✖

The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

First Previous 10 OF 29 NextLast

Dante Gabriel Rossetti

10 of 29 portraits of Dante Gabriel Rossetti

Dante Gabriel Rossetti, by Dante Gabriel Rossetti, circa 1875-1880 - NPG 3048 - © National Portrait Gallery, London

© National Portrait Gallery, London

  • Larger Image
  • Image zoom
  • Buy a print
  • Use this image
  • ShareShare this

Dante Gabriel Rossetti

by Dante Gabriel Rossetti
pencil, circa 1875-1880
3 3/4 in. x 3 in. (95 mm x 76 mm)
Given by Robert R. Steele, 1939
Primary Collection
NPG 3048

Sitterback to top

  • Dante Gabriel Rossetti (1828-1882), Painter and poet. Sitter in 29 portraits, Artist associated with 22 portraits.

Artistback to top

  • Dante Gabriel Rossetti (1828-1882), Painter and poet. Artist associated with 22 portraits, Sitter in 29 portraits.

This portraitback to top

Jane Morris cared for Rossetti following his breakdown in 1872, but afterwards stopped seeing him, while continuing to correspond. Owing to drugs to combat agitation and insomnia, he grew stout and lethargic. This comic self-image was probably drawn to amuse Jane, who often deplored his gloomy lamentations. 'I will come Tuesday' she wrote on one occasion, 'though you did write me such a nasty letter'.

Linked publicationsback to top

Linked displays and exhibitionsback to top

Subjects & Themesback to top

Events of 1875back to top

Current affairs

Samuel Plimsoll, a back-bench Liberal MP, campaigns for measures to prevent the practice of overloading unseaworthy vessels and claiming insurance. The Plimsoll Line is established; a line drawn on ships, it denotes the maximum legal load a cargo ship is allowed to carry.
The Public Health Act, the work of Richard A. Cross, sets down in detail the responsibilities of local authorities in terms of public health.

Art and science

Anthony Trollope's masterpiece The Way We Live Now is published after serialisation. Containing over 100 chapters, the complex plot, following the fortunes of sham financier Augustus Melmotte, tackles the commercial, political and moral hypocrisy of the age.

International

Disraeli purchases nearly half the total shares in the Suez Canal Company from the bankrupt Egyptian Khedive, Ismail Pasha, securing a controlling interest in the trading route. Since Parliament was not in session at the time, Disraeli borrowed £4 million from the banking family Rothschilds, attracting much criticism from Parliamentary opponents, although he won popularity from the Queen and the public.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.