Sir Walter Ralegh (Raleigh); Walter Ralegh

Identify sitters

© National Portrait Gallery, London

9 Likes voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Buy a print Buy a greetings card Make a donation

Sir Walter Ralegh (Raleigh); Walter Ralegh

by Unknown artist
oil on canvas, 1602
78 1/2 in. x 50 1/8 in. (1994 mm x 1273 mm)
Given by Lennard family, 1954
Primary Collection
NPG 3914

Sittersback to top

Artistback to top

  • Unknown artist, Artist. Artist or producer associated with 6578 portraits.

This portraitback to top

This portrait was painted in 1602, when Ralegh was at the height of his renewed favour with the Queen. It shows him together with his eight-year old son, also Walter (1593-1618), who is made to mimic his father's confident pose. Both father and son are dressed in splendid costumes; Ralegh's jacket is embroidered with seed pearls, and his son's blue suit is silver-braided. A contemporary of Ralegh described him as, 'framed in so just a proportion and so seemly an order, as there was nothing in him that a man might well wish to have been added or altered'.

Linked publicationsback to top

  • Bolland, Charlotte, Tudor & Jacobean Portraits, 2018, p. 82 Read entry

    Nicknamed 'Water' by the queen, Ralegh was one of Elizabeth's favoured courtiers. She made him Captain of the Guard in 1582 and knighted him in 1585. He fell from favour after secretly marrying Elizabeth Throckmorton, one of the queen's maids of honour, and retired to his estate at Sherborne in Dorset. A soldier, philosopher, explorer and poet, Ralegh wrote on subjects as diverse as shipbuilding, politics and world history. He organised a number of expeditions to North America and is credited with popularising tobacco in England. Implicated in a plot during the early years of James I's reign, Ralegh was imprisoned in the Tower of London for thirteen years. On his release he was given permission to look for gold in the region in South America then known as Guiana, but during the journey a detachment of his men attacked a Spanish outpost in violation of peace treaties with Spain; the treason charge was revived on his return to England, and he was executed in September 1618. This portrait was painted in 1602 when Ralegh was at the height of his renewed favour with Elizabeth I, following service in the navy at Cadiz and against the third Spanish Armada during the autumn of 1597. He is shown alongside his eight-year-old son, also named Walter but known as Wat, whose pose mimics that of his father but whose fashions are more up to date, with full Venetian hose and a turned-down collar. Wat accompanied his father on the ill-fated journey to Guiana and was killed during the attack on the Spanish settlement.

  • Charles Nicholl, Shakespeare and his Contemporaries, 2015, p. 121
  • Nicholl, Charles, Character Sketches: Elizabethan Writers, 1997, p. 51
  • Nicholl, Charles, Insights: Shakespeare and His Contemporaries, 2005, p. 98
  • Ribeiro, Aileen, The Gallery of Fashion, 2000, p. 56
  • Ribeiro, Aileen; Blackman, Cally, A Portrait of Fashion: Six Centuries of Dress at the National Portrait Gallery, 2015, p. 75
  • Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 511
  • Strong, Roy, Tudor and Jacobean Portraits, 1969, p. 257

Subjects & Themesback to top

Events of 1602back to top

Current affairs

The Lord Deputy of Ireland Charles Blount, Lord Mountjoy secures the surrender of the Spanish force sent to Ireland to assist the Catholic rebellion led by Hugh O'Neill, Earl of Tyrone.

Art and science

The full-length portrait of Sir Walter Ralegh and his son is painted by an unknown artist.
The Bodleian Library of Oxford University is inaugurated by the scholar and diplomat Sir Thomas Bodley.
Akbar, Mughal Emperor of India, constructs the Buland Darwaza ('Great Gateway') in Fatehpur Sikri, India, to commemorate his conquest of Gujarat.

International

Foundation of the Dutch East India Company (Verenigde Oostindische Compagnie or VOC) and the Amsterdam Stock Exchange.
The Dutch fleet arrives in Ceylon (present-day Sri Lanka) and is welcomed as aid against the Portuguese.
Abbas I, Shah of Persia expels the Portuguese from Bahrain in the Persian Gulf and launches a campaign against the Ottoman Empire.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.