The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

Advanced Collection search

Adelaide Augusta Floyd Passingham

© National Portrait Gallery, London

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Make a donation Close
  • Use this image
  • ShareShare this

Adelaide Augusta Floyd Passingham

by Eveleen Myers (née Tennant)
platinum print, 1889
11 1/2 in. x 8 3/4 in. (293 mm x 222 mm)
Purchased, 1991
Photographs Collection
NPG Ax36315

Sitterback to top

Artistback to top

Linked publicationsback to top

  • 100 Photographs, 2018, p. 37 Read entry

    As a child, Eveleen Myers (1856-1937) had posed for the celebrated photographer Julia Margaret Cameron. Visits to Cameron’s studio may have inspired Myers to take up photography in 1888. This evocative portrait of Adelaide Passingham (1867-1954), simply posed with her hair loose, is one of Myers’s early successes, and appears to have been inspired by Cameron’s style. Myers used the medium primarily to record her children, but also set up a studio in the family home, Leckhampton House in Cambridge, where she made portraits of eminent contemporaries.

  • Smartify image discovery app

Linked displays and exhibitionsback to top

Subject/Themeback to top

Events of 1889back to top

Current affairs

The London Dock strike takes place resulting in a victory for the dock workers striking over pay and conditions.
Prevention of Cruelty to Children Act, allowing legal intervention between children and parents for the first time.
Charles Booth, the English social scientist, publishes the first volume of Life and Labour of the People, an extensive survey into the living conditions of London's East End working class communities.

Art and science

George Gissing's The Nether World, a dark account of the lives of the urban poor in Clerkenwell, is published. Gissing absorbs the French naturalist style of writers such as Emile Zola to produce a harshly realistic observation of life in London at the end of the nineteenth century.

International

The Eiffel Tower is erected, designed by the French engineer and bridge builder Alexandre Gustave Eiffel for the Paris Exposition. At 300m high, it was the tallest manmade structure in the world at the time.
The Second International organisation is formed at a Congress in Paris by various socialist and labour parties, with the intention of working together for international socialism. It also declared 1 May International Labour Day.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.