The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

Advanced Collection search

First Previous 2 OF 3 NextLast

Sarah Austin (née Taylor)

2 of 3 portraits of Sarah Austin (née Taylor)

Sarah Austin (née Taylor), by Lady Arthur Russell, circa 1867 -NPG 598 - © National Portrait Gallery, London

© National Portrait Gallery, London

Early Victorian Portraits Catalogue

Sarah Austin (née Taylor)

by Lady Arthur Russell
circa 1867
7 1/8 in. x 5 5/8 in. (181 mm x 143 mm)
NPG 598

This portraitback to top

In a letter of 12 June 1879 (NPG archives), Lady Arthur Russell offered this portrait to the NPG, stating that it had been painted about twelve years before, and that it was authentic, but not disclosing the fact that she was the artist. On 2 August Scharf replied to her husband, saying that doubt had been cast on the likeness by several of the NPG trustees, and that he must know the name of the artist, adding:

'I miss however the grey tint round the mouth, and a piercing look about the eyes when I knew her. Here the person represented appears to be an invalid, & has different colured hair from that which I remember.'
On 5 August Lord Arthur Russell replied :

'When Lady Arthur gave you her portrait of Mrs Austin she did not tell you that she had painted it as she was very anxious that you should not be in the least fettered in your decision.
The picture was painted from life a short time before Mrs Austin's death when she was very unwell. She was then on a visit to my mother-in-law in the country in France. She then still wore her hair dyed auburn, perhaps you remember her a little later when she showed her grey hair.
The portrait is exceedingly like to my mind, and was thought so by all who saw it at the time & that is the only reason why Lady Arthur thought of offering it to you.
She sincerely hopes you will make no scruple about returning it, if the Trustees feel doubts about accepting it, and she is flattered by your personal opinion of the painting.' [1]

Richard Ormond

Footnotesback to top

1) Letters from the artist, her husband, the sitter's nephew, Henry Reeve, and G. Scharf, relating to the portrait and its presentation (NPG archives).

Physical descriptionback to top

Healthy complexion, dark blue eyes, brown hair. Dressed in white grey head-scarf, dark brown dress. Seated in chair with subdued scarlet covering. Dark brown background.

Provenanceback to top

The artist, presented by her, 1879. Letters from the artist, her husband, the sitter's nephew, Henry Reeve, and G. Scharf, relating to the portrait and its presentation (NPG archives).

This extended catalogue entry is from the out-of-print National Portrait Gallery collection catalogue: Richard Ormond, Early Victorian Portraits, Her Majesty's Stationery Office, 1973, and is as published then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.

View all known portraits for Sarah Austin (née Taylor)


Scientific techniques

Watch our playlist exploring scientific techniques used by the Gallery to unlock the secrets behind our Tudor portraits.

Watch now

Subjects and themes

Search the collection by themes - from pets to weddings!

Discover the Collection

Black History Month

Take a tour exploring our Collection created by Alayo Akinkugbe for Black History Month in 2020.

Take the tour

A Picture of Health

Learn about pioneers in medicine, health and social reform from 1840 to 1920.

Explore the timeline