Anthony Trollope

© National Portrait Gallery, London

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Buy a print Buy a greetings card Make a donation Close

Anthony Trollope

by Samuel Laurence
oil on canvas, circa 1864
23 1/2 in. x 19 3/4 in. (597 mm x 502 mm)
Purchased, 1912
Primary Collection
NPG 1680

Images

The portrait painter Samuel Laurence, best kn…

Sitterback to top

Artistback to top

  • Samuel Laurence (1812-1884), Portrait painter. Artist or producer associated with 39 portraits, Sitter in 4 portraits.

Linked publicationsback to top

  • Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 624
  • Simon, Jacob, The Art of the Picture Frame: Artists, Patrons and the Framing of Portraits in Britain, 1997 (accompanying the exhibition at the National Portrait Gallery from 8 November 1996 - 9 February 1997), p. 176 Read entry

    Gilt compo on pine, standard Watts frame construction (see NPG 1000), except for the use of keys in the frieze, the gilding of the oak in very good condition. 6 1⁄ 4 inches wide.

    The portrait painter Samuel Laurence, best known for his work in chalk, used Watts frames for some of his oil portraits but with the gilt oak flats cut with fluting, perhaps in a search for a novel but inexpensive frame type. A fluted frame can serve to focus the eye on the portrait but here the fluting is primarily decorative, and the fussiness of the frame seems to distract attention both from the portrait and from the grain of the frame's oak flats.

    Three portraits by Laurence using this frame style have been traced so far: this one of Anthony Trollope, probably of 1864, but perhaps kept by the artist and framed later, F. D. Maurice of c.1871 (National Portrait Gallery, on loan to King's College, London) and William Bodham Donne (London Library).

  • Simon, Jacob, The Art of the Picture Frame: Artists, Patrons and the Framing of Portraits in Britain, 1997 (accompanying the exhibition at the National Portrait Gallery from 8 November 1996 - 9 February 1997), p. 74

Events of 1864back to top

Current affairs

First of the Contagious Diseases Act. These acts allowed for the arrest, medical inspection and confinement of any woman suspected of being a prostitute in the port towns. Following huge public outcry over their discrimination against women, notably led by Josephine Butler, leader of the Ladies' National Association, the acts were eventually repealed.
Octavia Hill starts work on slums, and the International Working Men's Association is founded in London.

Art and science

The Scottish physicist James Clerk Maxwell presents his discoveries in the field of electromagnetics to the Royal Society. His paper A Dynamical Theory of the Electromagnetic Field expresses the basic laws of electricity and magnetism in unified fashion. Maxwell's equations, as his rules came to be known, helped create modern physics, laying the foundation for future work in special relativity and quantum mechanics.

International

Austria and Prussia combine forces to seize Schleswig-Holstein from Denmark.
Britain cedes Corfu, acquired from France in the Second Treaty of Paris (1815) to Greece. Although Britain had vigorously suppressed an uprising in 1849 in Cephalonia aiming to restore Iolian islands, the government changed policy throughout the 1850s and 60s.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.