King George IV
- Extended catalogue entry
Regency Portraits Catalogue
King George IV
by Sir Thomas Lawrence
36 in. x 28 in. (914 mm x 711 mm)
This portraitback to top
Lawrence is believed to have had several sittings from the Prince Regent who came to his studio in 1814. The original drawing is in Windsor Castle, in black, white and red chalk on prepared canvas, described in A. P. Oppé, English Drawings … at Windsor Castle, 1950, p 71 and reproduced plate 9. It differs slightly from the NPG oil sketch mainly in the set of the head, the treatment of the hair, the position of the ear related to the neckcloth, and in the armour which is clearly defined in the drawing and only indicated in the oil. Nevertheless, as both Oppé and Garlick say, the oil sketch is based on the drawing. Three other drawings are listed by Kenneth Garlick, ‘Catalogue of Paintings, Drawings and Pastels of Sir Thomas Lawrence’ in Walpole Society Journal, XXXIX, 1964, pp 227-8.
R. J. Lane's lithograph of the drawing, issued privately in 1828, is inscribed: For this drawing His Majesty was graciously pleas'd to sit in the year 1814. Tho. Lawrence. The smaller published edition is inscribed: For this Drawing (made in the year 1814 and designed for a medal) His Majesty was graciously pleas'd to sit. Tho. Lawrence. A later edition, for which the stone was broken, is inscribed: THE KING/For this Drawing His Majesty graciously sat/in the Year 1815/T.L. The medal referred to was presumably never executed, the profiles on the 1814 Peace Medal (by Rundell & Bridge) and on the Waterloo Medal of 1815 being altogether different. Wyon exhibited RA 1817 (981) a 'model in wax from a drawing by Sir T. Lawrence' which may have some connection, Wyon having been appointed Chief Engraver of His Majesty's Seals at the Royal Mint in 1816. The statement in the Woodburn sale catalogue of 1850 where the oil sketch is described as 'painted for the coinage' is presumably based on a misreading of the inscription on Lane's small published lithograph.
Volume I of Lane's MS Account Books lists four drawings for lithographs: (1) '30 March 1827 for self, spoiled in printing'; (2) '25 January 1828 presented to Sir Thos Lawrence'; the proof of this bearing Lawrence's original inscription was given by Lane to Queen Victoria and is in the Royal Library; a copy was exhibited RA 1828 (490); (3) '26 December 1828 for self third drawing spoiled in Printing' [stone broken]; (4) '17 March 1829 for self fourth drawing'.
Kenneth Garlick, ‘Catalogue of Paintings, Drawings and Pastels of Sir Thomas Lawrence’ in Walpole Society Journal, XXXIX, 1964, pp 86 and 88 suggests tentatively that the NPG oil sketch may be the '¾ portrait, the original head from which all the state pictures were painted' in the Lawrence sale Christie's 18 June 1831 (198) bought General Grosvenor and since untraced. Oppé suggests it may be an abandoned design for the 1815 state portrait. But there seems to be no special reason to doubt Lawrence's written testimony (on the Lane lithograph) that it was done for a medal. That the medal was not executed cannot be blamed on Lawrence.
It was probably to this profile that Lawrence referred in his letter to J. W. Croker 15 May 1828: 'I will swear to the exactness of line in His Majesty's portrait at the time I drew it though complexion and the coarse texture of skin in the original may make the copy appear flattering and unfaithful' (MS in Pierpont Morgan Library, New York).
Referenceback to top
Kenneth Garlick, ‘Catalogue of Paintings, Drawings and Pastels of Sir Thomas Lawrence’ in Walpole Society Journal, XXXIX, 1964, pp 88 and 227.
R. J. Lane MS Account Books in NPG library.
A. P. Oppé, English Drawings … at Windsor Castle, 1950, p 71.
Physical descriptionback to top
Head and shoulders in profile to left, the head and black neckcloth finished; luxuriant brown hair with red lights, grey eyes, florid complexion.
Provenanceback to top
Possibly The portrait of His Majesty, the body unfinished in the Lawrence sale Christie's 18 June 1830 (422) bought Woodburn; Samuel Woodburn sale Christie's 24 May 1854 (805) catalogued as Head of George IV in armour - a sketch, the head only finished. Painted for the coinage: of noble expression, bought Hutchinson; Mathew Hutchinson sale Christie's 22 February 1861 (139) catalogued as from the Lawrence and Woodburn sales and bought by C. H. Waters from whom bought by the NPG April 1861.
Exhibitionsback to top
Possibly British Institution 1856 (147) lent by Mrs Grosvenor; 'Sir Thomas Lawrence PRA', RA Diploma Gallery, 1961 (10), catalogue by Kenneth Garlick.
Reproductionsback to top
Colour photograph in Connoisseur, XXX, 1911, p 129.
This extended catalogue entry is from the out-of-print National Portrait Gallery collection catalogue: Richard Walker, Regency Portraits, National Portrait Gallery, 1985, and is as published then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.
Enter our Jubilee family competition
Submit your family’s recreation of a Royal portrait to win some Jubilee goodiesEnter now
Develop your art skills
Discover our BP Next Generation short films made by artists. Follow step by step guides in drawing and painting techniques.
Hold Still photography workshop
Reflect on your own experiences of lockdown through this easy-to-do from home, photographic exercise.
Draw Like a Renaissance Master
Revisit The Encounter exhibition and learn about Renaissance and Baroque drawing methods and materials.
- Silhouettes display, 2004-05
- My Favourite Portrait by Jeremy Paxman
- Kings and Queens: A Family tree
- Party Trail
- Thomas Lawrence Portraits
- Thomas Lawrence: Regency Power and Brilliance minisite
- Thomas Lawrence and picture framing
- 2019 Anniversaries
- William Hazlitt's Spirit of the Age
- Director's Trail by Nicholas Cullinan
- Regency familiar faces
- 2. Lawrence at work
- Bronze sculpture founders: a short history
- Icons and Identities: Shakespeare to Winehouse
Until 17 July