Sir Frederick Ashton; Harold Turner; Lydia Lopokova in 'The Masque of Beauty and Pleasure'

Identify sitters

Cecil Beaton Studio Archive © Conde Nast

by Cecil Beaton
bromide print, 1930
9 3/8 in. x 7 1/8 in. (237 mm x 180 mm)
Accepted in lieu of tax by H.M. Government and allocated to the Gallery, 1991
Photographs Collection
NPG x40698

Sittersback to top

Sir Frederick Ashton (1904-1988), Founder-choreographer and Director of the Royal Ballet. Sitter in 31 portraits. Identify
Lydia Lopokova (Lady Keynes) (1892-1981), Ballet dancer; wife of Baron Keynes. Sitter in 22 portraits. Identify
Harold Turner (1909-1962), Ballet dancer. Sitter in 2 portraits. Identify

Artistback to top

Cecil Beaton (1904-1980), Photographer, designer and writer. Artist or producer associated with 1111 portraits, Sitter associated with 361 portraits.

Linked displays and exhibitionsback to top

The Royal Ballet at 75 (14 January 2006 - 23 July 2006)

Subjects & Themesback to top

Events of 1930back to top

Current affairs

Amy Johnson is the first woman to fly solo to Australia. She flew the 11,000 miles from Croydon to Darwin in a De Havilland Gipsy Moth named Jason and won the Harmon Trophy as well as a CBE for her achievement. She went on to break a number of other flying records, and died while serving in the Air Transport Auxiliary in 1941.

Art and science

Noel Coward's play, Private Lives is first performed. The original run starred Gertrude Lawrence and Laurence Olivier as well as Coward himself. Private Lives became Coward's most enduringly successful play.

International

Gandhi leads the Salt March. The march to the coast was a direct protest against the British monopoly on the sale of salt and inspired hordes of Indians to follow him and adopt his methods of Satyagraha (non-violent resistance to the British rule of India).
Stalin orders the 'liquidation of the kulaks (wealthy farmers) as a class' in a violent attempt to centralise control of agriculture and collectivise farming.

Tell us more back to top

Can you tell us more about this portrait? Spotted an error, information that is missing (a sitter’s life dates, occupation or family relationships, or a date of portrait for example) or do you know anything that we don't know? If you have information to share please complete the form below.

If you require information from us, please use our Archive enquiry service. You can buy a print of most illustrated portraits. Select the portrait of interest to you, then look out for a Buy a Print button. Prices start at £6 for unframed prints, £25 for framed prints. If you wish to license this image, please use our Rights and Images service.

Please note that we cannot provide valuations.

We digitise over 8,000 portraits a year and we cannot guarantee being able to digitise images that are not already scheduled.

* What can you tell us? (Help)

There are occasions when we are unsure of the identity of a sitter or artist, their life dates, occupation or have not recorded their family relationships. Sometimes we have not recorded the date of a portrait. Do you have specialist knowledge or a particular interest about any aspect of the portrait or sitter or artist that you can share with us? We would welcome any information that adds to and enhances our information and understanding about a particular portrait, sitter or artist.

Citation (Help)

How do you know this? Please could you let us know your source of information.

* Permission to publish (Privacy information)

The National Portrait Gallery will NOT use your information to contact you or store for any other purpose than to investigate or display your contribution. By ticking permission to publish you are indicating your agreement for your contribution to be shown on this collection item page. Please note your email address will not be displayed on the page nor will it be used for any marketing material or promotion of any kind.

Please ensure your comments are relevant and appropriate. Your contributions must be polite and with no intention of causing trouble. All contributions are moderated.

Denied Granted

* Your name (Why?)

* Email (Why?)

Contributions are moderated. We'll need your email address so that we can follow up on the information provided and contact you to let you know when your contribution has been published.