James Russell as the Clown in 'Twelfth Night'

© National Portrait Gallery, London

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James Russell as the Clown in 'Twelfth Night'

by Thomas Wright, after Thomas Charles Wageman, published by Simpkin and Marshall
stipple engraving, Published 1821
5 1/4 in. x 3 3/4 in. (132 mm x 95 mm) paper size
Given by Bonnie and Robert Meech, 2010
Reference Collection
NPG D38692

Sitterback to top

  • James Russell (circa 1786-died 1859), Actor. Sitter associated with 1 portrait.

Artistsback to top

  • Simpkin and Marshall (active 1818-1831), Publishers. Artist or producer associated with 61 portraits.
  • Thomas Charles Wageman (1787-1863), Painter, printmaker and draughtsman. Artist or producer associated with 263 portraits, Sitter associated with 2 portraits.
  • Thomas Wright (1792-1849), Painter and engraver. Artist or producer associated with 44 portraits.

Events of 1821back to top

Current affairs

George IV is crowned at Westminster Abbey on 19 July and Queen Caroline is turned away from the ceremony. Two weeks later she dies reawakening popular sympathy for her cause. Riots break out at her funeral as the Government attempts to reroute the procession to avoid the popular reaction of the mob.

Art and science

Thomas De Quincey publishes Confessions of an English Opium Eater in the London Magazine. A creative commentary on his mental life, it gained instant notoriety.
The Manchester Guardian (later The Guardian) established.
Michael Faraday builds the first electric motor.

International

Napoleon dies.
Revolts in Wallachia and Moldovia against the oppressive rule of the Ottoman Turks. The rebels appeal to Tsar Alexander I for help and the Greek War of Independence begins.

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Timothy Edmund Russell Gray (2nd Great Grandson)

05 May 2020, 15:13

A leading Shakespearian Actor. Oxberry's Dramatic Biography, and Histrionic anecdotes, Vol.V11, printed and published by Duncombe,19, Little Queen Street, Holborn, London, in 1825, were provided by The Folger Shakespeare Library, 201 East Capitol Street, Washington,D.C. (Georgianna Ziegler, PhD). Exerpts from Oxberry's biography follow:-

"Born in London on 15 Feb 1789, he was, we are informed, intended for the medical profession ; Apothecaries Hall, however had no charms for him, and he was resolved to play Doctor Ollipod on the stage rather than in the real world. We know not, for certain, whether he ever commenced a career of physics ; at all events we find him, at the age of eighteen, enrolled among the dramatic company of that most delightful of all sea-ports, Sheerness.

The first Character which our hero played in public was that of Hogmore, in 'Who wants a Guinea' ; -- he was from the first looked upon as a very promising young actor, but his efforts in 'Monsieur La Rolle, in 'The Young Hussar', considerably advanced him in the opinion of his manager, although we know not if there resulted from such enlarged valuation, any very important rise of salary. In fact, Mr Russell was considered a very great acquisition to the theatre........"

After Sheerness, he travelled to Sunderland and Durham with great success and "then succeeded the late lamented Mr Knight, at the York Theatre, where our hero remained for four years. From York he was engaged at Edinburgh - engaged to play before the most fastidious people of the play-going world, a people, which Kean condemned as being, in his own words, 'cold-blooded enough to spoil an actor.' Mr Russell appeared in the modern Athens with good success, and for some time maintained a very elevated situation in the theatre. We positively know that he may ' rank among his list of friends,' the great Sir Walter Scott, having frequently had the honour of making a visit to him, and of even, at the special request of the baronet, sitting for his portrait as the Clown in Twelfth Night (1821) which portrait a short time back adorned the walls of Abbotsford.

"From Edinburgh, he came to the English Opera House, where he made a successful appearance as Peter in 'Up all Night.' He has since played at Covent Garden and the Haymarket; at the former house,it will be in the recollection of our readers, as a candidate of tragic fame. With the Dublin audience Mr Russell may also boast the best understanding.

The fame of Mr Russell as an active, intelligent actor, is in every way well merited. In his eccentrics there is a shrewdness, a pungency, as it were, which makes them distinct characters. In opposition to these we may instance his admiraable portrait of 'Dandie Dinmont'. Our readers will,no doubt, sufficiently estimate the ability of Mr Russell, when we give it as our opinion that his 'Dandie' is the next to Emery's ; - there is so much boisterous honesty and heartiness in the rough farmer, unalloyed by stage-trick, or hankering after effect. In addition to his comic laurels, may also be considered a few bright leaves from the tragic muse. When we consider the opposite line of character so long indulged by Mr Russell, we must allow his 'Shylock' to be an effort of considerable talent, developing many admirable perceptions of the actor. Mr Russell is at the present time (1825) engaged at Drury Lane, and as a man and a gentleman, we know of no individual throughout the profession who possesses a more enviable combination of moral rectitude and acquired talent."