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Ann Douglas (née Villiers), Countess of Morton

7 of 14 portraits of Ann Douglas (née Villiers), Countess of Morton

© National Portrait Gallery, London

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Ann Douglas (née Villiers), Countess of Morton

by Pierre Lombart, after Sir Anthony van Dyck
line engraving, 1661-1662
13 5/8 in. x 10 1/4 in. (347 mm x 259 mm) paper size
Given by Gunnersbury Park Museum, London, 1963
Reference Collection
NPG D10896

Sitterback to top

Artistsback to top

  • Pierre Lombart (1612 or 1613-1682), Engraver. Artist or producer associated with 132 portraits, Sitter in 4 portraits.
  • Sir Anthony van Dyck (1599-1641), Painter. Artist or producer associated with 1023 portraits, Sitter associated with 30 portraits.

Related worksback to top

  • NPG D10888: Ann Douglas (née Villiers), Countess of Morton (from same plate)
  • NPG D10897: Ann Douglas (née Villiers), Countess of Morton (from same plate)
  • NPG D28464: Ann Douglas (née Villiers), Countess of Morton (from same plate)

Subject/Themeback to top

Events of 1661back to top

Current affairs

The Cavalier Parliament, with pro-royalist-Anglican majority, begins passing legislation to enforce conformity to the restored Church of England. These statues became known as the 'Clarendon Code', named after, Edward Hyde, Earl of Clarendon, erroneously, since Clarendon favoured a more tolerate approach.
Coronation of Charles II in Westminster Abbey.

Art and science

Prince Rupert, Count Palatine, the earliest practitioner of mezzotint engraving in England, demonstrates the technique to diarist John Evelyn.
The Sceptical Chymist by natural philosopher, Robert Boyle is published; in it Boyle argues for a more philosophical approach to the study of nature by 'chymists'.

International

The marriage treaty of Charles II and Catherine of Braganza, sister of the Afonso VI, King of Portugal is concluded. Catherine's dowry brings Mumbai and Tangiers into British possession, as well as free trade with Brazil and the East Indies. England, in return, would provide military protection for Portugal.

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