'The graces in a high wind'

by James Gillray, published by Hannah Humphrey
hand-coloured etching and aquatint, published 26 May 1810
10 1/8 in. x 14 in. (256 mm x 357 mm) plate size; 10 3/4 in. x 14 5/8 in. (273 mm x 372 mm) paper size
Purchased, 1947
Reference Collection
NPG D12947

Sittersback to top

Louisa Burke (née Manners) (1791-1830), Daughter of Sir William Manners. Sitter associated with 2 portraits.
Emily Frances Manners (died 1864), Daughter of Sir William Manners. Sitter associated with 2 portraits.
Catherine Camilla Sinclair (née Manners) (1792-1863), Daughter of Sir William Manners. Sitter associated with 2 portraits.

Artistsback to top

James Gillray (1756-1815), Caricaturist. Artist or producer associated with 881 portraits, Sitter in 7 portraits.
Hannah Humphrey (circa 1745-1818), Publisher and printseller. Artist or producer associated with 719 portraits, Sitter in 1 portrait.

Placesback to top

Place made: United Kingdom: England, London (27 St James's Street, London)

Subjects & Themesback to top

Events of 1810back to top

Current affairs

Serious 'Burdett and Liberty' riots break out in London in support of radical MP Sir Francis Burdett who had been arrested for denouncing the House of Common's decision to bar journalists from some debates.
Princess Amelia dies triggering renewed bout of illness in her father, George III.

Art and science

Sir Walter Scott publishes his chivalrous, medieval ballad, The Lady of the Lake, set on Loch Katrine in Perthshire.
Kennett and Avon Trunk Canal is completed.
First Savings Bank is set up by financier Henry Duncan.

International

Madame De Stael writes De l'Allemagne which portrays Germany as a model of Romantic nationalism for emerging revolutionary nations. It was banned by Napoleon but published in London to great acclaim.
Lisbon besieged. Wellington takes shelter behind the fortified lines of the Torres Vedras and the French army are forced to retreat.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

* What can you tell us? (Help)

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citation (Help)

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Denied Granted

* Your name (Why?)

* Email (Why?)

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.