Sir William Herschel
- Extended catalogue entry
Regency Portraits Catalogue
Sir William Herschel
by Lemuel Francis Abbott
30 in. x 25 in. (762 mm x 635 mm)
Inscriptionback to top
No visible inscription but on acquisition Scharf noted L. F. Abbott Pinxt 1785 written with brush and brown ink on back of canvas (Sir George Scharf’s Trustees Sketchbooks, III, 84).
This portraitback to top
The artist for this portrait was suggested by Herschel's friend, the naturalist Sir William Watson, who wrote to him on Christmas Day 1784 warmly recommending Abbott: 'When you are in town on full moon nights you may perhaps spare an hour early in the morning, & may set three or four times running - & the thing may in this way be done without much inconvenience or loss of time' (Herschel MSS W.1/13/(T) - 2/1.4 in the Royal Astronomical Society archive).
It was seen half-finished in Abbott's studio by Caroline Herschel who, though confused about both artist and date, said years later that 'it was reckoned to be an excellent likeness' (Anthony J. Turner, Portraits of William Herschel, section D1). It was acquired by Watson himself who died in 1787, and was inherited by his son Dr William Watson of Pulteney Street, Bath, who lent it to Thomas Ryder for the engraving published in 1788.
Years later, probably at the time of Dr Watson's death c.1825, a Bath dealer, Robert Walker, passing his house in Pulteney Street, stopped to buy 'a portrait of a gentleman' at a furniture sale then in progress. A strange story was then related by Walker's son: 'On the third night after it was bought my father had a startling dream. He told me that a man resembling the picture approached his bedside and said, "You seem anxious to know who your picture represents, so I will give you my name, which is Herschel." My father immediately awoke, jumped out of bed, and wrote letters to Messrs. Colnaghi and other printsellers for an engraving of Sir William Herschel. A week later my father received one taken from his picture with Herschel's name on the plate …' The story was told at a Toc H meeting in Cornwall in 1938 by a grandson, Joliffe Walker, and sent to the NPG by the local vicar, the Rev Sir John Herschel (letters in NPG archive).
Versions: oil replica in Victoria Art Gallery, Bath, probably painted for the Bath Literary and Philosophical Institution; watercolour copy by Charles Ford c.1860 in Holburne Museum, Bath (20); chalk copy by his granddaughter Lady Gordon, of the head only, used as frontispiece to Lubbock's Herschel Chronicle.
Physical descriptionback to top
Head and shoulders to right in brown coat, grey powdered hair, grey eyes, suffused purplish complexion (probably repaint); plain dark sky background.
Provenanceback to top
Sir William Watson, his son Dr William Watson, his sale in Bath c.1825, bought by Robert Walker and sold by him to the NPG 1860.
Exhibitionsback to top
Possibly Dublin 1861; 'The Heritage from Newton and Linnaeus', Stockholm, 1962 (77).
Reproductionsback to top
(1) Oval stipple by Ryder lettered: Painted by Abbott/Engraved by Ryder/GULIELMUS HERSCHEL LL.D: RSS./Sidera cuncta not at tacito labentia coelo/Vir. Aeneid Lib, 3/From an Original Picture in the Possession of Wm. Watson MD : FRS./Published as the Act directs Feb. 11 1788 by S. Watts No 28 Walcott Place, Lambeth. (2) A. J. Turner in his monograph lists 11 engravings and copies.
This extended catalogue entry is from the out-of-print National Portrait Gallery collection catalogue: Richard Walker, Regency Portraits, National Portrait Gallery, 1985, and is as published then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.
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