William Wycherley

© National Portrait Gallery, London

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Buy a print Buy a greetings card Make a donation Close

William Wycherley

by John Smith, after Sir Peter Lely
mezzotint, 1703
10 3/8 in. x 7 1/2 in. (265 mm x 192 mm) plate size; 10 3/4 in. x 7 7/8 in. (273 mm x 201 mm) paper size
Purchased, 1944
Reference Collection
NPG D11506

Sitterback to top

Artistsback to top

  • Sir Peter Lely (1618-1680), Portrait painter. Artist or producer associated with 843 portraits, Sitter in 19 portraits.
  • John Smith (1652-1743), Engraver. Artist or producer associated with 1181 portraits, Sitter in 4 portraits.

Related worksback to top

  • NPG 880: William Wycherley (after)
  • NPG D8843: William Wycherley (from same plate)
  • NPG D8844: William Wycherley (from same plate)
  • NPG D9992: William Wycherley (from same plate)
  • NPG D20366: William Wycherley (from same plate)

Subject/Themeback to top

Events of 1703back to top

Current affairs

A great storm ravages southern England killing thousands at sea and wrecking several naval warships along the coast.
The Scottish Parliament passes a Bill of Security stipulating that the successor to the Scottish throne is Protestant, descended from Scottish kings. It is vetoed by the English Parliament.

Art and science

Scholarly church historian, William Wake, publishes The State of the Church and Clergy of England, a history of English synods since Anglo-Saxon times.
Sailing and Fighting Instructions for her Majesty's Fleet, by Admiral George Rooke provides the basis for English fleet tactics throughout the century.

International

Diplomat, John Methuen, negotiates commercial treaties between England and Portugal to facilitate trading relations.
Portugal enters the grand alliance against France in the War of the Spanish Succession.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.