The Gallery holds the most extensive collection of portraits in the world. Search over 215,000 works, 150,000 of which are illustrated from the 16th Century to the present day.

Advanced Collection search

First Previous 1 OF 12 NextLast

Henry Purcell

1 of 12 portraits matching these criteria:

- subject matching 'Music tour'

Henry Purcell, by studio of John Closterman, circa 1695 or after -NPG 1352 - © National Portrait Gallery, London

© National Portrait Gallery, London

Later Stuart Portraits Catalogue

Henry Purcell

by or after studio of John Closterman
circa 1695 or after
29 in. x 24 in. (737 mm x 610 mm) oval
NPG 1352

This portraitback to top

The identification is confirmed both by the Closterman drawing NPG 4994 and by Robert White’s closely related, reversed, engraving, the frontispiece to Purcell’s Orpheus Britannicus 1698, lettered: I. Closterman pinx. R. White sculp./Henricus Purcell/Aetat Suae 37.95, with arms.
Both Piper and Rogers agreed that NPG 1352 was probably not taken from the life, but no original is known. [1] Rogers considered it probably a studio replica and possibly by John Baptist Closterman, John Closterman’s elder brother. [2] It may well have been completed from the drawing NPG 4994 after Purcell’s death in November 1695, thus explaining both the careful (as opposed to animated) working of the head and the arbitrary treatment of the voluminous drapery. See NPG 4994.
A weakly-painted copy from White’s engraving, with A. F. Hill in 1932, was sold from a private gallery in Lincoln, Lincs., c.1990; another was illus. The Musical Times, 1 September 1920, p 589.

Footnotesback to top

1) The fact that White’s 1698 engraving differs from NPG 1352 in detail (drapery folds and curls of the wig) may indicate a second version.
2) Notes on file.

Referenceback to top

Piper 1963
D. Piper, Catalogue of the Seventeenth Century Portraits in the National Portrait Gallery 1625-1714, 1963, p 290 as perhaps not from the life, possibly ‘either a copy or an original taken from a bust’.

Rogers 1983
M. Rogers, ‘John and John Baptist Closterman: a catalogue of their works’, Wal. Soc., XLIX, 1983, no.81 as not of autograph quality, perhaps a studio replica.

Provenanceback to top

Mrs Emily Darton, Hitchin [according to family tradition, painted for an ancestor, Benedict Ithell (d. 1737), a governor of Chelsea Hospital, c.1700];1 purchased 1903.

1 ‘The portrait has been in the family for over 200 years, having belonged to an ancestor, Mr Benedict Ithell, Governor of Chelsea Hospital, about the year 1700’ (letter from H. Harwood Darton, 14 August 1903, on file). A niece of Emily Darton also said Ithell was a church warden of (the old) St Martin’s in the Fields and patron of the young Purcell, being instrumental in obtaining for him the post of organist at St Martin’s (Ithell Colquhoun, letter of 14 March 1925, on file). Ithell’s portrait was engraved by W. Faithorne I (J. Chaloner Smith, British Mezzotinto Portraits, 21). There is no means of verifying that Ithell commissioned the portrait.

Exhibitionsback to top

Gawthorpe 1987–94.


This extended catalogue entry is from the National Portrait Gallery collection catalogue: John Ingamells, National Portrait Gallery: Later Stuart Portraits 1685–1714, National Portrait Gallery, 2009, and is as published then. For the most up-to-date details on individual Collection works, we recommend reading the information provided in the Search the Collection results on this website in parallel with this text.

View all known portraits for Henry Purcell