- Extended catalogue entry
Regency Portraits Catalogue
replica by John Hoppner
30 in. x 25 in. (762 mm x 635 mm)
This portraitback to top
W. McKay & W. Roberts list two Hoppner portraits of Gifford:
(1) that in John Murray's collection (of which NPG 1017 is a replica by Hoppner himself); this was engraved as above and exhibited Manchester 1857 and Third Exhibition of National Portraits, South Kensington, 1868; it is in poor condition and has also been attributed to Beechey; a copy was at Sotheby's 24 June 1931 (115).
(2) an earlier type in Gifford's own collection and after his death acquired by his friend and executor, John Ireland, Dean of Westminster. This was inherited by the Dean's niece, Miss Searles, acquired by Henry Tozer of Ashburton at Christie's 13 May 1899 (74), bought Agnew, offered to the NPG 16 May, declined and still with Agnew in 1903. Nichols refers to them both as 'the portrait of him in his Juvenal [John Murray's] taken from a picture by his friend Hoppner, is a very good likeness; but there is a still better [Dean Ireland's] painted by the same artist which after his death came into the possession of his executor, the Dean of Westminster' (John Nichols, Illustrations of the Literary History of the Eighteenth Century, 1831, VI, p 36).
In spite of frequent quarrels Hoppner and Gifford were friends. McKay & Roberts quote Gifford's lines To Hoppner on their title-page: 'Through the disparting gloom thou strik'st the sight;/While baffled malice hastes thy powers to own,/And wonders at the worth, so long unknown!'. Gifford dedicated The Maeviad to Hoppner and left his house in St James's Street to Hoppner's widow together with legacies to her children.
Physical descriptionback to top
Half-length seated to left in a red upholstered chair holding a leather-bound book, dark grey coat, white waistcoat and shirt-frill; sandy hair, dark blue eyes, nose out of alignment; red curtain background.
Provenanceback to top
Given by Francis Turner Palgrave 1895.
Exhibitionsback to top
'Byron', V & A Museum, 1974 (E10).
Reproductionsback to top
Line by Cromek used as frontispiece to Gifford's translation of Juvenal, 1802 and stipple by Ridley in The Monthly Mirror, 10 September 1802; several later prints.
This extended catalogue entry is from the out-of-print National Portrait Gallery collection catalogue: Richard Walker, Regency Portraits, National Portrait Gallery, 1985, and is as published then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.
View all known portraits for William Gifford
Tudor and Elizabethan matching pairs
Test your memory by playing our matching pairs game. Three levels of difficulty make it fun for the whole family.
Regency familiar faces
Rearrange tiles to uncover sitters from the Gallery's Collection by playing our puzzle game.
Who do you think you were?
Answer a few lifestyle questions about the Elizabethan period and discover your inner Elizabethan!