The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

Advanced Collection search

The whole Truth, or John Bull with his eyes opened (Caroline Amelia Elizabeth of Brunswick)

© National Portrait Gallery, London

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Buy a print Make a donation
  • Buy a print
  • Use this image
  • ShareShare this

The whole Truth, or John Bull with his eyes opened (Caroline Amelia Elizabeth of Brunswick)

attributed to Theodore Lane, published by George Humphrey
etching, published 1 February 1821
11 3/4 in. x 18 7/8 in. (298 mm x 480 mm) paper size
Purchased, 1987
Reference Collection
NPG D17916b

Sitterback to top

Artistsback to top

  • George Humphrey (active 1783-1831), Publisher and printseller; nephew of Hannah Humphrey. Artist associated with 88 portraits, Sitter associated with 1 portrait.
  • Theodore Lane (1800-1828), Painter and etcher. Artist associated with 45 portraits.

Placesback to top

Portrait setback to top

Subjects & Themesback to top

Events of 1821back to top

Current affairs

George IV is crowned at Westminster Abbey on 19 July and Queen Caroline is turned away from the ceremony. Two weeks later she dies reawakening popular sympathy for her cause. Riots break out at her funeral as the Government attempts to reroute the procession to avoid the popular reaction of the mob.

Art and science

Thomas De Quincey publishes Confessions of an English Opium Eater in the London Magazine. A creative commentary on his mental life, it gained instant notoriety.
The Manchester Guardian (later The Guardian) established.
Michael Faraday builds the first electric motor.

International

Napoleon dies.
Revolts in Wallachia and Moldovia against the oppressive rule of the Ottoman Turks. The rebels appeal to Tsar Alexander I for help and the Greek War of Independence begins.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.