The Fighting Temeraire is exhibited at the Royal Academy. The Temeraire, which had broken the line at the Battle of Trafalgar, was a reflection on the rapid changes of the industrial age. This was demonstrated this year when Isambard Brunel's Great Western crosses the Atlantic, in just fifteen days - a ship under sail could take a month.
The London-Birmingham railway is also completed, the line engineered by Robert Stephenson.

International

The first stage in the formation of independent Boer republics in South Africa, as the Republic of Natal is formed in South Africa, following the Boers defeat of the Matabele of Mzilikasi. This comes two years after the Dutch-speaking inhabitants of the British-ruled colony of South Africa set out on the Great Trek, in search of their own independent state.
The Central American Federation, an experimental republic formed of several Latin states splits.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.