- Extended catalogue entry
Early Stuart Portraits Catalogue
by Unknown artist
9 1/2 in. (240 mm) high
This portraitback to top
Similar to NPG 3014, but the detailing even more blurred; the joins of the mould uncomfortably visible.
Woolner made another cast from the Ashmolean mask, now in the Museum of London (A18331);  another which he owned is in the Harvard University Library,  and a similar mask is in the Russell-Cotes Museum, Bournemouth.
Footnotesback to top
1) Twenty-five Years of the London Museum, 1937, pl.xlvii.
2) L. Hutton, Portraits in Plaster, 1894, p 212, as inscribed ‘a cast from the original mask taken after death, once owned by Thomas Woolner, Sculptor. It was given by him to Thomas Carlyle, who gave it, in 1873, to Charles Eliot Norton, from whom Harvard received it in 1881’.
Referenceback to top
D. Piper, Catalogue of the Seventeenth Century Portraits in the National Portrait Gallery 1625-1714, 1963, p 95.
Provenanceback to top
[‘Presented by the Royal Society to Mr Shipley, afterwards Bishop of St Asaph, who married a sister of Dr James Miller’s great-grandfather, and at Dr Miller’s death Mr Garbanati of Glasshouse Street, London, bought it at the sale of his effects in June 1853’]1 Thomas Woolner RA, 1859; his daughter Amy, from whom purchased 1912.
1 Letter from Woolner to Thomas Carlyle 1870, annotated ‘Mr Woolner bought it of Mr Garbanati in 1859’ (typescript copies on file).
This extended catalogue entry is by John Ingamells, one of a limited number of entries drafted in 2010 for the incomplete catalogue, Early Stuart Portraits 1625-1685, and is as written then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.
View all known portraits for Oliver Cromwell
Read our latest news and have your say.
Identify our Silhouettes
Join enthusiastic contributors who have already identified 155 sitters.
Tell us more about our Silvy sitters
Help us identify the sitters who visited Camille Silvy’s photographic studio during the 1860s.
- Silhouettes display, 2004-05
- Return to Life: A New Look at the Portrait Bust
- 2019 Anniversaries
- William Hazlitt's Spirit of the Age
- Making History: Printed Portraiture in Tudor and Stuart Britain
- Mary, Queen of Scots: Fact and Fiction
- Restoration Lives: Samuel Pepys and His Circle
- Brilliant Women
- Chartist Portraits
- Mary, Queen of Scots
- Nelson: before and after Trafalgar
- Bank of America Merrill Lynch, Art Conservation Project
- Rebel women
- Theodore de Mayerne
- Tudor and Elizabethan matching pairs
- Popular Prints of Victoria and Albert
- Gunpowder, Treason and Plot
- Searching for Shakespeare