The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

Advanced Collection search

First Previous 1 OF 3 NextLast

Frederick Richard Pickersgill

1 of 3 portraits by Frederick Richard Pickersgill

Frederick Richard Pickersgill, by Frederick Richard Pickersgill, circa 1848-1849 -NPG 5183 - © National Portrait Gallery, London

© National Portrait Gallery, London

Later Victorian Portraits Catalogue Search

Frederick Richard Pickersgill

by Frederick Richard Pickersgill
Oil on canvas, circa 1848-1849
50 1/8 in. x 40 in. (1273 mm x 1016 mm)
NPG 5183

Inscriptionback to top

Original label on stretcher inscr.: ‘Property of the honorable LADY BENTHALL DRAWING ROOM M=4’.

This portraitback to top

There are two known likenesses of Pickersgill in oils; this early self-portrait and another he completed some forty years later, now in Aberdeen Art Gallery. By the time of this work, Pickersgill had already been elected ARA (1847) at an unusually early age, as well as gaining first prize in the competition for frescoes depicting British history in the Palace of Westminster. [1] His self-portrait would seem to express the confidence of this success, offering a somewhat conventional but handsome representation of an ambitious young artist holding paintbrush and maulstick. On the plinth behind stands a plumed helmet, a common studio prop but also historically allusive of victory and nobility.

Writing in 1850 about the Westminster competition, the Art Journal numbered Pickersgill as among those who ‘girded their armour for the coming contest in this peaceful warfare … but the campaign was delayed for a year and the troops went into quarters, the palette and pencils were laid aside by some, and devoted to other purposes by others’. [2] Curiously or coincidentally, this metaphor became visible in the stage armour donned by Pickersgill when sitting to David Wilkie Wynfield see NPG P82. The article contained a wood-engraving bust portrait of Pickersgill apparently drawn from the self-portrait, indicating that this was executed before 1850; if engraved elsewhere, no record has yet been found. Although Pickersgill continued to exhibit for thirty years, this period represents the high point of his career.

The precise provenance remains unclear, but the last recorded owner was the Hon. Lady Benthall, born Ruth Cable, daughter of Ernest (later Lord) Cable and granddaughter of Mrs G.H. Cable, born Emily Maria Pickersgill. Although Emily cannot have been F.W. Pickersgill’s daughter (she was married by 1859, when he himself had been married for only twelve years), a family link seems likely.

Dr Jan Marsh

Footnotesback to top

1) The prize was worth £500 and in addition the Fine Art Commission purchased his work for £400; see Robertson 1978, pp.330–31. The work is now in the House of Lords.
2) AJ, 1850, p.108.

Physical descriptionback to top

Three-quarter-length to right, left elbow on plinth, helmet with plumes in background.

Provenanceback to top

Hon. Lady Benthall; Christie’s, 27 January 1978 (9), whence purchased.

Exhibitionsback to top

Recent Acquisitions, NPG, London, 1979–80.

View all known portraits for Frederick Richard Pickersgill


Pioneer Podcasts

Listen to a series of podcasts exploring the lives of pioneering women, past and present.

Explore the podcasts

Untitled, c.1973 (Alex Chilton) by William Eggleston © Eggleston Artistic Trust

Eggleston Playlist

William Eggleston was closely associated with the alternative music scene in Memphis. Revisit our 2016 exhibition and listen to a special playlist.

Listen to the playlist

Archive interviews

Links to audio and transcripts of interviews with artists, sitters and historic recordings.

Watch, listen and read