Thomas Thynne, 2nd Marquess of Bath

1 portrait matching 'Thomas Thynne Pickersgill'

© National Portrait Gallery, London

 Like voting
is closed

Thanks for Liking

Please Like other favourites!
If they inspire you please support our work.

Make a donation Close

Thomas Thynne, 2nd Marquess of Bath

by William James Ward, after Henry William Pickersgill
mezzotint, published 1834
24 in. x 15 in. (611 mm x 380 mm) paper size
Bequeathed by (Frederick) Leverton Harris, 1927
Reference Collection
NPG D15190

Sitterback to top

Artistsback to top

  • Henry William Pickersgill (1782-1875), Portrait painter. Artist or producer associated with 109 portraits, Sitter in 7 portraits.
  • William James Ward (circa 1800-1840), Engraver; son of William Ward. Artist or producer associated with 39 portraits.

Events of 1834back to top

Current affairs

Sir Robert Peel, Tory, replaces Whig Lord Melbourne as Prime Minister, promising measured reform in a shift from reactionary 'Tory' to more measured 'Conservative' politics (he had voted for the 1832 Reform Act).
Trial of Tolpuddle Martyrs, six labourers transported to Australia after trying to raise funds for workers in need by forming a Friendly Society.

Art and science

Charles Babbage's invents the Analytic Machine. Considered to be the forerunner to the modern computer, the machine was able to make automatic mathematical calculations.
Edward Bulwer-Lytton publishes his hugely popular, but now largely neglected, novel Last Days of Pompeii, set in the Italian city at the time of Mount Vesuvius' eruption in 79AD.

International

Dom Miguel I, King of Portugal, is defeated by his brother Pedro IV, in the Portuguese civil war.
Slavery is abolished in the British dominions, although slaves still working are indentured to their former owners in an 'apprenticeship' system; the philanthropist Joseph Sturge was a prominent critic of the policy, which was abolished in 1838. Whilst slave owners received compensation, slaves received nothing.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

What can you tell us?close

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citationclose

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)
Privacy Informationclose

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Your Emailclose

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.