Edward Collier

Edward Collier, by Edward Collier, 1683 - NPG 6069 - © National Portrait Gallery, London

© National Portrait Gallery, London

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Edward Collier

by Edward Collier
oil on canvas, 1683
17 1/2 in. x 20 3/4 in. (444 mm x 528 mm)
Purchased, 1989
Primary Collection
NPG 6069

Sitterback to top

  • Edward Collier (circa 1642-1708), Painter. Sitter in 1 portrait, Artist of 1 portrait.

Artistback to top

  • Edward Collier (circa 1642-1708), Painter. Artist of 1 portrait, Sitter in 1 portrait.

This portraitback to top

This self-portrait shows him at work in his studio, surrounded by books, drawings, plaster casts and a skull, a common symbol of death. It both advertises his skills and – unlike the self-portraits of most of his contemporaries in England – draws attention to the practicalities involved in making paintings.

Linked publicationsback to top

  • Rideal, Liz, Insights: Self-portraits, 2005, p. 15
  • Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 136

Linked displays and exhibitionsback to top

Subjects & Themesback to top

Events of 1683back to top

Current affairs

Rye House Plot, a conspiracy to murder the king and his heir, James, Duke of York, is leaked to the government by minor conspirator, Josiah Keeling. Arrests follow; some conspirators are executed, others pardoned while several flee the country.
Worst ever recorded frost in England freezes the Thames.

Art and science

England's first public museum, the Ashmolean Museum, is opened by Oxford University to house a substantial collection donated by the Antiquary, Elias Ashmole.

International

Financial constraints forces Charles II to decide to relinquish Tangiers, an English possession since 1661, unable to continue its defence against the Moors. Admiral, George Legge, Baron Dartmouth, is commissioned to oversee the port's demolition. Diarist, Samuel Pepys accompanies Dartmouth as his secretary during the expedition.

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