1 OF 5

Eveleen Myers (née Tennant); E.Q. Nicholson; Elsie Myers (née Palmer); Eveleen ('Eve') Clarke (née Myers)

1 of 5 portraits of Elsie Myers (née Palmer)

Identify sitters

by Unknown photographer
postcard print, mid 1910s
3in. x 5 1/2in. (89 mm x 139 mm)
Purchased, 1991
Photographs Collection
NPG Ax68452

Sittersback to top

Eveleen ('Eve') Clarke (née Myers) (1910-1993), Musician; daughter of Elsie and Leopold Myers. Sitter in 13 portraits. Identify
Elsie Myers (née Palmer) (1873-1955), Daughter of William Jackson Palmer; wife of Leopold Hamilton Myers. Sitter in 5 portraits. Identify
Eveleen Myers (née Tennant) (1856-1937), Photographer. Sitter associated with 30 portraits, Artist associated with 203 portraits. Identify
Elsie Queen ('E.Q.') Nicholson (née Myers) (1908-1992), Designer and painter; daughter of Elsie and Leopold Myers. Sitter in 14 portraits, Artist of 1 portrait. Identify

Artistback to top

Unknown photographer, Photographer. Artist associated with 6566 portraits.

Subjects & Themesback to top

Events of 1913back to top

Current affairs

The Suffragette, Emily Davison dies after stepping out in front of the King's horse as a protest at the Epsom Derby. In the same year the Liberal government passed the Cat and Mouse Act allowing them to release and re-arrest Suffragettes who went on hunger strike while in prison. Davison, herself, had been on hunger strike and was force-fed while detained at Holloway Prison.

Art and science

Stravinsky's ballet The Rite of Spring comes to London following its premier at the Théâtre des Champs-Élysées in Paris. Audiences were shocked by Stravinsky's rhythmic and dissonant musical score and by the violent jerky dancing of Sergei Diaghilev's Ballets Russes, which were intended to represent pagan ritual.

International

Henry Ford introduces the assembly line at the Ford Motor Company, rapidly increasing the rate at which the famous Model T could be manufactured, leading to massive growth in the motorcar industry and demonstrating to other industries the efficiency of mass production.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

* What can you tell us? (Help)

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citation (Help)

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Denied Granted

* Your name (Why?)

* Email (Why?)

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.