by Madame Yevonde
colour dye transfer print, 1940
14 7/8 in. x 12 in. (378 mm x 305 mm)
Sitterback to top
- Madame Yevonde (1893-1975), Photographer. Sitter in 8 portraits, Artist associated with 320 portraits.
Artistback to top
- Madame Yevonde (1893-1975), Photographer. Artist associated with 320 portraits, Sitter in 8 portraits.
This portraitback to top
This self-portrait combines many aspects of Yevonde's picture making. It was also one of her last pictures made using the Vivex colour process. At the left is a still life composition made up of her photographic chemicals and camera lens. Yevonde sits within a gold old master frame which she often used in her photographs as a framing device. At the top of the picture is a version of one of her 'Goddesses series' portraits, namely The Duchess of Wellington as Hecate. In Greek mythology Hecate was a Goddess of the Underworld, Earth and Moon with powers in sorcery and black magic.
Linked publicationsback to top
- 100 Pioneering Women, p. 111
- Gibson, Robert; Roberts, Pam, Madame Yevonde: Colour, Fantasy & Myth, 1990 (accompanying the exhibition at the National Portrait Gallery from 20 July - 1 October 1990), p. 95
- Rideal, Liz, Mirror Mirror: Self-portraits by Women Artists, 2001 (accompanying the exhibition at the National Portrait Gallery from 12 September 2001 to 20 January 2002), p. 79
- Saywell, David; Simon, Jacob, Complete Illustrated Catalogue, 2004, p. 683
Linked displays and exhibitionsback to top
Subjects & Themesback to top
Events of 1940back to top
Current affairsFollowing the German invasion of the Netherlands, Belgium and France, Neville Chamberlain resigns and Churchill is appointed Prime Minister making the famous speech: 'I have nothing to offer but blood, toil, tears, and sweat.'
The Battle of Britain ends the Phoney War with Germany's attack on the nation from the air. Britain's cities, airbases and ports are bombed during the Blitz.
Art and scienceWith little access to sculpture materials, and a bombed out studio Henry Moore starts experimenting with drawings of war subjects. After taking shelter in a London Underground station during an air raid Moore was inspired to begin a series of Shelter Drawings. With a commission from the War Artists Advisory Committee, headed by Kenneth Clark, these became some of the most popular example of official war art.
InternationalBritain's attempt to defend France against German invasion by landing troops on the French coast ends in failure; France surrenders and Britain is left to face the Axis Powers alone. While the Dunkirk Landings were a failure, the heroic rescue of troops by a fleet of English civilian boats was a victory for morale, and the 'Dunkirk Spirit' came to stand as an emblem of British triumph in adversity.
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